CheerupSilver Very Cool!!!

Supelice Dreadfully Boring

Mabel Munoz Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Michael A. Martinez While not the shiniest star in the euro-crime lineup, this film features lots of tense thrills and the most impressive car stunts you'll see this side of William Friedkin.Marcel Bozzuffi makes for an interesting hero, not having the classic good looks of, say, Franco Nero, Fabio Testi, or Maurizio Merli. He DOES however know how to carry an emotional performance, playing the role perfectly of a motivated police inspector pushed even further to the edge by the cold-blooded murder of his wife.Bozzuffi imposes a pretty heavy carbon footprint with his 4-man squad of hotshot stuntman policemen on noxious motorcycles. One of them in particular gets to play dashing playboy and involve himself with TWO women of interest who just happen to have a connection to an ex-con (Antonio Marsina) they're trying to catch before he and Ivan Rassimov succeed in blowing up the city with non-nuclear suitcase bombs. Was this hotshot hero aware of these girls' proximity to villains or just fell into relationships with them as part of a heavily unlikely coincidence? The film doesn't really ever tell you, covering up its many plot holes and contrivances with stylish chase scenes, fist fights, a couple gun battles, explosions, and a surprise gore scene for when a poor criminal tries (unsuccessfully) to grab onto an escape car.While genre fans may be disappointed to see so few of the regular stock of Euro-henchmen get whacked this time around, we do find solace in having Ivan Rassimov take up so much screen-time in his most demented role yet as a psychopathic anarchist out to collect a heavy ransom at all costs with no qualms about murdering anyone and everyone in his way or on his own side. He becomes so tied to his detonator murder- mobile (complete with ominous and catchy Stelvio Cipriani theme) that you'll never look at a French Citroen the same way again. Between him, Marsina, and a particularly icky-looking Franco Garofalo, the villains of this film all come off as particularly loathsome, giving the audience plenty to celebrate should they be bumped off.Fans of motorcycle exhaust, dangerous crashes, colt .38 shooting, and hand-held shots of public bomb explosion aftermath will get a kick out of this movie. Dallamano took this genre seriously and thankfully avoids most of the idiocy inherent among other films of the Italian Motorcycle Cop subgenre. Also be sure to check out the spiritual successor to this film, STUNT SQUAD, which came the next year for more of the same. Unfortunately Dallamano didn't return to direct it... 'cuz he died.Most notable for its very prescient casting of a pre-famous Grace Jones as a nightclub singer (singing a Stelvio Cipriani song no less, only to later pop up in NIGHTMARE CITY) and far worse dubbing than usual from the regular gang of English language voice actors you'll hear in Italian movies. I suppose it was more difficult to read and match actor lip-movements while they're behind reflective glass via projector in a 1970's Roman soundbooth than it is on an HD television in 2017, so Ted Rusoff and the gang get a bit of a pass from me on this one. His stellar voice performance for Bozzuffi on the English track more than makes up for it.

HumanoidOfFlesh Captain Vanni(Marcel Bozzuffi)kills the brother of the vicious crime boss Marsiglese a.k.a. Black Angel(Ivan Rassimov)during warehouse shoot-out.Angry Marsiglese murders Vanni's wife in front of their kid.After the funeral his superiors decide to create special team of four motorcycle riding cops with Colt 38 pistols.Marsiglese returns to Torino with a gruesome plan which involves explosives hidden in suitcases plus plenty of ordinary people killed during detonations in public places.Very violent and exciting Italian polizioteschi flick with fantastic car/motorcycle chase sequences and some spectacular explosions.The acting by Marcel Bozzuffi and Ivan Rassimov is great as is the score of Stelvio Cipriani.8 Colt 38 pistols out of 10.

Coventry Italian cult cinema can be so deliciously rudimentary and effective from time to time. The whole basic concept of "Colt .38 Special Squad", for instance, is simply to exploit the immense success of the Hollywood classic "Dirty Harry" and expand it by throwing in an entire squadron of ruthless & trigger-happy coppers! Add to that an evil villainous character, a staggering soundtrack by Stelvio Cipriani and a handful of extremely violent sequences and we've got ourselves a bona fide Italian Poliziotteschi cult hit! Chief inspector of police Vanni is on the hunt for über-criminal Marsigliese and shoots his brother during a confrontation. Purely to make a statement, Marsigliese savagely executes Vanni's wife right before the eyes of his 6-year-old son. After this tragic incident, Vanni receives permission from his superiors to put together a special squad that doesn't have to follow the book of instructions and with the liberty of using heavier gun power. The squad immediately has its hand full, as Marsigliese's accomplices just stole a cargo-load of explosives and terrify the city with a number of bloody bomb attacks. "Colt .38 Special Squad" is a highly entertaining and action-packed Italian cop thriller, but personally I don't rank it alongside my absolute favorites of the genre. The reason for this is merely the lack of a monumental heroic character. Even though he starred in the popular blockbuster "The French Connection", lead actor Marcel Bozzuffi plainly doesn't have the tough and invincible charisma of other Italian cop characters such as Maurizio Merli, Luc Merenda or Franco Nero. He himself is a rather inconspicuous guy, and none of his squad team members are anything special either. In fact, they are so bleak and random that I often forgot their faces or mistook them for secondary petty thieves. Ivan Rassimov, on the other hand, is very memorable as Marsigliese and literally everything you expect from a devilish gangster boss! The film also contains multiple moments of uncompromising and shocking violence, like the aforementioned execution, a nasty hit-and-run accident and packages blowing up in people's faces. You can always count on Poliziotteschi movies for gratuitous bloodshed! This was – sadly - the last accomplishment of writer/director Massimo Dallamano before he died in a car accident. To me, Dallamano will always remain the genius creator of the greatest Italian giallo ever made ("What have you done to Solange?), but he also made the excellent psychedelic horror flicks "Devil in the Flesh" and Oscar Wilde's "The Picture of Dorian Gray".

Leofwine_draca COLT 38 SPECIAL SQUAD is a typical example of the Italian polizia flick, so if you're wondering what a Dirty Harry-inspired police film from the '70s looks like, then look no further than this. It's a film which exemplifies the best of a genre that's still hidden from most film fans today, who are missing out on the delights of Maurizio Merli and his contemporaries beating the hell out of criminal scum.Although this film doesn't boast any roles for big Hollywood names or familiar genre fans, it proves to be distinctly above average. That's because it tells a complex, action-packed story at speed, never slowing down for a second. There are robberies, kidnappings, assassinations, terrorism and even a bombing campaign, all delivered in a typically gutsy, as-it-is kind of way, free of sentimentality, the focus on the realism. Massimo Dallamano's camera never sits still for a second in depicting a kinetic struggle between criminals and the police.The essential story involves Marcel Bozzuffi (THE FRENCH CONNECTION) playing a tough Inspector with a personal vendetta against a criminal gang. He sets up a special squad, all armed with powerful handguns and motorbikes, to track down and take out the criminals, but of course it doesn't go according to plan. Although the way, the haunted Carole Andre gets caught between cops and bad guys, and Ivan Rassimov once again tackles the role of criminal mastermind. It goes without saying that the various action bits – shoot-outs, car chases, you name it – are second to none and miles ahead of most of what Hollywood churns out today.