Dead Man's Eyes

1944 "Murdered!... But his eyes lived to condemn his killer...!"
6| 1h4m| NR| en
Details

Artist David Stuart is blinded by a jealous model whose portrait he is painting. His fiance's father generously offers his eyes for a sight restoring operation. There's only one hitch: Stuart has to wait until after the man dies. Not surprisingly, when the benefactor dies a very premature death, suspicion falls on the artist.

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Reviews

Clevercell Very disappointing...
pointyfilippa The movie runs out of plot and jokes well before the end of a two-hour running time, long for a light comedy.
Donald Seymour This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
Raymond Sierra The film may be flawed, but its message is not.
mark.waltz Exotic Aquanetta, aka the captive wild woman, shows off her thespian talents in the third of the "Inner Sanctum" series as the model of that seductive romantic idol, Lon Chaney Jr. Jealous over his engagement to Jean Parker, the cold Acquanetta arranges an accident that leads to Chaney's blindness. The segment of Chaney losing his sight is very scary as his pupils fill the screen all white and the vision blurs down to darkness. A corneal transplant has eye doctor Jonathan Hale hoping that they can restores his sight. Paul Kelly as the psychiatrist friend of Chaney's notices Acquanetta's "primitive" nature, giving way to her obsession growing as she takes care of him after he dumps Parker. When a potential donor is murdered, Chaney's sight is restored, but the so-called dead man's eyes take over Chaney's personality as he faces trial for the murder of the person whose eyes he now possesses. With some intelligent medical information in regards to medical advancements, this has some intriguing developments, but predictably takes some strange twists. Chaney continues his thought process of speaking over the action, but fortunately he's not whispering this time around. The acting isn't bad here, and even Acquanetta is sincere, if unremarkable, but at least she's not insipid. There's just a lack of consistency in her line delivery. I just didn't find her obsession with Chaney realistic. Thomas Gomez is amusing as an easy going police detective with a knack of manipulating the truth out of suspects. Interesting to notice that a nightclub sequence features an outtake of a musical number from a Universal 1932 crime drama, "Night World", superimposed over shots of Chaney and Parker at a night club. A fun but far fetched story, it has periods of superb psychiatric visions into the human soul, but suddenly switches into the absurd with plot developments so outlandish that the film suddenly becomes cartoon like in its development.
Michael O'Keefe Lon Chaney Jr. plays David Stuart, an artist that is blinded by accident...or purposely by who and why? Reginald Le Borg directs this suspenseful drama. Stuart may have a second chance at resuming his livelihood; his fiance's father has offered his own eyes upon his death. While waiting on this eye-sight transfer, the donor is murdered. Now there is a double mystery fueled by jealousy and greed. Mr. Chaney plays his role garnering sympathy without seeming wooden. Other players in this the third of six in the Inner Sanctum series: Jean Parker, George Meeker, Edward Fielding, Thomas Gomez, Paul Kelly, Jonathan Hale and Acquanetta.
Scott LeBrun The third movie in the theatrical "Inner Sanctum" series is fine entertainment for old time thriller lovers. Lon Chaney Jr. is in fine form as Dave Stuart, a painter. He's engaged to rich girl Heather Hayden (Jean Parker), and this is in fact a union that her father Stanley (Edward Fielding) is eager to see come to fruition. One day Dave mistakes acid for his eyewash and blinds himself, and Stanley promises Dave that he will provide his own eyeballs for a risky cornea operation should the old man die. Well, the old man *does* get murdered, and Dave falls under suspicion. And, as it turns out, there are others who could conceivably benefit from the death."Dead Man's Eyes" is not what this viewer would consider a great mystery, but it *is* a solid and engaging diversion for barely over an hour. (All of the "Inner Sanctum" movies have very trim running times.) It does its job at setting up dubious characters and their motives, and having suspicion keep shifting from one to another. The filmmaking (Reginald LeBorg is the director) is efficient and to the point.The acting is wonderful from much of the cast. Lon Jr. is rather over emphatic at times, but there's no denying the sincerity of his performance. Parker is cute and appealing. Acquanetta, who plays Tanya, the model who is in love with Dave, is a striking beauty but not much of an actress. Paul Kelly is good fun as Alan Bittaker, Daves' chipper psychiatrist friend. Thomas Gomez is likewise a stitch as the smirking detective on the case. Jonathan Hale (as the eye surgeon), Fielding, and George Meeker (as Heathers' pathetic former boyfriend) are all rock solid.Fans of Lon Jr. would do well to check him out in this sort of atmospheric Universal B picture, where he's not required to put on elaborate makeup or dress in fanciful costume.Seven out of 10.
MARIO GAUCI While the plot of this third "Inner Sanctum" film is, in itself, intriguing - and certainly provides plenty of possible suspects - the handling is rather stiff, with too much talk and little real suspense!Once again, Chaney is the talented object of desire(!) - a painter - torn between society woman Jean Parker and exotic model Acquanetta; he really loves the former but, when he's rendered blind in an accident, he decides to let her go and accepts the latter's care (she being the unwitting cause of his precarious condition!). Paul Kelly has a good role as Chaney's best friend and secret (but unrequited) admirer of Acquanetta.Parker's elderly father opts to have his eyes transplanted after his death so, when he ends up murdered, police detective Thomas Gomez turns up to root out the guilty party; the denouement, then, is pretty convoluted but not very exciting. While the quality of this series has steadily deteriorated so far from one entry to the next (though the films are never boring and mercifully short), I still look forward to the remaining three installments...