Doomtomylo
a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.
Kimball
Exactly the movie you think it is, but not the movie you want it to be.
Yazmin
Close shines in drama with strong language, adult themes.
Walter Sloane
Mostly, the movie is committed to the value of a good time.
emilywes56
I saw Dead Europe today. I had seen the trailer by coincidence and I found it interesting enough since I follow the things going on in Europe and especially in Greece (I'm Greek). Also I was very curious to see the point of view from an Australian/German/Jewish director for the state of things here, since Australia is so far away. For me the movie is 10/10. In the beginning I had my doubts about the plot and the connection director had made between the story of the main character which seems to be a reference to the Greek cultural traditions and the myths (villages, well-hidden secrets, family relationships etc.) and the economical and political crisis. I expected it to be much less than what it actually is. It is a very serious, important and true movie.
ste noa
Dead worth seeing. The camera and director got out and about - in the mountains of Greece and in the dodgy areas of Paris. Refreshing and raw in turns - I felt like I was sitting in a car with the windows down. I liked the variety and European scope of the locations. The music was peppy not derivative nor bouzouki or Dvorak. Characters were acted easily and convincingly apart from Ewen's which was unconvincing and all earnestness.Also no love interest and no hearts of gold.The characters outgrow the familiar plot. They are well-rounded and never reveal all.In the end we are not sure about any of the characters and what they have revealed. Like at the end of a documentary you are left figuring out just what you have seen.Enjoy the ride as film takes you places you seldom get to see.
bettestreep2004
I saw this last night at the Melbourne Film Festival and had to be on my best behavior because the cast and crew were sitting directly behind me.I haven't read the book this is based on so I can't comment on it's adaptation but I did walk away thinking that this 84 minute film was about 10 minutes too long.Plenty of arty farty pretentious scenes that just had no need to be there IMO.None of the characters have been fleshed out - a glaring weakness by the writer and the lead, Leslie, delivered a frustratingly one note performance. There is only so many times one can deliver the 'F' word in a performance.There apparently is a very interesting story about people's pasts in the book - but this sadly didn't come across in the film.A very disappointing film.
ffuuut
One of two Australian made films I saw at the Sydney Film Festival, both of which were set in Europe. Ewan Leslie was very good in the lead role as was Marton Csokas in a minor role late in the film, but the same can not be said for the actress who played the main characters mother. She seemed very poorly cast (age wise) and did not give a very consistent performance, as scenes with her felt very uneven.The film was shot well and in places not often seen in predominately English language films and the first half really set up the mystery and thriller like aspect, but it was let down badly by a very poor last third as it fell into an incoherent confusing mess, but maybe that was intentional as the character fell into that cycle himself.It was just very meh.