Inclubabu Plot so thin, it passes unnoticed.

ChicRawIdol A brilliant film that helped define a genre

Helllins It is both painfully honest and laugh-out-loud funny at the same time.

Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

MartinHafer In the 1940s, Monogram made a ton of cheap detective films. They not only took over the Charlie Chan series from Twentieth Century- Fox, but made many, many series and standalone private detective films. They were all quickly made and were also a tad cheesy--but most of them were also fun B-movies that are enjoyable if you are willing to cut them some slack. After all, they weren't meant to be anything more than escapist entertainment.Among the most obscure and least interesting of the Monogram detective films that I've seen is "Cosmo Jones, Private Detective". Now it isn't terrible--and fans of the genre will probably enjoy it well enough. But it also has many shortcomings--the biggest of which is the leading man, Frank Graham ('Cosmo') has less charisma than a moldy orange. It also lacks the laughs you find in many of them. Even with Edgar Kennedy and Mantan Moreland on hand as comic relief it never seemed funny, just forced.The story begins with Cosmo introducing himself to the police and announcing he's a detective...because he took a correspondence course on the subject! Not surprisingly they tell him to get lost! But when an heiress is almost kidnapped yet she refuses to tell the truth about this*, Cosmo looks into the case and finds evidence that she WAS nearly killed in this attempt. Eventually, she really is kidnapped so it's up to our super-dorky hero to solve the crime. After all, we ALL know in these films that the cops are total incompetents!!*Why this woman refused to tell the police never really made a lot of sense.

bkoganbing It's a Monogram film folks so don't expect too much. But if you're a fan of Harold Lloyd, lead character and creator of Cosmo Jones on the radio, Frank Graham, comes over like Harold Lloyd in one of his sound films. Cosmo Jones, Crime Smasher did his smashing on radio originally. In this film our hero freshly graduated from correspondence school and now a detective happens to witness an attempted kidnapping of an oil heiress. He's with Sergeant Richard Cromwell who fires some shots and wounds a 'bystander'. Cromwell gets no help from the victim who denies anything was going on and is demoted. That's when Graham goes to work with the aid of porter Eustace Jones played by Mantan Moreland on hiatus from Charlie Chan. It all becomes too real when the heiress is kidnapped for real.Mantan and his shtick help this film along as does Edgar Kennedy playing a police captain with Irish brogue added to his slow burn.Graham has a lot of screen credits, mostly however as voice only. This is one of the few times you'll actually see him on screen. I suspect Monogram wanted to do a series of Cosmo Jones films, but the demand was underwhelming.Graham in his crime fighting mode has the talents of voice mimicry and ventriloquism at his command. But I suspect not in real life. His impression of Edgar Kennedy was too real, it had to be dubbed.Sam Katzman over at Monogram had enough series with the East Side Kids and Charlie Chan. Another wasn't in the cards.

mark.waltz This is below par crime drama focusing on a kidnapped socialite who was involved with criminals and an amateur detective's attempts to solve this crime while visiting the big city from the sticks. It's all pretty mild stuff with comic moments from Mantan Moreland as a malapropism filled janitor that the titled character (Frank Graham), especially when they encounter bumbling cop Edgar Kennedy. In fact, when it was all over, I pretty much had forgotten what I had just witnessed with the exception of Mantan's performance (especially every time he encounters a dead body). Moreland is one of those black character actors who can be amusing if you can get past the stereotypical dialog he was forced to say, but it takes a genius of an actor to make you laugh in spite of the current political atmosphere concerning the type of roles talented black actors were forced to take on. In all fairness, the gangsters are presented equally as stupid, and they all happen to be Caucasian. Overall, this isn't any different or any better or worse than the hundreds of low budget crime capers made during the late 1930's and 1940's, only that the presentation is very mediocre and other than a few minor moments of amusement, the result is a weak Z grade feature that doesn't hold up as well as others.

Leslie Howard Adams "Cosmo Jones" was a country-bumpkin type radio character detective created by writer Walter Gereing in 1941, that featured long-time CBS radio announcer Frank Graham in the title role. The character was originally introduced on a CBS series called "Nightcap Yarns", except in the eastern states of the U.S. where it was known as "Armchair Adventures."CBS broadcast it as a network show in eleven western states, but not in the rest of the country. There, it was a 15-minute transcription show offered to radio stations on a sustaining basis for only the cost of the transcription records...until it could be sold to local sponsors. One of the reasons it may not have lasted very long was because some of the local stations may not have bothered to tell the producers of the program when they picked up a sponsor. It was offered as either a twice-weekly or three times weekly program, which meant some stations ran through the series 33% faster than others.Frank Graham was the announcer in 1943 on the CBS program "Tommy Riggs and Betty Lou", which featured in regular roles well-known radio (and film) names such as Ken Christy, Verna Felton, Mel Blanc, Elvia Allman and Bea Benaderet.In 1949, when Jack Webb left the CBS radio program "Jeff Reagan, Investigator" to play "Sergeant Joe Friday" on a new program called "Dragnet", he was replaced in the title role by Frank Graham. Webb had a little more success with "Dragnet" than Graham did with "Jeff Reagan, Investigator."It didn't matter what the character of "Cosmo Jones" looked like on radio---television without pictures---but in this movie he was costumed nearly exactly as Bob Burns was in Universal's "Alias the Deacon", and his character makeup had him looking a little like "Abner Peabody" on the "Lum and Abner" program.