SincereFinest disgusting, overrated, pointless

SteinMo What a freaking movie. So many twists and turns. Absolutely intense from start to finish.

Hulkeasexo it is the rare 'crazy' movie that actually has something to say.

Gurlyndrobb While it doesn't offer any answers, it both thrills and makes you think.

gridoon2018 Thanks mostly to its unique premise (yes, yes, I know it's a remake, but it's still pretty unique), "D.O.A" has the strong sense of narrative propulsion and urgency that most thrillers wish to achieve, backed up by an innovative music score and effective, occasionally "distorted" cinematography. The film even has some existential depth to it; the scene where Quaid learns the news of his imminent death, runs outside, and experiences the sun, the air, the people as if it's for the first (and possibly last) time is terrific. The one flaw of the movie is the obviousness of its red herrings; it wants to be a whodunit, but the killer is not that hard to spot. Apart from that, a good movie with a good cast. Best line: - "This is kidnapping, you know" - "If I'm lucky they'll give me life!". *** out of 4.

LouisRenault In the original, the main character and the premise are established in a few minutes. The plot moves along briskly and as O'Brien tries to find out who did it and why, you are as interested to learn the answers as he is.Here, for more than half an hour you have no idea what the picture is all about; at one point it crossed my mind that it might not be any sort of remake at all. How is this half hour spent? In establishing that Quaid's character is someone who could live or die and you couldn't care less either way.Learning form other reviewers that the denouement is a colossal letdown comes as no surprise; I couldn't say myself because I couldn't be bothered to watch it through.Meg Ryan is gorgeous and Quaid gives a solid performance, but apart from that it is hard to find much good to say about this.

alaskamark-1 Interesting plot but painfully dull. The script lacks... lacks acting. To me this film compares with "Made for TV" type movies. I was lucky to survive the film without falling asleep in my popcorn. I watched this film with my family. It is fairly safe to watch with your kids. (only 1 semi sex scene)If you wish to see a young Meg Ryan...check out this movie. Very 80-ish. You will like this movie if you like the combination of depressed people at Christmas, booze, super glue and tar. Or maybe you are like me... and have have a higher standard for acting in films. However I did like the way the movie began and ended! Mark.

Jonathon Dabell D.O.A has a good premise, borrowed from a 1950 film of the same name and a 1969 film entitled Color Me Dead. But beyond the premise it fails to develop into anything worthwhile. The script mistakes ludicrousness for cleverness; the directors peculiarly seem to think they're making a pop video rather than a film; and Dennis Quaid puts on a weird grin and raises his eyebrows maniacally as if he's auditioning as a Jack Nicholson impersonator. It's good for a laugh but, since that wasn't the original intention, it's hard to rate this as a worthwhile film.English lecturer Dexter Cornell (Quaid) is a bitter, bored shell of a man. Formerly a great author, he never recovered from the critical failure of his fourth and final novel and vowed never to write again. Without the drive of writing to fill his life, he gave up on everything else too, including his marriage and his dedication to the job. When pupil Nick Lang (Rob Knepper) apparently commits suicide after handing in an assignment, Cornell hits the booze to get over the shock. But soon thereafter, he learns that he has drunk a slow-acting poison, and that within 48 hours he will be dead. So close to death, he finally finds a renewed purpose in being alive.... as, aided by student Sydney Fuller (Meg Ryan), he desperately attempts to solve his own "murder".It's such a good idea that one can hardly imagine how it could fail. But it does. It really, really does fail in a big way. All the pointlessly fancy camera angles, all the inappropriate musical scoring, and especially the jaw-droppingly stupid solution to the mystery, conspire to ruin the film. D.O.A stands for "Dead On Arrival", and that's the perfect adjectival phrase for the entire film. Some day, this wonderful idea for a film might be used once again to better effect, but for now you'd be best advised to stick with the 1950 version.