Titreenp SERIOUSLY. This is what the crap Hollywood still puts out?

Sexyloutak Absolutely the worst movie.

pointyfilippa The movie runs out of plot and jokes well before the end of a two-hour running time, long for a light comedy.

filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Woodyanders Shrewd criminal mastermind Sidley Lord James (smoothly played with charisma to burn by Thalmus Rasulala) gets paroled from prison. James concocts a bold scheme to steal three million worth of jewelry, but things go awry when human error encounters into the deal. Writer/director Barry Pollack relates the complex and compelling story at a quick pace, offers a flavorsome evocation of the gritty urban environment, brings an engaging hip sensibility to the already sound premise, and presents a neat rogues' gallery of colorful lowlife characters. The fine acting from the bang-up cast keeps this movie humming: Judy Pace as the sweet Obalese Eaton, Jim Watkins as bitter and down on his luck Vietnam veteran Travis Battle, Lincoln Kilpatrick as hard-nosed corrupt cop Lt. Brian Knowles, Sam Laws as jolly bookie Finian, Raymond St. Jacques as the slippery Bill Mercer, Stack Pierce as Mercer's shady partner Tinker, and Margaret Avery as the ditsy Lark. Pam Grier has a regrettably small part as a prostitute, but does at least bare her beautifully bountiful breasts. The amusing sense of cheeky humor and generous sprinkling of tasty female nudity rate as additional pluses. The heist is quite gripping and exciting. Kudos are also in order for Solomon Burke's funky chilling score and the polished cinematography by Andrew Davis. A nifty flick.

Wizard-8 The idea behind this movie - remaking "The Asphalt Jungle" with a mostly black cast - did have some promise. But the end results fail in just about every way you can think of. The movie is directed in a way that has some real grit and atmosphere - you can feel the run down atmosphere of 1970s Los Angeles. And things are wrapped up in the end in a cynical way that you could only get in 1970s cinema. But the screenplay is a mess. It takes FOREVER for the movie to really start going. When the robbery is executed, it comes as a surprise, since we previous saw almost no preparation for it. And after the robbery, the movie slows down once again, unfolding so slowly that I think even the black audience this was aimed at was sorely bored. It doesn't help that there is not one sympathetic character in the entire movie. This is one breeze that has the scent of a real stinker.

verbusen Some more input from the other review here, I caught a good print of this on TCM Middle East so maybe TCM US will play it sometime also. I enjoyed this escapist entertainment, you definitely would not take this movie seriously in any way. It's the kind of movie you would have caught at a drive thru or at a 2nd tier movie theater like on 42nd street in the 70's. Umong the best reasons to see this is a long full frontal of Pam Greere's bust, something that other movies she made early on lack but people rent just to see (like me, lol). As far as that goes, may I say that some things are best left to the imagination, the real thing will never live up to the fantasy (if there's a Rachel Welch/ Sophia Lauren/Gina Lola.... movie out there with actual nudity I'll pass now, I'd hate to spoil those fantasy's). The Asphalt Jungle is one of my favorite movies so thats the second reason why I wanted to see it (the Pam Greer factor was an unexpected surprise because I didn't know she was in this film). It's a low budget Blaxploitation film and of the few I've seen its better than most and for the white boy that I am kept me watching till the end (I lost interest in the others pretty fast). There's a good bit of T&A and a lot of it is nude, big pluses for me in a low budget flick. The story deviates from the earlier version but its not a bad thing, it's almost a must have for this to have some type of "good" ending. I didn't think the Whites were made too stupid or bad which was good, and probably makes this hold up better as time goes on. I really liked the acting by Sam Laws by the way, he did alright as did most of the cast and the ladies were very pretty (God I'm fixated on the babes in this flick, lol). Catch the sign at the Bathhouses front counter that says "No Homos Allowed" .....classic. 7/10 for the entertainment factor.

aodugo If you plan on watching this movie for the storyline, don't. Watch Asphalt Jungle instead. If you want to watch this movie because it's an excellent blaxploitation flick, PLEASE DO! It's a little long-winded, and starts to drag out at the end, so keep some munchies handy. (I also think that it tries to recreate Jungle with some veracity, which lends a bit of awkwardness at times.) However, keep eyes and ears open to the real exploitation going on in the film -- the white community that just does not "get it", the subtle jokes between the main characters concerning that fact, and the definite black pride (the pride not to be white) that the movie puts forth (although all of it from a paternalistic point of view, sadly.) Also, this was one of Pam Grier's breakout roles, so if you're a fan and expect to see a lot of her, you'll be disappointed, but Thalmus Rasulala more than makes up for it: he's the face you know but never can quite place, and is exactly the commanding presence and to-the-point bad boy that this movie needs. I left feeling like I needed to walk around with a wah-wah pedal playing my own little theme song for the rest of the day. (NOTE: I was able to see this film at a Library of Congress screening; it is my understanding that not many prints are available, and the film I saw actually broke half-way through but the technician was able to repair it. Good luck to you in getting the opportunity to see this one if you can.)