Linbeymusol Wonderful character development!

Inadvands Boring, over-political, tech fuzed mess

Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

DipitySkillful an ambitious but ultimately ineffective debut endeavor.

dallas_nyberg I must confess, I gave this movie a miss when it was released, so I gave in and finally checked it out. I am a big fan of John Clarke and Sam Neil, so I thought it would be pretty good. To be honest, I just could not get comfortable with this movie, the story is a mish-mash of situations that, at times, lack a lot in creditability. The movie is a black comedy one minute and a tense drama the next. There is one scene, set it in a church, that was ridiculous and helped destroy whatever realism the story was trying to convey. (it involved a shaft of light). Sam Neil's character was so inept, that I grew to dislike him fairly quickly... and I'm sure that was the way the character was supposed to be viewed, but I all wanted to see was for someone to knock the tar out of him. The snide racial overtones in the story will put you on edge at times. The few scenes that John Clarke was in was the only thing that kept me interested. It is a poor man's Quentin Tarantino style of movie. Not really my cup of tea.

cmjl-1 From the moment the film opens, depicting aluminium cans rolling ceaselessly (and noisily) in the wind, along with the elderly Greek ladies putting this year's Christmas trees into the wrecked Austin 1800 (stuffed next to previous year's Christmas trees), you know that this film is going to be a little different.Melbourne, one of the most multi-cultural metropolis's in the world (should that be metropoli?) is the setting for this rather dark comedy drama. Carl, an unemployed and very much down on his luck chef, gets a job at a less than reputable nightclub in the Melbourne suburb of Brunswick. He falls in love with one of the Greek barmaids, much to the consternation of the owner of the bar who has been betrothed to the barmaid. Not helping matters much is a Turkish kitchen hand, who appears to want to spend more time trading in stolen goods and drugs than actually working as a kitchen hand.When matters escalate out of hand, Carl needs the specialist help that only his friend, Dave can provide. If it can be said that a good friend will help you move (house), it's fair to say that only a true friend will help you move - a body, and as a gravedigger at the local cemetery Dave is in the ideal position to help "dispose" of one of Carl's kitchen disasters.Along the way, Dave is pestered by his Feminist-rights movement wife who spends most of her on-screen time berating Dave for his pathetic life, while Carl spends his time being roughed up by the nightclub bouncer, roughed up by a Turkish crime syndicate, or, more worryingly, being berated and belittled by his mother.A truly enjoyable Australian film from the early 1990's, though apparently not available in Australia - I had to get my copy from the UK, though fortunately the UK release is region free.

cyclonev I enjoyed DIB and don't have much to add to the other positive reviews posted, however I just had to comment on the couple of reviews questioning whether it was a comedy. If you don't understand and enjoy BLACK comedy then don't watch a black comedy and expect to enjoy it! Surely the title should give you a pretty good clue as to whether you're going to like it or not. If you find the idea of death/grim subjects innately unfunny then switch off!I find it tremendously sad, but not surprising, that there are so many people in the world who can't find something funny unless it's "clean" and "nice". What a loss for them. Oh well, all the more for the rest of us!

negevoli-44 This movie is so off-beat I don't recall ever seeing anything quite like it. And it manages to be truly disgusting in very realistic ways. Very off-beat. Anything with Sam Neill is always worth watching, but I can't say this is one of my favorites. Very off-beat.