Myron Clemons
A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.
Frances Chung
Through painfully honest and emotional moments, the movie becomes irresistibly relatable
Ezmae Chang
This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
stephanieacs
I was introduced to this unique film a couple of weeks ago by a family friend. I have to say I was less than thrilled to be getting ready to watch the short films Dancing Outlaw and Dancing Outlaw 2, but once I began watching them I was laughing until the end of 2.Sure the obvious dynamic between the two films is that in the first one Jesco is in his zone, his territory and in the second film he is surrounded by a different culture which makes it more interesting but other than that it was definitely fascinating to watch to say the least.Any film that really has no story line, no plot, no real direction and is completely banking on the fact that Jesco himself is interesting enough to carry an entire movie says something when it becomes this popular.I am not saying it needs to be nominated for an Academy Award or anything, just acknowledging that for it's category which is a cheaply made and completely "real" it far outweighs the competition! Go Jesco :)
James Morrison
All 'Dancing Outlaw' stand as examples of questionable ethics in documentary film-making, which predate the recent disgraceful trends in 'reality TV' towards voyeurism to the extent of subject exploitation. Throughout, it's difficult to tell whether Jacob Young (himself a native West Virginian) is presenting Jesco in an attempt to create a well-rounded but sympathetic representation of his character, or whether this is a mere pretence for some ever-popular 'point and laugh at the redneck' fare. This sequel in particular leaves a nasty taste in the mouth - particularly the scene in which Jesco is pretty much forced by Tom Arnold, at the request of a furious Roseanne, to cover his lopsided swastika tattoo (the connotations of which were unknown to Jesco) with three ludicrously overlarge and ugly roses, only for Jesco's scene to be left on the cutting room floor. Throughout his Hollywood 'adventure', Jesco carries himself with the air of a true southern gentleman, but is treated so utterly patronisingly it's difficult to watch.Overall, it stands as a testament to the division, not merely within celebrity culture, but in American society, between the haves and have-nots, and the perpetuation of these disadvantages as perfectly viable public entertainment. This documentary seems to portray Jesco's story - as superficially as possible - as one of rags to riches. If you ask Jesco, however, who is reportedly steeped in more poverty and strife than ever, he'll doubtlessly tell you a different story. Only, unfortunately for him, there are no cameras left around to hear it.
magellan333
The second glimpse of the character Jesco does not deliver like the first. In DO2, Jesco travels to California. Funny that in California, his behavior doesn't seem as eccentric compared to that of some southern California's residents'. Jesco's "big city" experience and tattoo removal does not make for a very interesting documentary. Seeing Jesco on his own terms and his own turf surrounded by family and friends who know and love him is much more interesting than this attempt to make him a "fish out of water".
abbygird
This follow-up to "Dancing Outlaw" feels far more unnatural than the original, but it's just as fascinating. The short documentary follows West Virginia dance whiz Jesco to Hollywood, where he's booked to perform on the TV show "Roseanne."Most of the scenes depicting Jesco in his native Boone County are blatantly staged. This seems a bit tacky at first considering that the strength of the first "Dancing Outlaw" was the fact it approached Jesco on his own terms.But the 'sanitized' depiction of Jesco ends abruptly once Jesco arrives on the sets of "Roseanne." Roseanne Barr and Tom Arnold had been charmed by the first documentary and thought Jesco would be perfect for a 'white trash/hick' show segment. At the time the episode filmed, her relationship with Tom Arnold was disintegrating. The venom exchanged between Roseanne and Tom on the sets is often excruciating to watch.Roseanne, already in a heated spat with Arnold, flies into a rage when she sees Jesco's prison-styled swastika tattoo. The couple takes public swipes at each other, now using Jesco as a scapegoat for what were obviously pre-existing problems. Oddly, the only person who carries himself with dignity is Jesco.In the end, Hollywood can adore The Dancing Outlaw as a cult hero from afar, but they can't accept Jesco on his own terms -- which was the whole point of the first documentary. In a land of glitter and not gold, Jesco is just too real even for those who embrace controversy.
