Boobirt
Stylish but barely mediocre overall
GetPapa
Far from Perfect, Far from Terrible
Tayloriona
Although I seem to have had higher expectations than I thought, the movie is super entertaining.
Stephan Hammond
It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
Scott LeBrun
Rick Morales (Gregg Thomsen) and his girlfriend Melissa (Cher Butler) are two inner city kids who have the potential to escape their grim surroundings. But he blows it when he impulsively goes gunning for revenge, after his cousin is shot dead. While he's in prison, she hooks up with the charismatic B.T. (Clyde Jones), who gets her hooked on drugs. Eventually, Rick gets word of the sorry state she's in - among other things, she is acquired as "collateral" by powerful drug kingpin Steadman (Jim Brown) - and works out a deal with police detective Lt. Johnson (Richard Roundtree) to get out of prison so he can dig up some dirt on Steadman.The script, by Blake Schaefer, is very routine, and the direction, by Michael Fischa, is largely uninspired. Still, there's something to savour about these trashy "message" potboiler features, this one produced by the almighty Cannon Group. It does create a reasonably seedy and depressing atmosphere, due largely to some good location filming. This is a world that chews up many a young person and spits them back out, and there are characters, predictably, who don't make out too well. The violence is effective, as are the moments of sex and T & A.Bad ass dudes Roundtree and Brown are worth watching. Roundtree doesn't exactly have to stretch himself a whole lot, but he's still cool. Brown is subtly powerful as the head bad guy. Anthony Geary of 'General Hospital' fame is cast as the well meaning teacher. Future film director F. Gary Gray ("Friday", "The Negotiator", "Law Abiding Citizen") has a tiny part as one of many gang members. Lovely Angel Tompkins does fairly well in a change of pace de-glamorized character role as Melissas' alcoholic mother. Thomsen and especially Butler are good as the kids at the centre of the story.There's nothing special about this one, but it does entertain.Six out of 10.
ManBehindTheMask63
Pretty sleazy exploitation flick from Cannon that has decent production values and above average action scenes. "Crackhouse" is pretty brutal and the violence is quite gritty.Ex-Playmate of the month Cheryl Butler (credited as Cheryl Kay here) shows off her assets but also turns in a rather haunting performance. She played a strung out junkie very convincingly. The rest of the acting is typical 80's cheese and Richard Roundtree plays his usual useless cop role. "Crackhouse" is pretty brutal and the violence is quite gritty.The best part about "Crackhouse" is that is features Jim Brown as a sleazy drug dealer who keeps women locked up in his crack house. After Brown has his way with the girls he tosses them over to his fellow drug dealers so they can perform gang rapes. Brown even tells a lady she "smells like sh*t" and that she needs to wash her a**hole. Pretty entertaining stuff.The dialog is also amusing. During a fight with a drug dealer who strung his lady out on crack, hero Rick screams "Fu*k you, fu*ker!" before smashing the guy's head through a van window. Then he blows up the guys van and walks away (without looking at the explosion of course).Luke from General Hospital pops up as a school teacher who happens to also be the biggest drug supplier in town (?) and forces a student to strip for a crack rock.Check the film out if you like 80's exploitation or Cannon Films. It's entertaining and well made.
premont
This film essentially contains all the elements of a great 70's exploitation film, except it was done in the late 80's for the direct to video market.You have a young couple in love, but the whole world around them is involved either in crack dealing or gang violence. When the boyfriend goes to jail, the girlfriend ends up vulnerable to all the criminals, who are everyone in this movie except for the cops. First she gets hooked on crack by a dealer and then because he owes drug lord Jim Brown money, she becomes Brown's property. Then she's basically enslaved in a military style crack house that the movie is named for.As if this isn't enough reason to see this movie, you also have Anthony Geary playing a seemingly conservative school guidance counselor, but he's really a major crack dealer. In a sleazy yet hilarious scene, he demands sexual favors from the heroine because she has no money for a fix. In an earlier scene it was established that he is her counselor. That scene and another where Jim Brown forces her to take a scalding hot shower because she stinks are hysterical. Lead actress Cheryl Kay was really good in this film. Tarantino, bring her back.It's not surprising to me that someone mentioned in another review that Tarantino is a major fan of this. It has just the right blend of comedy, action, sex, romance, and yes a central message to stay away from drugs. Jim Brown's villainous turn here deserves to be mentioned in the same breath as another great 80's B villain, Wings Hauser in Vice Squad. Sometimes I think there should be a b movie Oscars where performances like this could be acknowledged. In the meantime let's hope that the modern straight to DVD filmmakers learn learn to use this same type of tongue in cheek humor.
tlongo
I saw this movie for the first time when Quentin Tarantino showed it to a bunch of us at the Alamo Drafthouse in Austin. He prefaced it with how freaking awesome he thought he was and how funny it was and in the context of his explanation, it was HILARIOUS. I can see how it would be damaging to some audiences, and the subject is not funny at all, but there are at least three lines in the film that had me laughing so hard I thought I'd pee. They don't come until after the halfway point, but when they do, oh God...you will die. Oh and Jim Brown is brilliant. He's not in a lot of the movie, but when he's there, you know whose movie it is. Naturally, the best line in the movie (and the funniest) is his; you'll know it when you hear it.