TrueJoshNight
Truly Dreadful Film
Dorathen
Better Late Then Never
Chirphymium
It's entirely possible that sending the audience out feeling lousy was intentional
Cody
One of the best movies of the year! Incredible from the beginning to the end.
Susan Wilson
This fast-paced film will have you on the edge of your seat, and totally blown away by the ending. The realism is convincing (not the usual melodrama one might expect for a plot involving adultery and deception), and Fardeen, Esha, and Isha all deliver excellent performances.The errant husband (Fardeen), living is his own fantasy world of having the perfect wife at home (Isha) and the sexy mistress on the side (Esha), soon finds 'reality' crashing down around him, and his world becomes a living nightmare, with a vengeful ghost only he can see -- and she terrorizes him mercilessly, in every part of his life, no matter how personal or intimate the situation; amazingly-crafted scenes throughout the film.The climax, totally-unexpected, is jaw-dropping -- don't miss this movie!
simian_ninja
I kind of like Darling, I love it when direction and writing is so shoddy that I can tell what's going to happen and instead of insulting my intelligence the director makes me feel special by doing everything that I thought would happen (ie the ending). RGV has lost the plot, he needs to go into hiding and think of something special and even when he does that, his film will still tank simply because the audience isn't going to trust him anymore. It's going to take at least two or three films (even if they are all good) before the audience touches his films once again.The film itself is dreadfully slow paced. I have no idea what genre the film is (even after watching it) so I think I'll view it as a comedy/horror/drama. The writing is rushed beyond belief and is hindered by the non-acting of Esha Deol and Fardeen Khan (they should stop and find something else to do), when they look like they're supposed to be passionate and kissing each other they come off looking as two drunken teenagers stumbling around. Another thing is that Esha's character is hardly established, so there's no real reason for the audience to feel anything for him. Khan's character is a boob that cheats on his wife (without any reason, so without providing one there's no room for him to be a sympathetic character, why even bother if you're not going to have at least one sympathetic main character?). Though the film starts to pick up pace once Deol's character is re-introduced in the film as a ghost.Break down is like this.Deol is pregnant but Khan is married. Khan wants an abortion. Deol wants the baby and attacks Khan in a rage. Khan protects himself by shoving her, yes by shoving a pregnant woman. She trips and falls, hits her head and dies. With her eyes wide open.End breakdown.I didn't mind the music; the videos are introduced through fairly interesting but used ideas such as a dream and watching a film within a film. Either way, they brought nothing to the story.The writing makes me wonder what the person was smoking. It kind of reminded me of some play by Noel Coward that I can't remember (in which a man is haunted by his dead wife, so if you know what I'm talking about please say what it is). There are a couple of hilarious scenes such as Deol's ghost hiding under the table and touching Khan's new secretary on the leg making her think that Khan's character is
well
molesting her. Other than that, the laughs come from the dismal direction and awful writing and horrendous acting.One thing to watch out for
Deol's ghosts father comes to pay Khan a visit, he begs him to use his power so they can find Deol's character. And RGV decides that it's an episode of NYPD Blue and begins to zoom in and out of close ups like the world is going to end tomorrow (either that or the camera man had taken some sort of illegal substance before the scene was shot).Overall
2/10. One star is because you have to vote a one, and the second is because the film provided some unintentional laughs.So this, I'd actually say watch it if you want to see something so horrible that its actually strangely
passable (hope you take note of the fact I didn't use good).
salilgoyal
Well, the previews said the movie will not only thrill you but also make you laugh. Problem is- Not only comic scenes are funny but horrifying scenes also belong to the same genre (Comedy).The scenes that were intended to be thriller for the audience were either not horrifying or if they were, they were overshadowed by poor dialogs. Other problem is the performance of the lead cast. Isha does well but not esha. Though her acting looks improved but she is not a good ghost. She should have been made to see about 10-15 good horror movies before acting here. She looks totally out of sorts as a bhootni.Other disappointment is Fardeen. Though body language is good. Dialog delivery and lack of emotion problem is still very much there like his previous movies. Also, the film is quite slowly paced. I believe such film should not exceed more than 100 minutes. and it was about 150.Despite that, I've to admit that the film was somewhat entertaining. The Fardeen's friend was quite good with his catchy and entertaining one-liners. Moreover, the movie does manage to keep you interested to an extent.So, a good time-pass flick for a boring evening but would be better off if you can wait for it to come on a movie channel. But one thing's for sure, this low budget entertainer from RGV will earn more money for the makers than his previous high-profile b-grader (Aag).
GP Sohil
The movie starts out well, but around the middle part starts to falter. You realize that the director had a thread-bare plot which he tries to stretch out to the maximum, causing the film to feel begrudgingly slow.The performances are okay. Fardeen Khan does well as the man in over his head. Esha Deol was interesting and a convincingly good antagonist. Isha Koppikar, unfortunately, was not up to the mark. Fardeen's friend, Sameer, had an interesting role, but it feels like his role was chopped up at the editing table.The two police characters - Bhaskar Reddy and Malti - were terrific every time they were on screen. He the talkative one, she the stone-faced silent one.I wasn't exactly bored by the film, but I was aware of the slow pace.