KnotStronger This is a must-see and one of the best documentaries - and films - of this year.

Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Payno I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Nmkl Pkjl Ftmsch A diminutive, baby-faced pornographer by the name of David Sullivan had become one of Britain's youngest millionaires by the mid-seventies as the publisher of a handful of top-shelf magazines which were as strong as the censorious values of the day would allow (one of which was called Whitehouse, simply to annoy the self-appointed media watchdog Mary Whitehouse, which should give you some idea of where Sullivan was shooting from) and the owner of a nationwide chain of sex shops. One of his star discoveries was Mary Millington, a bisexual blonde butcher's wife from Dorking whose enthusiastic performances in underground hardcore porn loops made her the closest thing Britain had to its very own Linda Lovelace, who had become an unlikely global star after the success of the notorious Deep Throat. Understandably, Sullivan was casting around for fresh arenas to conquer, and cinema seemed the next logical step - after all, even though they were uniformly dire, the Confessions... and Adventures... series of modest low-budget sex comedies had all turned a healthy profit. With the right vehicle for his protégé, Sullivan could make a fortune.Enter George Harrison Marks, a nude photographer and purveyor of 8mm pornographic reels with a beatnik beard, a lively imagination and a taste for booze that would eventually cost him his life. Marks was no stranger to the cinema, either, having scored an unlikely hit with 1970's Nine Ages of Nakedness, and had written Come Play With Me as a prospective sequel - but his fondness for the bottle, an obscenity trial and bankruptcy meant it had to be abandoned. Meantime, Marks found steady work providing photo sets for Sullivan's magazines, and he took the opportunity to pitch his screenplay to his new employer. Never one to let the grass grow under his feet, Sullivan rushed the film into production and cooked up a series of extravagantly dishonest advertising campaigns which hoodwinked the public into thinking Come Play With Me would make Deep Throat look like kids' stuff.As it turned out, however, Come Play With Me was a simple musical comedy with its roots in music hall, end-of-the-pier farce, seedy strip club revue and naughty seaside postcards, an over-extended Benny Hill sketch bereft of Hill's trademark inventive wordplay, visual flourishes and any last remnant of comic timing. With a few judicious trims here and there, there's no reason why it shouldn't be shown on BBC1 on a Sunday afternoon - unless, of course, being absolutely terrible counts as a reason. Don't allow the number of familiar faces and old favourites in the cast to lead you to think you'll be able to salvage anything worthwhile from this paltry shambles - as director and co- star, Marks repeatedly failed to get the best out of his motley crew of old troupers (witness former Dad's Army and Survivors star Talfryn Thomas visibly laughing in the middle of a take, for example) and Irene Handl was left to idly improvise most of her lines. Dear old Alfie Bass later told horror stories about Marks being drunk most of the time, and fans of Mary Millington were left disappointed by her skimpy amount of screen time, most of which finds her indulging in a hammy approximation of intercourse with a middle-aged client and a brief lesbian tryst with Penny Chisholm. (Millington's army of admirers would be much better served by Sullivan's next film, 1978's the Playbirds.) Still, Come Play With Me - surely one of the most unsavoury contributions to Royal Jubilee year - was an enormous hit, running constantly in one West End cinema for a whopping four years and spawning a stage revue which featured Bob Grant from TV's On the Buses as well as several unofficial sequels. Seen today, one wonders what all the fuss was about, of course, but then we'll probably be saying the same thing about Mrs Brown's Boys forty years from now.

PeterMitchell-506-564364 Here's another of these bawdy, saucy, naughty, eye candy flicks, that the English do so well. Set on a sex health farm, with hotties and open nudity, a plus, we have two money forgers hiding out. They're quiet and demure amongst the much other younger guests, and with good reason, but really these two aren't the sociable type. With an intrusion of half clad hotties waking them up, they hardly even react. This verging cult hit has some great songs, one music choreographed number, done by some of the actors I couldn't get, out of my head. As in other sex farces too, some recognizable faces, you wouldn't expect to see in this, pop up. This movie too, gives a whole new meaning to irrigation, I don't want to go into. Come Play With Me is actually a saucy little entertainer with way enough nudity, to get your hormones rising, humor, and some likable forgers. A very naughty, raunchy comedy, London Style.

Ali Catterall It seems like an aeon ago that the likes of Mary Millington and Fiona Richmond were able to cause such uproar with their brand of dingy, don't-scare-the-donkeys soft-porn. Pre-MTV, this was sex the English way: socks on, lights out and trying not to burn holes in the nylon sheets during a giggly post-coital fag.It all makes you feel tremendously sorry for Britain's dirty mac brigade, shuffling into their sticky-backed cinema seats in Soho in the early 1970s to watch the likes of Millington's Come Play With Me - a god-awful sex-comedy less funny than the average Carry On (who'd set a bawdy precedent) and about as saucy as a bag of ready salted crisps.John Landis homages such stuff very well for An American Werewolf In London's film-within-a-film 'See You Next Wednesday', in which a pendulous-bosomed fishwife interrupts a spot of rufty to answer the phone.

filmbuff1970 this makes the worst Carry ON movie look like Classic Billy Wilder.George Harrison Marks is the most awful actor ive seen though his performance does make you laugh at him.the script is rotten and the song is one of the worst in movie history.1 out of 10