Maidgethma Wonderfully offbeat film!

Intcatinfo A Masterpiece!

Ketrivie It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.

AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Terrell-4 Years ago Robert Redford bought the screen rights to a bunch of Tony Hillerman mysteries. He's been the force behind one movie (The Dark Wind, 1991, with Lou Diamond Phillips and Fred Ward as Jim Chee and Joe Leaphorn) and three television movies, all with Adam Beach as Chee and Wes Studi as Leaphorn (Skinwalkers, 2002; Coyote Waits, 2003; and A Thief of Time, 2004). Redford has yet to get it right. Coyote Waits is the best of the TV movies, but it suffers from the same conscientious flaws that mar the other three productions. It's best to remind ourselves just why Hillerman's mysteries are so good: They are complex yet believable; are set in what, for most Americans, is an exotic locale within a culture which is not well known; and the mysteries are superbly constructed and well written. Hillerman educates us along the way -- if we want to be educated -- about Navajo people, customs, history and the Navajo belief system. He makes clear the tension between modern needs and traditional values, but he does it matter-of- factly, with no preaching, and always within the context of the mystery he's telling. Redford and his team almost perversely get it backward. More than any of the other flaws, it's the reverential treatment given to the Navajo and their land that sinks these movies into culturally-approved lessons. Instead of trusting the audience to take up what they will and learn from it or not, as Hillerman does, we have sweeping camera vistas of the land at dramatic moments; a generically sensitive "ethnic" score that tries to tell us what we should be appreciating in the Navajo belief system; and a need to cram in so many plot points from the books with messages about Navajo issues that the mysteries themselves become disorganized. Coyote Waits eventually settles down to a better than average telling of Hillerman's story, which involves a ruthless search for old bones. A great deal of money and an enhanced reputation are the prizes. There's murder and avarice, rattlesnakes and Bolivian coins and the continuing conflict within Chee over his job as a cop and his gifts as a healer. Chee and the older Leaphorn wind up working together but on parallel aspects of the case. It makes for a neat way to keep the two different men prominent in the solution. The director and writer have managed with partial success to keep the focus on the story. Coyote Waits is far more coherent and with less of the reverential stuff that so marred, in my opinion, Skinwalkers and The Thief of Time. You might want to give The Dark Wind a try. Phillips makes an interesting, if young, Chee. The movie, however, also keeps getting sidetracked into overly respectful appreciation of the Navajo way. The Navajo deserve better...which they get in the Hillerman books. I give this movie a better-than-average rating because, even with the movie's flaws, the team tried to do a better job. When they concentrated on the mystery, the movie works reasonably well.

mielluse OMG!!!! It was so cool to see home on the small screen, I just moved out east and was missing the Frontier, and there it was on PBS. You could see UNM in the background. That's where I used to eat, and I used to waltz around that campus!!!! I love any movie that films in my home state; there aren't any real mountains out here. Just grass. Having read the book and seeing it translated onto film is always hard because most of the flow and context is lost. Hillerman has developed these characters over a series of novels, and his fans are familiar with them and need no guidelines. For those that haven't read the book, they probably got lost in the story line. (I don't buy Adam Beach as a Navajo, he's too pretty. The acting itself is fine, though.)

Director Jim The second American Mystery! Special from a Tony Hillerman book, that basically picks up where the first one ended. Praise should be given to the producers of Mystery!, the ones who listened to the American audience when it begged for stories from American writers that were set in America. Both Adam Beech and Wes Studi reprise their roles as lawmen, seeking truth this time about an unlikely murderer and the crime he supposedly committed. The struggle between mythology and law continues in this movie as Adam Beech's character, Jim Chee, has to deal with doubt and remorse, and Joe Leaphorn, played again by Wes Studi, reluctantly seeks positive proof about the reservation murder.Robert Redford also lends his name again as Executive Producer, thus ensuring the unchanged production value. There is no doubt that the next movie, due to air in Spring of 2004, will exceed its predecessors in taut, mysterious entertainment.

me43 Based on a Tony Hillerman novel, "Coyote Waits" brings back characters familiar to viewers of "Skinwalkers" and 1991's "Dark Wind", which starred Fred Ward and Lou Diamond Phillips. If you have not seen the previous films, you can still enjoy "Coyote Waits" for its own sake.Adam Beach reprises his "Skinwalkers" role as "Jim Chee", alongside other "Skinwalkers" veterans, Sheila Tousey, and Wes Studi. None of the three are actually Navajo, though they are Native American. Personally I think casting should be based on the best actor for the part, and would have liked to see Phillips reprise his role. Beach is not a Navajo either and is still learning his craft; Phillips is a seasoned veteran. (Before folks get upset let me say this, tribal background should be taken in account when casting Native American roles. It is insulting to insist the tribes are interchangeable. Recall how silly it was for a Swedish accented actor to play a Frenchman in "Good Will Hunting"? It is the same point here.)Presented in letterbox format, the scenery is at once mystical, isolating and all-encompassing. The production values lift it above "made for tv" status. The language, mild by todays standards, does use the popular term for excrement several times, but not gratuitously. The scenery is beautiful. The picture-postcard-blue of one scene's sky is so beautiful it brings a tear to the eye.The plot is not as meaty as it could have been and some roles could have been eliminated without too much loss to the whole.The intentions are good but there comes a time when intentions should be removed from the equation. "Coyote Waits" is not as fulfilling as it could have been, regardless of its intentions.