Confession

2005 "Forgive me, Father, for I have sinned."
5.5| 1h30m| R| en
Details

In a small Catholic boarding school an unspeakable act has been committed. When High School student, Luther Scott, confesses to Father Michael Kelly, Kelly is bound silent to the particulars of a grisly murder. Now, framed guilty by the desperate teen, Kelly must decide to keep his silence or throw away everything the priesthood holds sacred.

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Laikals The greatest movie ever made..!
Stometer Save your money for something good and enjoyable
Stellead Don't listen to the Hype. It's awful
Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.
moviesleuth2 "Confession" is both a thriller and a tragedy. There are no "evil" characters in this film, just people who make mistakes and don't know what to do after them.At a prestigious Catholic prep school, bad boy Luther (Chris Pine) is the guy the boys go to when they want booze, porn or movies. After he throws a party in the dorm, he gets himself and his weak-willed roommate Robbie (Lukas Benkham) expelled. When Luther realizes that the school nerd, David Bennet (Adam Bussell) was the rat, they want revenge, and David ends up dead. Now the police are sniffing around, fingering a priest, Father Kelly, as the killer. Father Kelly was the last one to see David alive when he told the priest that he snitched on Luther. But what they don't know is that Luther confessed to killing David, which means that as the police are gathering evidence to pin the crime on Father Kelly, he can't tell the truth.The characters in "Confession" exist in the area between good and evil called "human nature." Luther isn't a bad kid; he's a troublemaker, but he also feels incredibly guilty. Father Kelly is a good priest, but he has some secrets that he doesn't want told. Robbie is a good kid, but he's easily manipulated. These flaws are not only what define the characters, but they also drive the plot. The characters in the film do not act for the sake of the story; they act because it is in their nature.The acting is uniformly excellent. Chris Pine, who played Captain Kirk in the "Star Trek" reboot, is terrific as Luther. He's mischievous, but the fact that the police think that Father Kelly is the killer is driving him mad with guilt. Cameron Daddo is equally good as the aloof priest; he's a good man, but he's quiet and has a questionable past. Lukas Benkhan is not as good as the two leads, but he's still a guy who we can really feel for. He knows what Luther does is wrong, but Luther is so charismatic that he goes along until he's in way over his head. Peter Greene has the least developed part as the investigating cop, but he has an arresting presence.Director Jonathan Meyers wrote this script when he was 14, and considering the complexity of it, that's a stunning achievement. This film was clearly shot on an extremely limited budget, but Meyers makes the most out of it, giving the film a unique look. The sense of atmosphere is strong, and the pacing is terrific. It allows the suspense to build, while also allowing the tragedy to stew. There's really only one flaw, and that's a beginning scene where a wealthy senator, after seeing the party, leaves in a huff. The scene is heavy handed, and is not well acted by Robert Pine (Chris's dad).This film was not widely released, and that's a shame. Whatever you do, find this movie, and see it! You will not regret it!My rating: PG-13 for some violence.
lriordan-3 I am surprised by the negative reviews. The film is a lot better than most films that are produced. (Bondock Saints or Chuck and Larry.)The film is essentially a remake of Alfred Hitchcock's superb film, "I, confess," in which a priest is also framed for a murder he has heard confessed. (So the premise, and indeed the ending is not original.)The actors were far to old to be playing high-school characters and their acting left quite a bit to be desired. The priests and the detectives, however, are all quite good, especially Tom Bosley. Another comment seems to have mistaken who confessed the crime, it was the murderer, not the witness.
ecabezas Why wouldn't the priest at least say that someone that committed the crime confessed to him, therefore he can't reveal the identity. Instead he keeps his mouth shut and becomes a suspect. Pretty far-fetched if you ask me. Also why doesn't the pries encourages the boy to turn himself in...it would have been a better plot. Not a very believable movie. I was disappointed with the ending. This is not a movie I would recommend, unless you don't have anything else to watch. The character for the policeman is not very well developed either. In addition, the boy who was witness to the murder (accident really) is not very smart either. He should have talked to the priest not as a confession, this way giving the priest a way out form the confession rule.
Maddis Confession is a drama set in a catholic boarding school revolving around the escapades of Luther Scott, it's self proclaimed "go-to" guy for everything from alcohol to adult magazines. The film does a good job of setting up the character of Luther, portrayed by Chris Pine, and starts to take a turn when Luther is ratted out by one of his classmates after a dorm hall party is busted up by one of the head priest.I too was mislead by some of the comments on the board into thinking this was going to be something unique but instead found an average run of the mill TV movie. Starts out strong but drags heavily through the middle and it's predictable end.What I found incredibly distracting was that almost all of the key players, including the 25 year old Pine, were trying to portray 17 year old boys! The overall acting is pretty poor, including some laugh out loud moments, but is adequately carried by Pine. But still you can't help but think you are looking at young stock brokers instead of adolescents. The believability of Pine and some of the other characters as schoolboys was simply stretched too far.The plot is formulaic and at the end of the day leaves little to remember it by. A good candidate for Movie of the week but can't compete on the mainstream level. There are even mid-movie fadeouts where the commercial breaks will be. Save this one for the 2am "need to sleep" dozer unless you know someone who was in it.5 out of 10 Maddis