Creepshow 2

1987 "When the curtain goes up, the terror begins."
6| 1h29m| R| en
Details

Three macabre tales from the latest issue of a boy's favorite comic book, dealing with a vengeful wooden Native American, a monstrous blob in a lake, and an undying hitchhiker.

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Reviews

Kattiera Nana I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Hattie I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.
Yvonne Jodi Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.
Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable
zanderisthemander This is one of the best horror movies of all time - and certianly THE best anthology ever. The tight three stories are all so different, but still so CREEPY that they tie in together for a true masterpiece. The Raft is my hands down favorite. A battle for the ages. What is that thing?? It's what we all fear: the unknown. It's a mythical piece of ooze, that represents everything awful - and possibly a precursor to pollution awareness. The hitchhiker is great too, and a subtle racial overtone too? The first Creepshow is obvi amazing, but this one takes the cake (no pun intended re: Father's Day in CS1).
ironhorse_iv While, 'Creepshow 2' directed by Michael Gornick is not the scariest movie out there, based upon the short stories by author Stephen King. I do have to say, this American live-action/animated horror taken from tales from King's 1985's collection book, 'Skeleton Crew' ,can still give you, goosebumps, while watching it. Without spoiling, too much of the scares, like the original horror movie, 'Creepshow 2', was supposed to have, five short stories adapted from author Stephen King, being told, during the course of the film. However, due to budgetary reasons, two of the stories, 'Pinfall' & "Cat from Hell', were scrapped; with the latter, being filmed for 1990's 'Tales from the Darkside: The Movie'. Instead, the movie went with three stories structure with "Old Chief Wooden Head' on the helm, 'The Raft' as the meat of the story, and 'The Hitchhiker' being the climax. While, this story structure might sound right to some critics, since the first tale is most developed of all the three stories, had the longest sequence in the film and on the surface level, the most controversial story facade of the three, since it deals with Native Americans. I still believe, there is still a problem with having it, display in the forefront. First off, the story about a wooden Indian decor, taking revenge on some unlikeable robbers for killing his cigar store, owner, Mr. Ray Spruce (George Kennedy) was pretty bland and somewhat boring. It's no 1980 'Shining'. It's just another simple minded revenge story. Nothing really smart or scary about it. I was really hoping for a Golem like, complexity feel to the story, but it just felt safe & disappointing with the sequence being not really gory with most of the kills being off-screen, and the visuals, not being challenging. Still, I do have to say, the acting throughout it, was good, and the story does leave the audience with a feel good moment, even if the action is somewhat cheesy and silly. However, it wasn't nothing worth, putting as the first sequence in the film. I thought, the story would makes more sense for it to be the climax, as it allows the audience to leave, with a somewhat cheering moment, seeing how the other two stories have, very obnoxious protagonists. Since the movie didn't do that, the rest of the film really leaves a sour taste in the audience mouth. That brings us to 'the Raft', a story about a group of very unlikeable teenagers, getting trapped on a floating raft, when they discover a carnivorous mysterious blob that looks like an oil slick in the lake, surrounding them. Unlike the first story, I kinda dig this concept. It reminds me of the isolation horrors genre films like 2016's 'the Shallows' mixed with the style of 1990's 'Tremors'. Just wish, it expanded the story, not by exposing the origins of the creature, but showing the madness of the characters slowly developing, while being trapped on the raft, like the source material. It really could been, a strong environmental & psychological message if it wanted to. Still, it not, a big deal. The only problem with this sequence story, I really had, against it, was how dumb-down & awful, the characters, were. Why would one of the character accept to grope, another character, during a tense moment, while being trapped on the raft!? It makes no sense. Another problem with this sequence is the acting. Daniel Beer as Randy AKA Poncho is one of the worst actors, I have, ever witness in a horror movie. He really does destroy, the tone of this sequence. I can't help, laughing, how bad, his reactions were. Yet, unlike 'Old Chief Wooden Head', I was not disappointing with the visuals here. While, the creature look like, a rain-out, trash bag. It still look somewhat scary. Also, the oily deaths were very gruesome and the suspense was equally, worth the punch. Even the ending was somewhat clever with the sign and the creature being able to go onto land was a lot better, than the generic and clichés story ending, we got, with 'the Hitchhiker'. This story was, by far, the most, bland of all of the three, with the protagonist, Annie Lansing (Lois Chiles), accidentally kills a hitchhiker with her car, only to be haunted later, by him, on her way home. It was hardly scary. The only scary part of the sequence, was seeing Stephen King cameo as a truck driver. It's very surreal to see, seeing him, here, seeing how he would end up, get run over, in 1999 in similar fashion. It almost seem like he wrote his own prophecy of attempted demise with stories such as this, and other novels like 1987's 'misery' & 1983's 'Christine'. Sadly it was ruin, by how silly & unrealistic, the driving scenes were, and how cheesy, the one liners, was being spoken. Sadly, this sequence was lot more cartoony, than the animation sequences, featuring a kid fighting off, bullies with giant Venus flytraps that were intermixed as prologue, interlude, & epilogue. Despite that, at least, the animation sequences were well-drawn. I just wish, the post-credit scene wasn't there, as it kinda ruins the illusion of the comic book movie with its preachy, safe message about not blaming comic books for juvenile delinquency. I guess, this was added, after parents complain about the first movie, being too violent and gory. It just didn't fit. Nevertheless, 'Creepshow 2' just didn't performed as well, as the first movie. There were far too little thrills, and even fewer appeal to intelligence to be a great film. At least, it was better than the unofficial sequel, 'Creepshow 3' in 2006, which had no involvement from Stephen King or producer, George Romero. That film was horrible. In the end, while, this movie might be below average. I still think it's worth checking out, at least, once. After all, there is no business, like show business.
Dr Jacques COULARDEAU STEPHEN KING – GEORGE ROMERO – CREEPSHOW 2 – 1987 The film was even funnier because they had mixed up the audios ON THE DVD and they have Castilian twice and French once but no English. At least I could not find it. So I watched it in Castilian with English subtitles. I must say the language then gives a density to the Monstrous Creep that is really striking in all meanings of the word. There is nothing new of course in these stories that we have read, probably several times. The three stories are definitely amazing. The first one, "Old Chief Wood'nhead" seems to imply there is among the older Indian generation some decency that the younger generation cannot understand, nor respect, but the ghosts of the dead can come back to bring justice, though a death for a death is not giving life back to the victims of the greed of the younger generation that is going to Hollywood as is well known. They have always dreamed of meeting John Wayne on one of his Indian killing spree. At least they had the intention to go.The second story, "the Raft," is once again about young people, two couples who decide to go wild on marijuana and on some forlorn and forgotten paths where signs are overgrown with shrubs and trees and are no longer visible. Vain they are and uninformed they remain and they dare do what is advised not to do on the sign they haven't seen. They end up eaten up by some aquatic monster. Yam! Yam! Says the monster. It only takes one overexcited young man to lead the four of them into the water and to their death. Young people have always been what they used to be and what they will be. Boys will be boys and girls the same.The third story, "The Hitchhiker," is a phenomenally funny story, more than frightening. A white rich lady on her way back from an afternoon with a gigolo (by the way rather cheap) gets berserk at the idea that she will be discovered by her husband because he said he was going to arrive home at 11.30 and she can't make it by that time. Find an explanation if you can. She thus has a problem with a black hitchhiker she turned into a ghost and the ghost haunts her all the way and at the end finally gets even with her. The details are absolutely appetizing. You will be ready for a second helping after licking your fingers clean of the blood of the dead man. Don't forget crime and horror are like pizza, the second slice is always better than the first.Enjoy your petits fours and canapés, and wash them down with some Bloody Mary.Dr. Jacques COULARDEAU
poe426 Michael Gornick shows a lot of promise with CREEPSHOW 2; unfortunately, it's not enough to overcome a very bad script. The first episode in this three-part anthology, "OL' WOODEN HEAD," is the best written, but that's not really saying a whole lot. The second episode, "THE RAFT," seems rushed: very little time is spent building anything even remotely resembling suspense. This may well have had something to do with the weather where this one was shot: everybody in this segment seems to be on the verge of freezing to death. At any rate, Today's audience(s) can ascribe it all to the BP oil spill... The final episode, "THE HITCH-HIKER," is the least interesting because it's been done to death (most notably as an episode of the original TWILIGHT ZONE); Stephen King simply has nothing to add. Like Tom Savini with the 1990 remake of NIGHT OF THE LIVING DEAD, Gornick rose to the occasion when he got a chance to direct; unfortunately, like Savini, it didn't pan out. More's the pity: both the 1990 NIGHT OF THE LIVING DEAD and CREEPSHOW 2 have one thing in common: both are very well directed.