Asad Almond A clunky actioner with a handful of cool moments.

Lucia Ayala It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Paynbob It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Darin One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Mikeelliott58 Not bad in the sense it was technically well done and the actors were doing their jobs..I may be shallow but the nurse really ruined this.. she looked like a science experiment. She may have been a good actress but with a face frozen with Botox and lips that looked like they were about to burst from filler you would never be able to tell..She was a doll. She could not show a single emotion in a frozen face..For most of the movie her face was so shiny that it gave her an alien look.. I suspect she had had a chemical peel and was trying to hide the red.Not a great movie. Not a horrible one either.. but not good enough to distract you from the plastic woman in nearly every scene..

yeodawg Julia plays the damsel, a private nurse sent in third shift to care for an aging Godfather. Julia is in the room when a hit man Carrado kills the Godfather. He decided to show her mercy and let her live. But that's short-lived as now the hotheaded Godson Paolo and his head henchman Tommaso believes she set the Godfather up and are going to execute her, so now she is in distress. The Hit-man with the heart of gold sweeps in to rescue the Damsel in Distress. Paolo now in charge dispatches his legion of Goons to hunt down and kill the duo. Three things I liked; the cast was dragged up from Celebrity Rehab (sober house) and Sopranos of course. This meant these guys weren't slumming they were lucky to get the gig. There was a lot of add-libbing, at one point Tom Sizemore asks Frank Stallone if he has any coke because there has to be something better than Whiskey just to drink. I don't know if this was a scripted line or not, but Sizemore MEANT IT! There was a Tarratinoesque scene where the Goons are cackling and giggling as they pin a victim to a garbage can. The Hessian hit man over dramatically tries to play too cool silent killer. However his threats can't be heard over the cracking and teasing of the Neanderthal thugs. THE REASON I only watched 30minutes is because the heroine was atrocious. She's had so much cosmetic Surgery her face is transforming into the cat woman face. All that cosmetic surgery and not one cent spent on her breasts unless she had them reduced. I didn't want to see her naked, and what's the use in watching these movies, if you don't want to see the Damsel in distress, naked?

innocuous As I've said before, I can't give films like this just one star, mainly because the film is competently lit and you can hear the dialogue. A lot of indie films don't meet these criteria. Oh, yeah...and it has a story of sorts, with a beginning, middle and end.Unfortunately, that's about all it has. I like Johnny Messner and he certainly outshines everyone else in the cast, but that's not saying much. Sizemore and everyone else just sort of slides along, either chewing scenery or phoning in their performances.But I have to single out Candace Elaine, who it seems is an in-law of the director, as being the winner of "The Godfather III Award for Incompetency in Acting by a Relative of the Director and/or Producer." She is absolutely terrible in every single scene. It's beyond my ability to describe how bad she is and how she destroys every scene with any potential. My first guess was that this was her first acting job, but that turns out to be wrong. My second guess was that she was sleeping with the producer, but I won't explore that avenue. My third guess was actually correct (see above). As an added (admittedly sexist) observation, her face is shiny and her hair looks terrible throughout the movie as well. At least she hit her marks.This film isn't worth your time, unless you are a huge Messner fan.By the way, I'm getting really POed about this website trying to tell me that I spell "dialogue" incorrectly. One of the editors/moderators should consult a dictionary. "Dialog" may be an alternate spelling, but "dialogue" is preferred in both British and American English.

TheCornProject Corrado is one of those films that come along every so often that leaves you torn as to whether you truly loved or despised it. On both a technical and plot standpoint this film is mediocre at best. Perhaps my biggest gripe with the technical side of this film is the editing. Time & time again I see this kind of editing happening with low-budget independent features where scenes are cut into then cut out of very abruptly. What I mean by this is, most of the scenes in this film begin & end with a fade-in/out effect which I admit is not technically "wrong" but what does happen is it becomes a device for disjointing or unbalancing particular scenes within the context of the plot. There are some quality action scenes in Corrado where the tension is building to a climatic point only to be ruined by a fade out effect. The funniest thing that makes this all fit into perspective with what I am saying is; the credits for this film started rolling at the 73 minute mark! The editors didn't need to hack this film to all hell; in fact wouldn't they have served better preserving as much footage as possible in order to make this more than just a barely feature length film?Anyway as for the plot, lets just say the idea is as weak as a stack of cards...we have this dime-a-dozen macho hit man named Corrado (Johnny Messner) who is sent an assignment to hit a high profile 85 year old crime boss who already has one foot in the grave. Even though the hit quite obviously poses a high risk to his own health, Corrado's overzealous attitude leads him to believe that he is capable of pulling it off so he can claim the $500,000 prize. However this is not what makes the plot weak, no, it is what actually happens when this cold-blooded, calculating killer bumps into the nurse (Candice Elaine) caring for the old man. Instead of doing his job & popping both of them, Corrado suddenly develops a conscience & decides to rescue her from the clutches of the mobster's psychotic son, Paolo (Tom Sizemore) who is hell-bent on blaming her for the murder regardless. So as they get chased around LA County by Paolo's goons, Corrado begins to open up more of his humanity towards the nurse (for reasons unknown) as he unveils the horrific past event that shaped his life. With all that said, Corrado (the film) is not a piece a crap, believe me, I've had my fair share of that don't you worry! The positives in this film can be noted through the standard of acting, script-writing & plot themes that constantly keep this film edgy & non-stagnant. I as one commend Tom Sizemore for allowing his own acting status to be put to one side by investing his time in a little low-budget feature like this where he can 'let go' as an actor & become the full embodiment of his psychotic, alcoholic, womanising character (in true method fashion). Another one of my commendations goes to the title character himself, Johnny Messner. This guy has the physical attributes/presence, the accent/language & persona that makes him a plausible tough guy hit man. Johnny Messner is an actor that is going from strength to strength & while the plot in this film didn't utilize his most natural "bad ass" talents, I can say that his own characterisation of 'Corrado' was spot on!Now as I said earlier, the script is actually one of the positive factors in this film. From the very outset you could tell that the writer of this film was trying to make an impression on his viewers. The beginning narration paints Corrado as a no nonsense guy who compares peoples' "unfulfilled promises" as the "bounced cheques of my World". Writer-Director Adamo P. Cultraro obviously knows his way around this kind of crime-styled action genre with his witty off-the-cuff dialogue & his fearless attitude towards using profanity laced tirades (something which most writers fear being discredited for).The last point I want to make (in an already long review-sorry) is the plot theme that really saved this film from total disaster in the final act. Instead of this film going for a sentimental/happy ending, what the director has cleverly tried to do is tie in an all-important yet mostly overlooked theme, that being; does violence vs. violence really solve any problems? In all honesty, I probably would have trashed this film had it not been; for lack of a better term, 'brave' enough to throw out the male bravado crap in the finale & actually aim for something that the audience can meaningfully take away from their viewing experience.So do I recommend this film? Yes but on one condition. Don't watch it expecting the highest calibre of acting, story telling or production value. If you love low budget actioners that have less-than-likable characters, crazy plot twists & a social message thrown in at the end...this is the film for you!2/5