WasAnnon Slow pace in the most part of the movie.

Prolabas Deeper than the descriptions

Calum Hutton It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

edwagreen Worthwhile film with some very interesting plot twists. What makes the film so good is that there is constant back-stabbing in the never ending plot twists.David Caruso and Kelly Lynch star as the 2 bandits who are on the lam following a jewelry heist, where Lynch used her gun to kill 3 people in the store. What follows is an absolute thriller with deception here as the name of the game.Caruso meets on the way a young black teenager, who pulls a gun on him before breaking down and telling him her sad story.On the other hand, Lynch fearing that Caruson will catch up and kill her for her betrayal, meets up with T, a very interesting character played by Chris Noth, in a totally change of persona for Mr. Noth.T is not as innocent and naive as he is made out to be. In fact, he is a plant by the Caruso character.The ending may be somewhat bizarre and violent, but remember the old Babylonian adage: An eye for an eye, a tooth for a tooth or simply, what goes around, comes around.Our teenager represents that there is redemption and justification for a second chance.

ccmiller1492 Disappointing film is cold, detached with unsympathetic characters and extreme violence. Though David Caruso and Chris Noth are terrific actors, their roles are not given enough depth to evoke any feeling from viewers. The two female roles are even less developed. Altogether a distasteful and distressing film.

DavidJM This is an interesting film with weaknesses and strengths already cited by many. But I'm on the side of good rather than weak.Cliches abound, but in the context of the characters, perhaps understandable since they're easier to use than real communication. This movie is about virtue versus the "bad seed". Who is and who isn't. The low life quest where everyone is out for themselves continues throughout with twist after twist. I found it a plus overall, even though some story transitions were puzzling if not far- fetched. I was entertained.

Gangsteroctopus John Ridley should stick to coming up with basic plotlines for other people to turn into good (or, in the case of "Three Kings", great) movies. If this film is any indication of his undiluted intent as a screenwriter then it serves as a case in point as to why some scripters just shouldn't be allowed to sit in the director's chair. The plotting is tiresome and utterly implausible in too many places (Caruso's escape from the hospital is ridiculously easy - and where does he get the money for the used car immediately afterwards? I suppose the cops just let him keep that big fat wad of bills in his hip pocket). And what is the point of having Stacy Dash's character narrate this whole inane, seen-it-a-million-times-and-always-done-better story? The only reason I can figure is that it fits in with all the other tired, overused 'noir' cliches with which this film overflows. One more thing: I swear I am gonna go ballistic the next time one character says to another character who has clearly just come out of hair and make-up, "You look like s--t." Talk about hackneyed dialogue! Give me a break...