Konterr Brilliant and touching

Solidrariol Am I Missing Something?

Helllins It is both painfully honest and laugh-out-loud funny at the same time.

Asad Almond A clunky actioner with a handful of cool moments.

Neil Turner Seven years ago, Jorge, a young man frustrated with the fact that his father wanted him to follow in his footsteps and become janitor of a large apartment building, sets fire to one of the trash bins. Jorge's father sees him and runs after him whereupon the father suffers a stroke.In those seven years' time, Jorge has assumed care of his invalid father and become what he hates - the janitor for the building. However, Jorge has continued his dream and has recently earned a degree from business school. He interviews for one position after another but cannot find a job.Natalia - a girl Jorge has known all of his life and with whom he is infatuated - returns from abroad to live in her parents' vacant apartment. The two instantly renew their friendship, and shy, insecure Jorge is able to move the relationship to more than just friendship - much to the delight of them both.The scene shifts to a women's prison where Paula is severely abused by her fellow prisoners. Paula joins a prison play group were she meets Antonio who is there solely with the hope of getting some sex with the women in the group. Paula is eager to comply as pregnant prisoners lead a much better life. Try as they will, Paula isn't impregnated. They finally discover that Antonio is sterile.It just so happens that Antonio is Jorge's older brother and is due shortly to be released. Once released Antonio convinces Jorge to pay conjugal visits to Paula in order that she become pregnant.I know that much of what has been described appears to be a farce, but this engrossing and entertaining film definitely is not. Spanish cinema seems to have a way of viewing the dramatic - sometimes tragic - elements of life and still not ignore the little comic ironies that are always present. Azuloscurocasinegro does just that giving the viewer insight into the lives of these extremely interesting characters.All of the acting is of ultimate quality and Quim Gutiérrez as Jorge certainly leads the pack. He offers the viewer a look at a genuine young man desperately trying to find his own way. His performance is truly heartwarming.With all of the sub-par trash that comes out about young men trying to find themselves, this film is surely a breath of fresh air.

Balazs Csaszar I tend to go and see quite many Spanish movies these days. There are more and more reaching the theaters of Budapest, which means the demand for them must have risen. No wonder, since they are very special in the aspect that they can deal with dramatic, sexual and tense situations with ease by always splicing a good deal of black humour, some playful and lovable credulity even into the darkest of plots. However, Darkbluealmostblack stays very stark and grave even with the efforts of trying to tune it down a little bit with a few honest laughters and gigs. A young, shy but capable adult having to take care of his crippled father from virtually no money while his brother is in prison trying to strike up a relationship with a female inmate who only needs somebody to have a baby with is just a little too much misery crowded in one tiny spot of the world. And this is just to start off with. Daniel Sanchez Arevalo took it way too seriously this time making the movie really turn from dark blue to black. It is definitely not going to light your day up. So, be careful with choosing your company for this one.

bertom7 The blues, dark, almost black... That's Daniel Sánchez Arévalo's message in his new highly rewarded azuloscurocasinegro. It happens to be the same color as the suit Jorge (Quim Gutiérrez) is dreaming of. This suit represents his freedom. Jorge's father has suffered a stroke and Jorge himself has to take care of him and the janitor duties he is now unable to do. In the meantime Jorge's brother (Antonio De la Torre) - who is in jail, falls in love with a girl called Paula (Marta Etura) he meets in prison. Jorge's friend Israel (Raúl Arévalo) is discovering secrets about his father and himself.The life Jorge lives withholds his self-development, and retains his freedom. He obtained his management degree with self-study, but it's impossible for him to get the job he wants, because of his duties: his father and the janitor-job. He's in love with his neighbor girl (Eva Pallarés), but thinks a true relationship is impossible, because she is free an he is stuck in there. The movie itself is set in the same dark blue color setting, but it never gets too moody. there is a nice balance between the emotions (there are some really funny parts with Israel and with Jorge's brother Antonio), joined by a very decent score. The story never gets into extremes: the emotions are subtle but real. The characters are well developed (especially Jorge's and Paula's), and deep enough to be able to feel with them. Newcomer Daniel Sánchez Arévalo brings us a delicate story with a smile and a tear.

Flagrant-Baronessa Jorge (Quim Gutiérrez) is stuck in a dead-end job and with an unrequited long-term love for the girl next door. His father has suffered a stroke and needs constant supervision, which Jorge alone manages. His brother is in prison. His best friend is contemplating his sexuality. In short, he is the epitome of a "nice guy" – the kind who is too nice to lie, cheat or think in even remotely self-serving paths. In Arévalo's directorial debut, we are offered a slice of his protagonist's life – to no discernible end, but still a worthwhile watch.The latter can best be attributed to the film's preference of continuity to climaxes. It offers next to no culminations, 'key' scenes or satisfying plot development and instead presents a highly low-key story that takes a gentle yet unflinching look at a young man's life. Quim Gutiérrez is handsome, affable and intrinsically good as Jorge, giving a sweet little performance that is just a smidge to humourless to wow the audience or even go the extra mile. None of the other actors are particularly noteworthy, although Raúl Arévalo caters to the comedy part which undoubtedly elevates the whole film above generic drama formula. Make no mistake however – it is no comedy.Azuloscurocasinegro is also one of the calmest films I have ever seen. seen. It is neither boring nor slow, but the pacing is peaceful and there is an underlying tranquility in the seamless intercutting of scenes, without resorting to dreamy cinematography or soothing nature shots. I suppose that is another way of saying not much happens in it, which is certainly quite true, but there is some emotional poignancy to be found, some sex scenes to be 'enjoyed' and above all remarkably insightful dialogue to be shared. It delivers little gems by the bucketload, puffed full of actual wisdom – best of all, it never feels forced. In the end, Azuloscurocasinegro is quite forgettable, but a sweet viewing nonetheless.7 out of 10