Deported Women of the SS Special Section

1976 "Each Day Is A Living Hell For These Helpless Captives!"
4.4| 1h38m| en
Details

Young women in Nazi-occupied countries are packed onto a train and shipped off to a prison camp, where the sadistic commandant uses them as rewards for his lesbian guards and perverted and deviate troops.

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Reviews

ChikPapa Very disappointed :(
Steinesongo Too many fans seem to be blown away
Stoutor It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.
Ginger Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
Leofwine_draca DEPORTED WOMEN is one of those unholy trash flicks that seem to go out of their way to be as poor taste as possible. This one takes the hackneyed women-in-prison film and adds in an unpleasant Nazi vibe by making the setting a German prison. Inevitably, there's a sadistic prison camp commander who goes out of his way to abuse the various inmates, who seem to spend all of their time in lesbian encounters as well as having sex with the male guards. There's also some homosexuality here too, leaving no stone unturned as this movie plumbs the depths.As with the flimsiest of these productions, there isn't much storyline, so there are endless scenes of sex and nudity to pad out the running time. These quickly become boring and are the least erotic thing in the world. None of the actresses are particularly attractive and the acting is awful too. The only kind of story arises at the climax, where there's an inevitable prison break as well as a deeply unpleasant fate for the overacting camp commander, played by genre regular John Steiner. This involves a female prisoner using a cork-and-razor blade combination in a way that will bring tears to the eyes of any male viewer in an utterly excruciating moment of pain.So, sleaze all the way here, with all kinds of sexual shenanigans and unpleasantness going on such as hair shaving – although it's far from the nastiest that the genre has to offer. There are some mundane cat fights and the aforementioned jailbreak but these are handled in a mundane way. Director Rino Di Silvestro was also responsible for the trashy NAKED WEREWOLF WOMAN.
BA_Harrison Falling somewhere between the camp excesses of the Ilsa movies and the grim nastiness of Last Orgy of the Third Reich, Deported Women of the SS Special Section is one of the more enjoyable (not sure if that's the right word to describe a film about war atrocities, but hey ho!) examples of the sleazy sub-genre commonly known as Nazisploitation.With pretty good production values (for a film of this type), and an uncomplicated story that manages to tick most of the 'concentration-camp cinema' boxes (humiliation and degradation of the prisoners, multiple shower scenes, torture, lesbianism, rape, and murder), director Rino Di Silvestro ensures that fans of this kind of fare don't go disappointed.Deported Women begins with a group of female prisoners being transported by train to a castle-turned-prison. Once at their destination, the women are processed, examined, shaved (each lady is given a 'Hollywood' free of charge!), and sorted into various groups: some are kept for experimentation; others become 'field whores'; the best looking are saved for the Joy Division—the prostitution wing of the camp.Amongst these new arrivals is Tania Nobel (Lina Polito), a disgraced aristocrat who, before the war, was an object of lust for the nasty camp commandant Herr Erner (John Steiner, who excels as a maniacal tyrant who makes Caligula look sane by comparison). However, rather than reciprocate Erner's advances, Tania chose to run off with her partisan lover instead—a move which has left the Nazi with mixed feelings about the girl he once tried to woo: poor confused Herr Erner doesn't know whether to punish Tania, or attempt to win her affections.So he does both.After locking her in solitary confinement (for trying to escape) and threatening to make her suffer, he does an about-turn, and invites her to dinner, where he tries to impress her by forcing two of his subordinates (a couple of sadistic bitches who regularly abuse the prisoners) to give him a spot of fellatio. Needless to say, Erner's shocking display of power doesn't have the desired effect (perhaps a bunch of flowers and some fancy chocolates would've been a better way to go).Eventually, Tania tires of Herr Erner's advances and attempts to end her life by starving herself. Admitted to the infirmary, Tania is nursed back to health by a kindly doctor, who, taking pity on his pretty patient, informs her of a secret tunnel that runs beneath the castle. Tania makes plans to escape, along with her fellow prisoners. But first, she has a score to settle with Herr Erner.Deported Women starts off rather slow, and, to be honest, at first I thought it would be a real chore to sit through in one sitting. But as things progressed, the film got way sleazier and much more trashy, and by the end, I was pleased that I had stayed the distance. Amongst the dubious delights on display are the prolonged scene of hair removal (from all areas of the prisoner), a lesbian 'rape' that turns into a hilarious cat-fight between two of the guards, and a jaw-dropping moment where a frustrated Herr Erner finds temporary sexual release by buggering his henchman Doberman (Giorgio Cerioni).And best of all is Tania's final act of revenge: she places razors in a cork, pops it up her cooch, and offers herself to the randy commandant... ouch!
Hellraiserdisciple For some odd reason I decided to give Deported Women of the SS Special Section a go today and was reasonably pleased. Noticing only one other user comment I felt compelled to give my opinion as well.The story is fairly easy. A group of women are being held captive in a Nazi prison. Nazi prisons are (as we have all learned in films like Ilsa, She Wolf of the SS and others) is not a happy place. Fortunately you can always take a long soapy shower with your fellow inmates; and they do! I didn't expect much from this one so I became pleasantly surprised. The violence is pretty tame, but the razor blade on a cork in the vagina made me raise an eyebrow as our kinky commandant was about to realize love really can hurt. There's a decent amount of nudity with one of the highlights being the pubic hair shaving, take your time.Deported Women does remind me to some extent of Salò, although it tends to focus less on the cynical ideology (as most of its kind) giving the whole film a more campy tone. Fine by me. It tries to be a bad boy, but not THAT bad.In the end I have to say that even though the running time of almost 97 minutes feels a bit too long, the nudity, the violence and the crazy commandant managed to keep me entertained. You could do a lot worse.
Woodyanders The hapless Jewish female prisoners at an SS Special Section concentration camp are subjected to all kinds of torture, sadism and depravity by their brutal Nazi captors. Fed up with all the gross mistreatment they are forced to endure on a regular basis, the women join together to plot to escape and turn the tables on their cruel oppressors. Writer/director Rino ("Werewolf Woman") Di Silvestri really delivers the lowdown sleazy goods in a fiercely explicit and unflinching manner: there's plentiful nudity, two group shower scenes, pubic hair shaving, rape, lesbianism, voyeurism, catfights, degradation, castration (one of the women hides a razor blade in her vagina!), and perversion galore. Moreover, the production values are surprisingly polished and up to par: Sergio D'Offizi's slick cinematography (the smooth tracking shots and sturdy hand-held camera-work are both quite impressive), an unrelentingly bleak, stark and gritty tone, solid and credible acting from a good cast (John Steiner in particular makes for a perfectly strict, haughty and merciless degenerate creep of a camp commandant while Solvi Stubing likewise does well as a mean guard), a thrilling last reel jailbreak and Stelvio Cipriani's melodic, gloomy, haunting score are all on the money fine and effective. Although it's way too grim, rough and depressing to be much fun, this potent little item nonetheless still qualifies as a very gripping and harrowing movie.