Days and Nights

2014
4.6| 1h32m| NR| en
Details

Reckless desire wreaks havoc over Memorial Day weekend as a family confronts the volatile and fragile nature of love. A modern retelling of Anton Chekhov's "The Seagull", set in rural New England.

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Reviews

Colibel Terrible acting, screenplay and direction.
Mjeteconer Just perfect...
Matrixiole Simple and well acted, it has tension enough to knot the stomach.
PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.
Paul Allaer "Days and Nights" (2013 release; 91 min.) brings the story of an extended family's happenings over one weekend. As the movie opens, we see a couple meeting up at Grand Central in New York, to take the train out to the family's countryside compound. Along the way we learn that we are into the 1984 Memorial Day weekend. Upon arriving at the countryside, we get to know more members of the extended family and friends. To tell you more would spoil your viewing experience, you'll just have to see it for yourself how it all plays out.Couple of comments: this is the directing debut of actor Christian Camargo, who also wrote the script (loosely based on/inspired by The Seagull by Anton Chekhov), and stars as Peter, the boyfriend of Elizabeth (the couple we see at Grand Central). The voice-over at the beginning of the movie mentions something about "days and nights in the grip of a memory", and I thought, hmmm, this might be interesting. Alas, I couldn't have been further from the truth. As the various scenes unfold, you start to get that uneasy feeling that what you are watching makes little sense, and whatever sense it does make, doesn't matter as you cannot make an emotional connection to any of these characters. This is very much an ensemble cast, actually an ensemble all-star cast. What a huge waste of talent! Here is William Hurt, in the role of Elizabeth's older brother Herb, and frankly Hurt is just creepy in this performance. There is English actress Juliet Rylance as Eva (Mrs. Camargo in real life). And biggest waste of all, we have Allison Janney (as Elizabeth), who looks clueless as to what she needs to do, desperately waiting for some direction. There is a scene pretty early on, where Eva and Elizabeth's son Eric (played by Ben Whishaw) put on an after-dinner multi-media live performance of some sort that is as wacky as it is mystifying. I knew from that moment on that this movie was in serious trouble. I lasted until over just an hour, and simply had had enough. An hour of my life I'll never get back.I picked up this movie while browsing at my local library for something good to watch. I see a lot of movies, and when I saw this, and saw all the acting talent assembled on the DVD's front jacket, I thought to myself "This is interesting. How come I've not heard of this movie before?". Well, now I know. I cannot recommend this movie in good consciousness to anyone, sorry.
Drew Lindgren Honestly I had no idea what was happening throughout... Well, the entire film. And normally, I love obscure character driven stories like this appeared to be set up as. I also had high hopes because of the stellar cast, but that was little help. Ben Whishaw was literally the ONLY actor who managed to hold my full attention or make me feel any emotion, and I found myself becoming irritated during the parts of the film that didn't involve his character. **** spoiler alert here ****And I didn't even know what the hell his character was doing. I haven't read the play that this movie was based on, so when things were implied, I never got them. The whole thing is so disjoint, and then randomly Christian Camargo's character leaves, and then hits something with his car, which is implied to be Eva from her shoe, but this isn't ever made explicit, then it fast forwards to three years later. Then, this ending confused me so much that I just HAD to look it up. Both Camargo and Whishaw leave the table, distraught, and then you never see Camargo's character again, but Whishaw runs down and Eva shows up again - so the car crash didn't kill her, I assumed, wrongly. So she congratulates him and then runs away, we see Whishaw go after her unsuccessfully, and the scene goes back to the dinner table. You hear a gunshot, and it's clear someone has killed them self, but you're not told who. The way the ending is shot, either Camargo's or Whishaw's character could've done it, but neither had been developed enough for me to figure out who. I had to read about the play, Seagull, to figure out that it was Whishaw's character after he had apparently had a hallucination of Eva coming back - I have no idea how the hell anyone is supposed to put that together from this film!! None! ***** end spoilers *****So, to conclude, this movie is incredibly confusing and only worth watching if you're a huge Whishaw fan like myself, and are willing to put up with the rest of it for the sake of having seen all of his films; but be warned, even his captivating talent is not enough to make any sense of how the story unfolds. Camargos acting is mediocre, which upset me as I have been a fan of his in multiple other places, Katie Holmes does an okay job but is given a boring character whose presence itself does nothing for the film, and none of the other performances even warrant mentioning.Prepare to be disappointed if you go into this film hoping to get anything substantial out of it.
figgeritout I'm 30 minutes into this movie and haven't a clue what it's about or what's going on. The dinner scene left me feeling out of touch with the entire cast and story. This movie seems to be a failed attempt at something "artistic" which, it....is....not. It makes no sense, has no story line and is boooooooring. What a waste of my time. I can't believe some of these big name actors would even cast themselves in something this bad. Rotten Apples abound.A lot of gibberish that makes no sense, a lot of emotions that make no sense and actions that make no sense. People trudging through the woods to watch some crappy so called "movie" on a bed sheet and the young guy is talking in a microphone whilst some unknown female is on a bed doing .... I don't know what shes doing.
Richard Burbage I can't actually recall an experience like that before. I had an ache where one thinks his heart is and isn't from the opening scene. It was brilliant as to how many stories where being told...not just the obvious, but the undercurrent of painful love amongst everyone. The writing was magnificent, but the changes were brilliant...the Eagle...amazing metaphors. I was absolutely stunned by the actors and their brilliance and reality, especially Katie Holmes with her quiet desperate life and then realization when she may lose it. The painful and complicated love between every character was almost overwhelming but balanced by the humor, which is often the case in real life. The stunning set and beautiful cinematography startles one from the outset with the lake shot, and The Visconti like use of lighting and color was something I have NOT experienced since...well Visconti. The moving camera from window to window initially sets up the vignettes that the entire film revolves around and tells the story. So complicated in subject, so real in presentation. I could spend hours talking about this film and far more than writing about it. What an achievement....what a piece of art....what an accomplishment...the first real FILM I have seen in many many years. Most importantly it will impact and change peoples lives. It did mine.