Exoticalot People are voting emotionally.

Comwayon A Disappointing Continuation

Payno I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Stephanie There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Shahroze Khan Nothing can ever go wrong with something as beautiful as this movie. I began watching it expecting it to be a usual french drama with a small little love story and beautiful locations. However, the story is ready to bounce back at you and slap you with those sort of morals that many of us are in need of these days. At one point, you are bound to judge the story as "Oh! I know what's going to happen next" and the next thing ,you are slammed back then and there and the story takes a whole new turn leaving you astound. No! It's not the same old story of a family grieving to a new born's certain aberrancy. It's beyond that. It's about people who can overthrow anything with a weapon as simple as a smile and a gear as simple as adaptability and confidence. A good observer will grasp a light undertone that emphasizes on the importance of having the right partner in times of need. What cant you conquer when you have a partner like Juliette, who is smart, profound, charming, understanding and strong willed, something that's extinct today. A well established Romeo-Juliet chemistry that can smile their way through every phase of life. And look, they win in the end. All they had was the courage and happy go easy attitude. They adapt everything that comes their way and walks over it saying "Hey! Well tried. But we're moving on". Could all of us be that way, the world would be the best place to live in. No unnecessary drama, no tears, no prolong dialogues and yet the happiness. A smile can dwell a mountain. To me, this film was an eye opener. All credits to Valerie and Jeremie for carrying out their performance so amazingly. What more could you ask from a movie? I say nothing. ABSOLUTELY NOTHING!

webmaster-3017 @ 36th Hong Kong International Film FestivalBy being the opening film of the 36th Hong Kong International Film Festival, Declaration of War is a film that touches the audience hearts, but more importantly it talks about real humans, real events, real emotions and real surroundings. For that alone director and main actress deserves a simple round of applause. It is not easy to go through a traumatic experience and come out strongly by telling her life story through films. This film works because the director never stray away from its core issue of a couple dealing with their child having a brain trauma and all the other issues that goes along with it – losing money, jobs, lifestyle, relationships and ultimately themselves. It should be complimented that the film yet is about to play with a sense of humor along the way.Valerie Donzelli not only carries the film as the mother and wife, but directs a film that is so personal to her. It was my honour to meet such a strong lady at the festival. In the scene where she ran and ran in the hospital corridors until she collapses is a perfect example of originality in her camera work and her ability to depicts and communicate a difficult moment. Likewise her former partner Jeremie Elkaim excels in a role that compliments Valerie and two display amazing chemistry that cannot just be manufactured.All in all, Declaration of War is very much a personal film, about how a child's illness can affect almost everything in his parents life. Dealing with difficult times like these is never easy and often the wear and tear will stop any couple from living their lives. Points should be given to Valerie for being able to so convincing portray these emotions. Although the film seems raw at times, War is very much a perfect example of how an extremely personal film can still affect the audience. While the film may never be a masterpiece, Valerie have certainly created and shared something special…Neo rates 8.5/10www.thehkneo.com

Sindre Kaspersen French actress, screenwriter and director Valérie Donzelli's second feature film which she co-wrote with her co-star Jérémie Elkaïm, is inspired by their own personal experiences and is a French production which was shot on various locations in France. The film was produced by Edouard Weil, premiered at the opening night of the International Critic's Week at the 64th Cannes Film Festival in 2011 and was the French submission for the Academy Award for Best Foreign Language Film at the 84th Academy Awards in 2012. It tells the story about Romeo and Juliette who after meeting at a nightclub in Paris, France falls in love and starts a promising relationship. Juliette becomes pregnant, gives birth to their son who is named Adam and their prospects seems very good, but when Adam becomes ill and is taken to a doctor who discovers a tumor in his brain, their lives are transformed and they are faced with an unpredictable and uncontrollable situation.Acutely and engagingly directed by Valérie Donzelli, this well-paced, compassionately narrated and deeply humane tale which is set in Paris, France 2003, draws an inventive portrayal of a young Parisian couple who when confronted with a devastating predicament decides to remain strong and battle it out in their own remarkable way. While notable for it's naturalistic urban milieu depictions, the fine cinematography by cinematographer and actor Sébastien Buchmann, the quick-witted dialog and the brilliant score which emphasizes the films poignant atmosphere, this character-driven and dialog-driven comedy-drama depicts two intertwining in-depth studies of character and examines themes like interpersonal relations, parenting, cancer, love and human courage.This somewhat adventurous, charmingly romantic and at times musical-like independent film, is impelled and reinforced by the heartfelt and involving acting performances by second-time filmmaker Valérie Donzelli, French actor Jérémie Elkhaïm and the fine supporting acting performances by French actor Frédéric Pierrot and César Desseix in his first feature film role. An emotionally moving and life-affirming love-story which gained, among other awards, the award for Best Actor Jérémie Elkaïm, Best Actress Valérie Donzelli and Best Film at the Gijón International Film Festival in 2011.

chuck-526 This film tells a story, lets you feel what it would really be like to live through these events. There's no detectable "message" nor "moral of the story". BUT even though the film itself doesn't lean that way, I couldn't help mulling over some larger social issues (and a few scenes in the film, although unremarked, contributed).The cost of preserving a human life was wrecked personal finances, losing ownership of an apartment, a good marriage, a couple careers, and several of what should have been the best years of a couple lives. (The film doesn't dwell on these things, but it does report them. A credit card gets cut up. They create a nice meal in their imaginations. An offhand remark reports the loss of the apartment. And so forth.) Was it worth it? And why was the burden laid almost exclusively on one small nuclear family rather than on a larger community? The state apparently paid for all the medical care (better than in the U.S.). But no state help was available for avoiding personal bankruptcy or for saving apartment ownership. Was that the best deployment of resources?(Also, unconnected to the child's sickness, the film mentions that both parents had considerable trouble finding work. Some career aspirations on both sides were dashed. And there's even a suggestion the situation was so bad that Juliette took work in a different town several hours away.)