Supelice Dreadfully Boring

Micransix Crappy film

TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

Skyler Great movie. Not sure what people expected but I found it highly entertaining.

TeeJay1992 Twenty-somethings Kate and Leah are in a rocky relationship when Leah plans on heading out of town. Kate lives in the heart of NYC, pretending to like it just to make her relationship survive. Once a blackout occurs, Kate starts to have an internal struggle on what to do without Leah and coping on her own. I would have rather had Leah stay during the blackout and Kate go out of town, but the actress that played Kate (Whitney Able) did a superb job at bringing out all of Kate's character flaws. Leah didn't show any character flaws while she was onscreen. There are some editing flaws - as in the sound doesn't match up correctly with the characters' lips on screen. This happens about five times in the movie. Check out this movie if you like psycho-dramas. I watched this on Netflix.

sgcim I saw this on NF, and it was labeled as a thriller, but if you expect a thriller, you're going to be very disappointed. It turned out to be a very low-budget drama about a washed up 33 year-old model with some serious mental problems being left alone during the 2003 blackout in NYC. The building and the neighborhood are made to look very sleazy, so even though it was shot in Manhattan, it's probably supposed to be Bushwick, Brooklyn, like it said on her driver's license. It has a very uh, interesting first scene, but after that, it settles into a character study of the lead character. The only good scene after that is the scene where the lead walks home drunk from a bar, and is made fun of by some kids in the neighborhood. She starts yelling curses at them, and they start cracking up in laughter at her. Other than that, it's basically a one woman show till the seemingly tacked on ending. As usual with low budget films, there are the typical phony, ten star reviews by people involved with the film, so that sunk it down another star for my rating.

Babs Phenomenal performance by Whitney Able and the rest of the cast with great direction by Basile. One of the best arty indies I've seen this year. It's an atmospheric and intense emotional ride through the very disturbed brain of the main protagonist. I wish there were more movies made like this. It's also a terrifying and unsettling depiction of New York City during the blackout. I've read some comments where people complain about the film being too slow or too ambiguous. For me the gradual build and deliberate pacing is what set this film apart and allowed for me to really care about the main character. The finale of the film wouldn't have worked nearly as well if the buildup was rushed. I also really liked some of the ambiguous elements in the film. Today it seems like audiences want everything spelled out. The filmmakers here instead allow the audience to fill in some of the blanks which I find refreshing. Admittedly, this may not be everyone's cup of tea but I found it to be surprisingly well done. A very underrated thriller which I highly recommend.

lazarillo A young bisexual former-model-turned-yoga-instructor (Whitney Able) is in a deteriorating relationship with her girlfriend (Alexandra Breckenridge). When her girlfriend leaves town in the midst of an unresolved argument, she is left alone in their run-down NYC loft just as the famous blackout of 2003 occurs. She has encounters with a couple of potentially sinister men--a weird, overly friendly neighbor (Brendan Sexton III) and a guy she unsuccessfully tries to pick up at the bar. She may be being stalked and externally threatened in real-life, but judging from some quick-cut flashbacks and scars on her wrists, the worst danger may really be in her own mind. . .I suspect when this movie is more widely released, it may have some trouble finding an audience because it looks enough like a horror movie to chase away a lot of the art crowd, but a lot of horror fans may not appreciate its artier trappings and its slow, subtle and largely psychological approach to horror. This movie falls in the school of horror typified by films like "Repulsion", "The Tenant", "Let's Scare Jessica to Death", and "Session 9". These kind of films are rarely made, especially these days. The last two I remember both came from south of the US border--"Magic, Magic", which I thought was unfairly panned, and "La Casa Muda", which was successful enough to inspire an American remake, but was then overshadowed by the failure of said remake. Personally though, I LOVE this brand of arty, slow-simmering horror. I wish they made more of them, but they are both hard to pull off and a hard-sell once produced.The two actresses here are real revelations, especially Whitney Able. They are both known as typical "hot" actresses who take their clothes off a lot (actually they do that here too in an opening sex scene), but they have both gone through some physical changes for this movie and look quite convincing as a NY lesbian couple. Breckenridge's acting is spot-on in her few early scenes, and after she goes, Able has to really carry this movie herself, perhaps even more than Catherine Deneuve does in "Repulsion", where SHE could fall back on the talents of great director Roman Polanski. I don't mean to oversell either the movie or the performance, but it really works, and it really works because of her. It's also good to see the once-busy East Coast indie actor Brendan Sexton III, who was in "Welcome to the Dollhouse", "Boys Don't Cry", and "Session 9", but largely disappeared after that. This movie was also actually filmed in New York City, and like a lot of genuine NYC-filmed movies, the city itself is an important character.This movie is not an easy sell to anybody, but people that really like "Repulsion"-type movies will definitely appreciate this.