Alicia I love this movie so much

Ehirerapp Waste of time

FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Forumrxes Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

lemon_magic "Criminally Insane" is one those movies so uncompromisingly itself that watching it becomes almost an "arthouse" movie experience. The dreariness and awfulness never let up, even for an instant, and the cheapness of the production ends up working in the movie's favor and increasing the impact. I have to rate it a "2", because, let's face it, "Criminally Insane" is TERRIBLE. Compared to this movie, John Waters made Disney comedies (because as awful as his film families were, the members seemed to care about and love each other) and Herschel Gordon Lewis was making Cole Porter musicals. But I will admit - watching this for the first time is a memorable experience.

Michael_Elliott Criminally Insane (1975) ** 1/2 (out of 4) The title pretty much sums up this incredibly bizarre, politically incorrect exploitation film that fans should really eat up. 300 pound plus Ethyl gets out of an insane asylum but she's outraged that people want her to go on a diet so she starts killing anyone who gets between her and food. Running just over 60-minutes this film is technically pretty bad but the outrageous subject matter makes for a very fun movie in the same vein of a John Waters film. There's plenty of violence and fake blood to make you giggle, although the "joke" of an obese person killing gets old after the thirty-minute mark.Criminally Insane 2 (1987) BOMB (out of 4) Incredibly horror film that ranks as one of the worst ever made. Like many "sequels" of the 80s, this here takes about forty-minutes worth of footage from the first film and adds 20-minutes worth of new footage, which was all shot on a camcorder. Even the opening and closing credits were lifted from the first film!!!

Steve Nyland (Squonkamatic) See, Ethel isn't actually insane. She just wants to eat, sit around the house by herself and be left alone for some seconds on dessert. Maybe thirds. Hell she'll clean off the whole sponge cake, the can of icing, maybe some ice cream too on the side. If one thing, she's not shy about her craving for food, and how she lets it consume her. She doesn't eat the food so much as the food kind of uses her as a conduit. Ethel is merely a walking process by which it gets eaten. I will always refer to this movie by it's most famous re-title: FAT CRAZY ETHEL. Try it on a double bill with FAT GUY GOES NUTZOID and remember the cheeze dip. FAT CRAZY ETHEL was one of two startling horror features made by porno/exploitation veteran Nick Millard in an ill-fated attempt to go straight in the mid 1970s: Check out SATAN'S BLACK WEDDING for something a bit more conventional, though not much more. His work might not have grabbed hold of the imagination of mainstream viewers, but fans of ultra-low budget indie regional horror will find a fascinatingly claustrophobic and morbidly obese little horror thriller here. The film mostly takes place within the creepy, tacky interior of Ethel's aunt's house, where she has returned from a couple months of helpful shock therapy to wean her from her insatiable cravings for food. It didn't work but Ethel can live with it so long as the grocery bill is paid. This in a neighborhood where groceries are delivered right to your door: Bacon, chops, cereal, eggs, plenty of ice cream & raw cookie dough.The fun in this movie is twofold: First, watching Ethel slowly and in an almost Hitchcockian manner find herself pretty much needing to murder people to keep the flow of fatty, caloric foodstuffs coming -- and to silence any harping voices in the peanut gallery urging moderation. One of the things I like about how Ethel's character is drawn has to do with how profoundly unhip, square and uninvolved in the world she is. The deaths don't mean anything to her personally other than the need to hide the remains, which does become a problem after a while. But if it wasn't for her uncontrollable gluttony she could fit right at any social circle dedicated to the bitter & withdrawn. Like a Tool concert or maybe the MPAA. The other pleasure in the film is a guilty one, which is making fun of fat people. They are one of the last socially acceptable prejudices to have, since fat people are by nature absurd, greedy and unattractive pariahs now that one legged Eskimos with AIDS are off limits too. I'm playing devil's advocate with this one: Prejudice of any kind is a bad thing, especially when you get to know the target of your hatred as a person. The catch is that this movie doesn't really let you, keeping the viewer at arm's length observing her behavior and being welcomed to criticize or even outright laugh at her for being so disgusting. Watch her plow through a box of Nilla Wafers or scrape some extra eggs onto her plate to see what I mean. Since the film regards her as a freak and regards what she is doing with clinically detached disdain (killing people is worse than overeating, at least in my book) it's OK to regard her the same way. As a walking stomach.Ridiculing someone for who they are is always more fun and safer in numbers, so ETHEL is actually quite a little crowd-pleaser and has a little cult following due to its short life as a Drive In curiosity or home rental oddity. It's hard to forget a movie like FAT CRAZY ETHEL, which once you get down to brass tacks is an exploitation film that is exploiting the obese & insane. Ethel is as sane as you or I, she just finds herself propelled down this path of antisocial behavior by her lust for food. The inevitability of it all is the payoff in a way, and while it may not be titillating to most to watch Ethel's life spiral out of control, the movie's utterly banal, humdrum and everyday look has a certain charm to it that fans of non-Hollywood "regional horror" will get a kick out of. And again the claustrophobia is hard to ignore, especially with a 350 pound woman occupying what little elbow room there is. That such a big woman is confined to such a teeny, tacky, unenjoyable house is half of what's scary about it: Imagine being stuck in there with her. Ick! So it's behavioral horror where a person is defined by their behavior -- This is how 350 pound food addicts behave in the movies, taken to surreal heights of exaggeration that plays on our own paranoias. We all know the 300 pound shut in dysfunctional idiot up the block, we all suspect that something odd is going on behind closed doors that keeps them from sweating it off just via respiration, and here is an example of what they could be doing. It's almost a perfect little urban nightmare, and over quickly enough to allow viewers to also watch the comparatively awful & unredeemable FAT CRAZY ETHEL 2. If nothing else, that will help you appreciate what a taught little exercise in urban paranoia this is. It's ultra low budget and everyday reality production values may turn off viewers who rely on pyrotechnics or flying squirrels to enjoy a horror show, but give her a try especially in the company of friends and beer and snacks. Ethel gets her own bag.6/10

CMRKeyboadist The 70's is truly a great era for cult cinema. With classics like "The Texas Chainsaw Massacre", "Last House on the Left", "I Drink Your Blood", "The Crazies", etc, it is no doubt that we have a gem of a movie called "Crazy Fat Ethel" or better known as "Criminally Insane". Although, far more low-budget than some of the other horror/slasher flicks coming out at the time (not by much, though) this was a whole lot of fun and is certainly not a waste of 1 hour (that's right, the movie is 1 hour and 1 minute long).The story starts with Fat Ethel being released from an insane asylum. Her kind Grandmother picks her up and takes her to her townhouse in the city. One night Ethel decides to go downstairs for a midnight snack and discovers that all of the food has been locked away. It turns out that Granny wants to put Ethel on a diet. Well, poor Granny gets sliced up with a butcher knife thus starting Fat Ethel's murderous rampage. She kills the grocery boy when she doesn't have enough money to pay him. She kills a friend of her Grandmother's who is just checking in. She even murders her sister and her slimy boyfriend.That is most of the movie. I won't give the ending away but there is a sequel, so you can imagine how this movie ends. For the most part, this movie was a great "B" slasher from 1975. It's funny to think that the term "Slasher" isn't really recognized until "Halloween" and "The Friday the 13th" movies came along. But no doubt, this is definitely a slasher. For most of the murder scenes Fat Ethel is slicing people up with either a butcher knife or a meat cleaver. And though it isn't very gory it makes up for it with all the excessive blood use.If you are looking for a campy, no-budget, 70's slasher check this one out. I am glad I did. 8/10