Detective School Dropouts

1986 "A Couple Of Detectives Without A Clue!"
5.4| 1h32m| PG| en
Details

Two bumbling private detectives get themselves hired to find a missing person. They find themselves in the middle of a mob war when it turns out that the missing person is somebody the mob wants to stay missing.

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Also starring David Landsberg

Also starring Lorin Dreyfuss

Reviews

Cubussoli Very very predictable, including the post credit scene !!!
Lovesusti The Worst Film Ever
VeteranLight I don't have all the words right now but this film is a work of art.
UnowPriceless hyped garbage
therealkylemcelravy This hilarious comedy from the producing team of Golan-Globus is probably the best, but sadly obscure film to come out from the Cannon label, even for a movie to come out in 1986.David Landsberg stars as Donald Wilson, a nebbish nerd whose obsession with crime novels forces him to lose a string of jobs after one comic mishap after another. One day, he notices a sign on a phone booth advertising to be a detective. The agency responsible is Miller Detective Agency run by Paul Miller (Lorin Dreyfuss, older brother of Richard), a slick high-roller whose business is in financial trouble because Paul has owed money to a lot of people and some will stop at nothing to get it. Donald enrolls into Paul's so- called "class" and learns lock picking, firearms, and even writing checks and paying money to Paul for owing purposes. One day, they stumble across a kidnapping plot involving a young couple, Carlo and Catherina madly in love that's hampered by the rivalry of two Italian mafia families, the Zanettis and the Lombardis. The Lombardi patriarch assign brutish hit-man Bruno (exploitation favorite George Eastman to kidnap Catherina, who is in New York visiting her cousin, Mario. Donald and Paul go to the house she's in on a whim as part of a fake dog newspaper ad. Catherina gives Donald a valuable pennant, but Bruno notices this and chases him and Paul out of the house. They decide to take the pennant back to Mario, who's boarded a plane back home to Italy. They then find themselves in the country and must put an end to the 200 year old feud between the families and reunite Carlo and Catherina.Landsberg and Dreyfuss, who also wrote the screenplay, have terrific chemistry together and the film contains a lot of funny slapstick gags, many of which Bruno gets the brunt of. It also includes a wild car chase through the streets of Rome, when a movie set and a city market get obliterated, as well as a daring foot chase in the Leaning Tower of Piza. Even Donald gets to drive a Ferrari that ends in a bad crash.The two guys would write and star in another film the following year, DUTCH TREAT, that sadly wasn't as well-received as this one.
EuroNYC7 My brother and I first saw this outrageously-funny comedy back in Summer of 1987 which we rented from a Mom-and-Pop video rental (pre-Blockbuster days). Let me tell you, we continuously rented the video and watched it EVERY SINGLE day with the same hilarious results! Alas, I finally found the movie on E-bay and received it only last week!! David Landsberg and Lorin Dreyfuss really bought down the house with their wacky performances. In my opinion, at least half the so-called "funny films" today can, in no way, shape or form, match this hysterical, hiccup-inducing, over-the-hill comedy! Two bumblers, one an honest simpleton who keeps getting fired from every job in NYC because he' s so caught up in detective novels, and the other, a sleazier and witty but somewhat incompetent con-artist who reels him into his shady, fire-trap, nickel-and-dime 'Detective School', suddenly get caught up in international intrigue involving a beautiful woman, 'Old World' traditions and the Italian Mafia, traveling from New York to beautiful Rome and running into all types of comedic obstacles and situations. They start off by posing as tourists with Japanese names after lifting the boarding passes from two unsuspecting Japanese passengers, to foul play aboard an Italy-bound airliner, to the hi-jinx in a Rome museum, masquerading as monks in the Vatican to the nerve-shaking Ferrari escapade....never a dull moment!! They sure don' t make them like that anymore! If you are down in the dumps, I strongly recommend this dosage of massively hysterical humor.
dunstone Admittedly, this movie falls far short of anything the academy would use as a DVD coaster for the lighting guy backstage. It's terrible. The dialogue and plot is laughably predictable. The camera work is generally sub-par... as if it were the director's first film. At times, it's just plain stupid. So stupid, it can be brilliant - in the same way the Keystone Cops were hilarious. The scene with a stolen Ferrari is absolutely priceless. I don't know if I've ever laughed so hard or rewound a movie so many times. I've been waiting in vain for a DVD version to come out, and my Tivo is always searching. Perhaps you can still catch an old VHS copy on eBay with some persistence. If you watch with the appropriate silly, B-movie attitude, you won't be disappointed.
pip1991 I think I was ten when I first saw this movie at the theaters and I can honestly say I have never laughed so hard and uncontrollably at any film in my life. Granted, today the movie does look dated and suffers from some poor picture and sound quality (the usual product of the infamous Golan Globus guys) but I urge you to try and see beyond that. This is a small masterpiece. David Landsberg's honest but clumsy Wilson is perfectly balanced by Dreyfuss' seedy, fast-talking... uh sorry I forgot the character's name. Anyway, the movie has several well timed running gags (the hurt hand, the old lady whose pictures are always messed up, etc.) some hilarious chase sequences (my fave being a chase through a movie set), a cheesy yet quirky soundtrack and an overall sense of outrageousness. The plot is just credible enough to make the comedy work and the action sequences are well done but not lended so much weight that they distract. Landsberg and Dreyfuss (both of whom also wrote the film) have a keen sense of comic timing, and play off of each other like pros. (This film also introduced me to the Italian beauty Valeria Golina, several years before Rainman). I've seen Landsberg in the occasional supporting role on TV and in film but I've never seen Dreyfuss before or since (I've read before that he's Richard's brother and that's certainly reasonable). It's a shame these two didn't make more films, and in a way it's sad that this film didn't do better, and yet now I can officially refer to it as a forgotten, hidden treasure. Good luck finding this film on VHS, much less on DVD but if you do, check it out.

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