Lovesusti The Worst Film Ever

Jeanskynebu the audience applauded

CrawlerChunky In truth, there is barely enough story here to make a film.

Cem Lamb This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

noonoonomore I love to see Kajol and King Khan together, I mean who doesn't? But this movie was so boring, so stupid and pointless with forgettable uninteresting songs that even watching these to together on the screen couldn't stop me from fast-forwarding the movie. I think the only, and only reason for them to have accepted to star in this horrible movie was kind of like that of Bill Murray's signing the Garfield movie thinking "Joel Coen" (one of the Coen brothers) has written it, later finding out it was written by a "Joel Cohen" with a big H for Horrible!! Shah and Kajol too signed the contract without reading the script based on Rohit Shetty's name and when they found out what a swamp they've gotten themselves into they contractually couldn't get out.Looking at Aamir's movies in recent years such as PK and Dangal and Shah's Dilwale, I must say I am so disappointed in my favorite Khan.The 3 stars are only for the song they had together which I can't even remember what it was about, but they were beautiful and the cinematography in that song was mesmerizing.

Sohom Pramanick Rohit Shetty's Dilwale is a complete potboiler replete with romance, comedy, action and drama. The USP of the film, for me personally was seeing Kajol and Shah Rukh Khan reunite on screen almost 5 years after My Name is Khan.In a nut shell, Dilwale narrates the star crossed love story of Raj/Kaali and Meera (Shah Rukh and Kajol) and their respective siblings Veer and Ishita (Varun Dhawan and Kriti Sanon) that is narrated alternatively in present day Goa and fifteen years earlier in Bulgaria. The crux of the story is a major misunderstanding that develops due to enmity between two mafia families who are sworn rivals. The principal cast was ably supported by Mukesh Tiwari as Shakti, Pankaj Tripathi as Anwar, Vinod Khanna as Randhir Bakshi, Kabir Bedi as Dev Malik, Nawab Shah as Raghav, and Chetna Pande as Jenny. Varun Sharma, Johnny Lever, Sanjay Mishra and Boman Irani as Siddhu, Mani Bhai, Oscar Bhai and King respectively provide excellent, rib-tickling comic relief.The picturization of the songs were breath-taking. While 'Gerua' and 'Janam' mesmerized with Shah Rukh and Kajol's endearing romance against stunning locales, 'Manma Emotion Jaage' and 'Tukur' enthralled with fun, fervor and celebration. In stark contrast, 'Daayre' was presented as a simple, emotional, narrative track.The outdoor locations shot mostly in Goa and Bulgaria added much needed color, vibrance and grandeur to Dilwale. And to live up to his reputation, Rohit Shetty ensures that Dilwale also boasts of well-choreographed, sleek n stylish, adrenaline pumped car chase sequences. Whether it was in a murky, gangster's drug warehouse or in a hip, breezy Goan restaurant, the action shots were deftly portrayed. One aspect that stood out in Dilwale for me was the ties of a family that was shown so beautifully. The strong and unshakable love between brothers, sisters and the familial bond that is unwavering in its support and unconditional love.Finally what can I saw about Shah Rukh and Kajol that has not been already said. They will always be two of Hindi cinema's brightest talents and when they act together it is nothing short of magic. Seeing them on screen floods me with emotion and all at once I am the 12 year old that fell in love with 'Kuch Hota Hai' even before watching the movie, the 15 year old that gaped at 'Suraj Hua Madham', the 24 year old who loved Rizwan as much as Mandira in 'My Name is Khan' and the one who has always revered 'DDLJ' throughout. Be it in the Bulgarian flashbacks or current day Goa, both Kajol and Shah Rukh's incredible acting skills lend credibility to each and every moment they are on screen. They have several charming moments on screen that made me swoon – Meera and Kaali's five minute date, a rain soaked Meera finally professing her love to Kaali, the teeny tiny smirk on Kaali's face when he discovers that Meera has remained unmarried even after fifteen years and of course the final moments of the film. All in all, Dilwale was one fantastic, entertaining, clean movie that can be enjoyed with the whole family!!!

Ankit Bhatt (ankitbbd) This movie is really bad.Even 'Happy New Year' and 'Chennai Express' were better than it.This is really worst movie of Shahrukh Khan and probably worst movie of 2015.I don't know why Rohit Shetty directed this movie.There was no story at all.Overacting by Johnny lever and Varun Sharma.There were same repetitive dialogues in this movie that we have been listening since 1980's movie and story is also similar to Amitabh Bachchan starrer 'Hum'.Only music was good in the whole movie.Illogical movie illogical screenplay.There were too many plot holes in this movie.Despite having a great star cast,movie is awful.Rohit Shetty fails in his attempt in delivering a good romantic comedy family entertainer.Overall I give it 2/10.

Shivam Shrma After delivering the monstrous hit CHENNAI EXPRESS, Shah Rukh Khan teams up with the Hit machine -- director Rohit Shetty -- yet again. Also, Kajol, SRK's co-star of several unforgettable films, adds incredible weight to this keenly anticipated project. In addition, several enviable names, on and off screen, lend muscle to the enterprise. The canvas is gigantic as well. It can't get bigger than DILWALE, honestly. Rohit Shetty is synonymous with audience-friendly movies. Most critics may deplore his work, but the paying public -- the ones who matter ultimately -- reveres his cinema. He promises dollops of entertainment and encompasses just about every ingredient available on the shelf, which the hoi polloi laps up with glee. His movies may not offer ground-breaking stuff, nor do they pick up meritorious awards, but he whips up a storm at the box-office every time he attempts a high-on-entertainment fare. Naturally, one expects DILWALE to surpass SRK-Rohit's previous endeavor by a wide margin. Come to think of it, DILWALE is similar to CHENNAI EXPRESS in several ways. Rohit Shetty focuses on the love story yet again, while the light moments, high-octane drama and aimed-at-masses dialogue -- the staple ingredients or fodder that contribute to a masalathon -- adorn the goings-on wonderfully. At heart, and true to its title, DILWALE remains a love story, not an assemblage of sequences to win and woo the spectators. Last word? DILWALE delivers what it promises: Entertainment in enormous doses. Rohit Shetty's latest creation speaks the language that the masses comprehend. It's one formula that can never go out of fashion, if handled smartly. And, don't we know by now, how proficient Rohit Shetty is when it comes to delivering a full-on entertainer in his unmistakable style. The gist of the story: Raj aka Kaali (Shah Rukh Khan), a don, now leads a changed life in Goa. His world revolves around his brother Veer (Varun Dhawan). Veer falls in love with Ishita (Kriti Sanon), who happens to be Meera's (Kajol) sister. Raj and Meera's paths had collided in the past and that becomes an obstacle for Veer and Ishita. First things first! Speculation is rife that DILWALE is an updated/modified version of HUM (1991), but that's not true at all. Most love stories navigate identical paths and DILWALE is no different. Rohit Shetty stresses on vintage stuff (love triumphs against all odds), but he along with screenplay writer Yunus Sajawal narrates it smartly, peppering and garnishing the proceedings with sub-plots that keep you completed captivated, while the dialogue (Farhad-Sajid) act as the icing on the cake. The twists and turns involving SRK and Kajol is clearly the USP of the enterprise. In fact, the two turning points in the love story, both in the first half, will catch the viewer completely unaware. Sure, DILWALE has its share of blemishes that cannot be overlooked either. The writing stagnates at regular intervals... The villain's track could've been more persuasive... The pre-climax, when things are sorted out between SRK and Kajol, seems convenient... However, these are minor aberrations. For, the plusses easily outweigh and outnumber the minuses here. The soundtrack (Pritam) gels wonderfully with the genre of the film. 'Gerua', filmed most exquisitely, is a rage already and definitely the pick of the lot. 'Manma Emotion Jaage Re' is another groovy track that has caught on in a big way (the social media is flooded with its Dubsmash versions and that clearly indicates its popularity). 'Janam Janam' is another soulful composition, while 'Tukur Tukur', which comes at the end credits, is a vintage track that's mandatory in a biggie. The best part is, the songs are appropriately interspersed in the scheme of things. The background score (Amar Mohile) is creditable and in sync with the on-screen situations. Rohit Shetty's movies are embroidered with some implausible, but incredible stunts. DILWALE has a few action pieces, but the ones featuring SRK are vibrant. Cinematography is top-quality and the DoP (Dudley) makes every frame appear larger-than-life. The panoramic locales of Bulgaria appear truly spectacular. The principal cast provides the much-needed sheen to Rohit Shetty's vision. For the incalculable fans of SRK and Kajol, it's a treat to watch the celebrated couple after a hiatus (after MY NAME IS KHAN; 2010). It goes without saying that the duo dominates the proceedings with their effervescent acts. SRK is at his charismatic best in the young avtaar and carries off the angry, middle-aged guy with aplomb. Kajol looks gorgeous and steals your heart with a performance that stays in your memory. Actually, her character is one of the high points of the film and the terrific portrayal takes it notches higher. Besides, the on-screen chemistry is one of the pillars on which DILWALE rests. Varun Dhawan, the teen heart-throb, is excellent, despite being pitted with some of the best names in the business. The young actor, barely five films old, is credible in light moments and compelling in poignant sequences. Kriti Sanon is camera-friendly and confident to the T. DILWALE boasts of a commanding supporting cast, but the ones who sparkle include Sanjay Mishra (exceptional), Johny Lever (super), Mukesh Tiwari (first-rate) and Pankaj Tripathi (competent). Boman Irani does exceedingly well. Vinod Khannna and Kabir Bedi, the two veterans, are just right. Varun Sharma contributes amply to the comic situations. Nawwab Shah is adequate. On the whole, DILWALE is akin to a mouthwatering meal that satiates the craving of those who relish masalathons, besides being an absolute treat for SRK-Kajol fans. An unadulterated crowd-pleaser, DILWALE delivers what you expect from a Rohit Shetty film: King- sized entertainment. Go for it!