Diary of a Madman

1963 "The most terrifying motion picture ever!"
6.3| 1h36m| PG| en
Details

Simon Cordier, a French magistrate and amateur sculptor comes into contact with a malevolent entity. The invisible - yet corporeal - being, called a "horla" is capable of limited psychokinesis and complete mind control.

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Reviews

Solemplex To me, this movie is perfection.
Executscan Expected more
Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.
Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.
Rainey Dawn This film really needed a little more something - maybe a quicker pace? It does drag on in places for way to long. Now don't get me wrong it is worth watching and mainly for Vincent Price. Price is the biggest draw or attraction in this film, but then again he is for all his films. Price drives this film while the others in the film pale in comparison and are a bore to watch.It is exactly the way the synopsis reads: Simon Cordier (Price), a sculptor possessed by an evil invisible spirit, hires a model to pose for him then learns thereafter that she has been brutally murdered.I can say there is an invisible man, a spirit of sorts, that haunts Simon Cordier (Price). If that sounds interesting then you might like the film.7/10
gavin6942 Simon Cordier (Vincent Price) is a well-respected magistrate who visits a condemned prisoner, Louis Girot (Harvey Stephens), just before the man's execution... and finds him to be possessed by a demon! The film's plot goes in directions one might not expect. The inmate has a very small role, and Price's character is shown to be dead at the beginning -- how far in the future is this? He spends much the time courting a woman and sculpting her bust. None of this is really in any way related to the demon-possessed prisoner.When the demon is free of a body, it may be less murderous, but no less influential, and I find that a nice twist. The demon is a "horla", whatever that is. The original story has been cited as an inspiration for Lovecraft's "The Call of Cthulhu", which also features an extraterrestrial being who influences minds and who is destined to conquer humanity. If this film is important to horror history in any way, it may be seen as an offshoot of Lovecraft.Mike Mayo calls the film "one of Vincent Price's best but least remembered efforts." While I consider Price's greatest but least known role to be "The Mad Magician", Mayo's point is still true. Going into this one with no expectations (having not heard of it), I was fairly impressed. It ranks much higher on my list than others would rank it on theirs, I think.On Scream Factory's excellent disc (part of the Vincent Price Collection, Volume 3) we have another Steve Haberman audio commentary. We must talk about Haberman's style. Rather than discuss anything happening on screen, Haberman goes on a long, passionless tangent about the story's author... but he does make up for this a bit by offering an amusing abbreviated history of Vincent Price's cinematic wives. Haberman is a person who is very smart, does very good research, but has not mastered the way to present it -- he essentially writes bios of people in the film's he is reviewing and reads their biographies. This is very dry and often does not offer much more than Wikipedia could, unfortunately.
dbdumonteil Maupassant had ,in fact,little or nothing to do with the screenplay of this horror movie;he provided an "entity" (Le Horla= le "Hors Là " roughly "out here") and that's it.His short novel was the depiction of a psycho ,a study of terror ,a stream of unconsciousness ,but it was not really a story.Hence the necessity to write a screenplay where the "Horla" is boiled down to a variation on "Dr Jekill and Mister Hyde" .Apart from the green light,and if you forget the FRench writer,it's a commendable work based on the eternal fight of the good and the evil inside man.Dennis Price is ideally cast as a man who feels his mind is beyond his command.
sc8031 This is a Vincent Price vehicle that is loosely based on a Guy De Maupassant short story. The setup is eerie, speaking of how dark spiritual beings exist in our world, unseen by human eyes. "The Horla" is one such unseen supernatural being, one which has power over the minds of men and the natural world. Unfortunately, the film's pacing becomes quite grating by the end (was it really only 97 minutes?) and ends with some fairly predictable '50s/'60s cheesy horror.In this tale, Price plays Simon Cordier, a magistrate in a French court in the late 19th century. When the magistrate has one final conversation with a prisoner convicted of multiple murders, the man tells Cordier that he did not commit the murders, but was compelled to by some unspeakable evil entity (the Horla) which took control of his mind and body. Then, for some reason or another, the Horla begins to stalk Cordier (it's rather clumsily presented, but it works). Fearing for his sanity, Cordier takes a vacation from his work and takes up his old hobby of sculpting, which leads him to encounter the model and enchanting muse, Odette (Nancy Kovak). And it is here that the Horla begins to work his magic on Simon Cordier. The Horla plays the devil's advocate, blackmailing Cordier into following his weakest urges.A lot of Vincent Price films operated within a spectrum of horror-comedy, which is not to say that they were exactly funny, but had such an offbeat attitude it made them simultaneously amusing and creepy. Some of those vibes can be found here, and a number of Price's lines and expressions are totally charming (such as when he's smooth-talking Odette for the first time). And the way some of the "philosophical" ideas were presented -- they were so blunt it was comedic. I don't know if that much was intentional, but it did give the movie some color.But at the same time the plot, characters and story are all too simple for how long the film runs. And the villain or mysterious antagonist, the "Horla", becomes pretty lame by the end. He gets reduced to the sort of unimaginative pseudo-science-fiction horror that filled out B-movies in the '50s and '60s. The typical spiritual/philosophical elements which litter "mystical horror" stories are here either cliché (the crucifix is able to ward off evil... again!) or just boring (the conversations with the Police Chief about whether or not criminals are born evil). And my other main criticism is that the film would be pretty terrible without Vincent Price in the lead role. Only Price carries the film by the end."Diary of a Madman" was a decent distraction for a lazy afternoon, but not a film that I'd watch again. Vincent Price has done some really excellent stuff, but this isn't one of his necessary works.