Count Dracula

1977 "We belong dead"
7.3| 2h30m| en
Details

Jonathan Harker visits the Count in Transylvania to help him with preparations to move to England. Harker becomes Dracula's prisoner and discovers Dracula's true nature. After Dracula makes his way to England, Harker becomes involved in an effort to track down and destroy the Count, eventually chasing the vampire back to his castle.

AD
AD

Watch Free for 30 Days

Stream on any device, 30-day free trial Watch Now

Trailers & Clips

Reviews

Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.
Salubfoto It's an amazing and heartbreaking story.
Bessie Smyth Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.
Payno I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
jacobjohntaylor1 This is a great movie. This version of Dracula is the closed to the book. It is best on one of the best horror book ever. So it is one of the best horror movies ever. It is very scary. A r.o.m.a.n.i.n vampire movie to England to find new victims. This movie has a great story line. It also has great acting. It also has great special effects. If you do not get scared of this movie. Then no movie will scary you. This is a classic. Louis J.o.u.r.d.a.n who play the part of Dracula also played a Bound villain. In O.c.t.o.p.u.s.s.y staring Roger More. He did a great job in this movie. B.o.s.c.o Hogan who play the part of Jonathan H.a.r.k.e.r was also great in this movie. B.o.s.c.o Hogan was also in King Arthur.
minamurray This 1977 BBC miniseries, written by Gerald Savory and starring Lois Jourdan, is indeed most faithful version of Bram Stoker's 1897 novel. However, the excellent story is told with all the anemic dullness of BBC Jane Austen adaptation. Sets, costumes and photography are dull and despite small budget, this lacks even camp charm - just like Judi Bowker's pale Mina , everything is decent but lifeless. 1992 version told the story with sumptuous imagery of Victorian and Gothic and (no pun intended) full-blooded life, so did Hammer's 1958 masterpiece, 1979 version was stylish and fun, and both Universals 1931 classics, English and Spanish, had atmospheric beauty. This pales in comparison to all of them.
wparlette It is near perfection. The acting along with the eerie music make this a movie to remember as I have since a child. As I mentioned up top in the summary, the silly looking bat props are a serious flaw but otherwise there is nothing to fault. In fact, the effects that are used are quite good despite being simple(mist, negative film images, etc.) I just finished watching it a short while ago after 30 years. Without trying to sound cliché, it was like reliving a memory. Now that I have it on DVD I can go back again and again...at least until I get sick of it. I note there are other reviewers who also, as I do, can't figure out why this movie didn't have more staying power than it did.
Radu_Vladislas The last time I had seen this was on TV back in the early 90's. That was to my knowledge the last time the BBC aired this classic. I recently ordered this from Amazon and it arrived this morning and I refrained from viewing it till nightfall. I started it about 10:55pm and it finished around 1:28am as I paused it for a snack break but only for a few moments. Anyway, all the memories came flooding back like it was just yesterday I had viewed this, not the early 90's.The atmosphere in this is amazing so it is. The music is perfect for every situation, it is creepy and tense, and works wonders for the movie. The set pieces for every location are exceptional too (the graveyards and castle and forest thick countryside). They really do stand out and grab hold of you and don't let go as you are pulled into the storyline through the exceptional music and surroundings. Night time for example when Jonathan was stranded at the pass waiting on Dracula turning up for him, the storm in that scene was VERY atmospheric. The thing is it probably helped that I was watching it when it was raining outside and the wind was blowing strong, that and with it being night made it all the more enjoyable to view.At this moment in time I am listening to the "Nox Arcana" Gothic ambient album called "Transylvania" and it is giving me goose bumps as the movie is still fresh in my mind, this is because it is not long finished (about 10 minutes ago). I highly recommend this album to those into the creatures of the night and their activities. A nice atmospheric piece listening to it in the dark (like I am at the moment).The cast in this production is flawless. Louis Jordan as Count Dracula worked really well. He brought a sort of stern not to be messed with look to the Count in his performance, and yet still managed to be seductive to the ladies as well. Frank Finley is on top form as Professor Van Helsing (but when is Frank never a joy to watch). Judi Bowker as Wilhelmina 'Mina' Westenra is eye candy for me. She is a honey so she is. Her performance is not flawed in anyway what so ever. I think everyone else I have not mentioned gave 100% to their roles. The cast was very well chosen indeed, well done!.In my opinion this is THE BEST version of the book to movie by far. The BBC are damn good at making atmospheric shows (Survivors, Count Dracula). It is this sort of movie (TV movie in this case) starring Louis Jordan that makes me support British horror over everything else when up against other countries in the same genre. And in saying that this Louis Jordan Dracula production, along side Hammer Films, cannot be beaten for exceptional set pieces and atmosphere. It's things like Hammer movies and Count Dracula (1977) that make me proud to support the British movie and TV industry when gems like this turn up. I'd like to see Danny Boyle and Neil Marshall do something along this line of movie, they would be good at it. Danny Boyle and Neil Marshall are the new Terence Fisher's of British horror.