Curse of the Stone Hand

1965 "WHAT LURID SECRET -- LIED BEYOND THAT HIDDEN DOOR!"
3| 1h7m| en
Details

A house by the sea has stood vacant for many years, after misfortune befell several owners, which an artist painting the house explains to a passergy. A cross-editing of principal material from two Chilean films, LA CASA ESTA VACIA and LA DAMA DE LA MUERTE, with the addition of new American-made footage, to create a single story.

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Also starring Ernesto Vilches

Also starring Chela Bon

Reviews

CheerupSilver Very Cool!!!
GamerTab That was an excellent one.
Phonearl Good start, but then it gets ruined
Marva-nova Amazing worth wacthing. So good. Biased but well made with many good points.
kevin olzak "Curse of the Stone Hand" bears a 1964 copyright, but this two-part anthology consists of footage derived from a pair of atmospheric Chilean titles made by Argentine directors nearly two decades earlier. The first half is taken from 1946's "La Dama de la Muerte" (The Lady of Death), from director Carlos Hugo Christensen, an adaptation of Robert Louis Stevenson's 1878 3-part anthology "The Suicide Club" (roughly half its original length), while the second half (at the 34-minute mark of this 57 minute feature) consists of 1945's "La Casa esta Vacia" (The House is Empty), from director Carlos Schlieper, reduced to about 30 percent of its footage. The final product was created by schlock director Jerry Warren, with himself and 'Hugo Christensen' listed as co-directors. Warren tied these stories together through some newly shot sequences depicting a stone hand, which supposedly signifies a curse. John Carradine was no stranger to Warren ("The Incredible Petrified World," "Invasion of the Animal People," "House of the Black Death," "Frankenstein Island"), but for his three brief scenes, received second billing under actor 'Ernest Walch,' an Americanized pseudonym for Ernesto Vilches (from "La Dama de la Muerte"), who not only died in 1954, but was also listed ninth in the cast list, under the more simplified moniker 'Ernest Vilche.' Carradine, along with Katherine Victor and Bruno Ve Sota, only appears in the final reel, as 'The Old Drunk,' relating how he spied on a married woman cavorting with her husband's brother, totaling less than two minutes screen time (Victor gets one additional scene, confronting the husband, conveniently seen from the back). Warren's butchery makes for very dull viewing, even worse than "Invasion of the Animal People," another waste of Carradine's exceptional talents. "Curse of the Stone Hand" made its only appearance on Pittsburgh's Chiller Theater May 4 1968, followed by second feature "Frankenstein-1970."
mlraymond I saw this film once, on the late, late show, when I was in high school. The only part that stays with me is an interesting segment that suddenly makes the previously dull movie come to life, when a group of men are holding a meeting of some kind. I remember exclaiming out loud, " Wait a minute, this is Robert Louis Stevenson's story The Suicide Club!" It was the only part of the movie that actually made any sense, and held my interest, as it was based on a strong literary source, and professionally acted and directed, in contrast with the typical Jerry Warren goofiness of the rest of the picture.My impression of Jerry Warren is that his movies were just one slight step above the level of Ed Wood's productions. The hilarious sequence in Invasion of the Animal People, where a psychiatrist solemnly questions Katherine Victor about the argument that led to her daughter leaving the house in a snit, and later encountering a UFO, is like something you'd see on Saturday Night Live, along with the bit where the police surgeon demonstrates to his colleagues the structure of the inner ear, using a Halloween prop skull.
Michael_Elliott Curse of the Stone Hand (1964) BOMB (out of 4) Here's another history lesson for you fine folks, this time we take another look at the incredible hack Jerry Warren who really is the worst director ever. What Mr. Warren would do is buy foreign movies, cut them in half, hire John Carradine to film a couple new scenes and then add narration over the foreign elements of the film. Warren would then release these films as something "new" but they always turned out horrible and that's no different here. A mysterious stone hand is causing people to kill themselves but who cares? The "stone hand" only shows up twice and really doesn't play a part in the film. Warren took a Mexican film and another one from Chile to edit together and on their own both films appear to be quite good but with 2/3rds of them edited out there's really nothing this film is good for.
todmichel For a long time, the true origins of this pitiful travesty of a film were unknown; it was rumored that two Mexican films were used as the basis of the Jerry Warren "work" - but in fact CURSE OF THE STONE HAND is composed (apart of the Warren-filmed horrendous sequences with Carradine, Katherine Victor, etc.) of two EXCELLENT (in their original form of course) Chilean movies of 1945, both directed by exiled Argentinian directors. The segment known as "House of Gloom" is made of one-third of LA CASA ESTA VACIA, directed by Carlos Schlieper, and the other segment, "The Suicide Club, is equally one-third of LA DAMA DE LA MUERTE, directed by Carlos Hugo Christensen. Both directors were highly talented men, and as you can imagine their works are totally destroyed by the Jerry Warren ineptitude. Another Christensen movie, LA BALANDRA ISABEL LLEGO ESTA TARDE (1949) was also "cannibalized" by Warren, and released under the title "The Violent and the Damned". If you can, AVOID AT ALL COSTS any Jerry Warren travesty (you can eventually watch his OWN films, such as "Teenage Zombies" or "Frankenstein Island"...) and try to see the original foreign movies destroyed by this man...