NekoHomey Purely Joyful Movie!

Protraph Lack of good storyline.

Seraherrera The movie is wonderful and true, an act of love in all its contradictions and complexity

Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

rstout3526 A French gangster film set in Paris with a very thin plot, lots of blood & gore, little or no character studies or plot lines, violent misogynist sex. I kept watching this and waiting for a plot to emerge. It didn't happen. The film starts with episodes of the various factions or gangs involved. One gang member is imprisoned. From then the film simply becomes a series of killings and murders until few of them are left. Reservoir Dogs it is not. Meserine it is not. Ronin it is not. The screenplay appears merely to be a pastiche of the best and worst of American gangster genre. The characters here are portrayed as cold violent individuals. Some characters have no apparent place within a thin plot - just filling up road kill. All this violent mayhem in a capital city and not a single policeman in sight? I found this film to be without much merit and not one that I would watch again, or indeed recommend.

tikke I enjoyed watching this film. Powerful acting from the cast and specially from "Philippe Caubère". I hope he does more films in the future in the "crime" category. I would cast him as the villain, bad guy anytime : ) I don't understand the negative reviews not finding a storyline here :) A good film needs to have your attention for its duration, and believe me this film does that. I'm from LA, the movie capital of the world. Nowadays films are made by the kilo here :) but there is no quality. Give me a dozen "Truands" per year and I'd be a happy audience!!

Cinema_Fan Paris Lockdown: this one-man army of a wet paper bag of poor excuses of a wannabe gangster film, this is as empty as a crêpe Suzette in a nunnery on a Sunday morning. As rich as poor taste goes, yes there's boobs, bottoms and nodding heads galore but takeaway the sleaze, the flying bullets and the flash cars then all we have done is landed on the square that tells us to "Go Back To GO, do not collect £200...start again".This is as deep and meaningful as gutters will allow it to rise, while an insight of Parisian lowlife drug smugglers, pimps and killers, there is just nothing to add to the narrative. Nothing. The characters are living the life of a one-dimensional caricature. We are given a so-called gang leader who simply is not memorable, and his pet dogs are just as easily put-down and unmissable as the whole sorry affair.The entire episode here seems too have been pulled out of any sequence in their life, it is a Soap Opera of blood and thugs. This is a basic rise and fall of a Paris crime boss who lives his life whoring, shooting and, again, shooting. The development of these people is as far as your next bus stop to Plainville, even the Robert De Niro look-alike and his greased-up hair looks too pastiche, too…already done.Frédéric Schoendoerffer, director, has placed the action in the seedy side of town, the bars, strip joints and night filled streets of Paris, France, Europe and to be fair, any self respecting Parisian gangster seeing this sad debunkle would be, allegedly, embarrassed.With just a touch of bewilderment, this crime-caper has no direction apart from up. It is not a poorly made film, it's, forgive the pun, executed well, nice offensive language, great looking girls and mean mothers' doing their job, only too well. Some nice, forgive the pun, once more, location shots and bad attitudes, the odd torture sequence, done very nicely too, ouch. However, it is the putting together of this work that to make any coherent sense a plot, let alone a sub-plot would have been acceptable.These guys are hard-core but when the spotlight of the good-cop, bad-cop is shining on their sorry backside, it is the whole main feature that will give the game away and get you busted, sent-down and sent to solitary

GUENOT PHILIPPE "Truands" is a movie I love because it destroys all the clichés gangster movies usually give us. Rise and fall of thugs, features where violence keeps close to romance,and where main characters are nevertheless sympathetic for the audience. And when they die, the same audience suffer in the inside. See "Scarface", for example...With "Truands", except some scenes where there are dialogs taken from "Scarface" - such as "You think you can f...me?!!!" "Nobody f...me!!!"..., everything is different from other pictures. There is no trace of sympathetic character. And of course no humor at all. Nothing to do with Tarantino. Every one is Absolutely nasty at possible. Every one. It's disgusting. If you wait for some moral or ethic, you'll puke all over the joint...No emotion either. Debauchery, treason and slaughter. Baths of blood all over the movie. Bullets, buck shots 00, riot guns, M 16....All the details for "Truands". In summary the real underworld.The character played by Benoit Magimel is absolutely out of his usual ones. Angel face Magimel is here a ruthless murderer, a professional killer. He and his buddy Olivier Marchall played a duo of killers which reminds me some American classic...----------BEWARE SPOILERS-------------------------And there is no end. Life goes on for the nasty ones.But I love that.It changes.