Karry
Best movie of this year hands down!
Cubussoli
Very very predictable, including the post credit scene !!!
Janae Milner
Easily the biggest piece of Right wing non sense propaganda I ever saw.
Deanna
There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
Horst in Translation ([email protected])
"Die Todesgöttin des Liebescamps" or "Love Camp" is the probably most known work by "filmmaker" Christian Anders. He wrote his one, directed it and also plays the central male character. It is from 1981, so has its 35th anniversary this year and there seem several version out. The one watched ran for only 75 minutes which was great as it was really not a good watch. The only thing memorable was probably the bright blond hair from the young Christian Anders. This is the story of a daughter of a senator, who ends up with some hippie cult, who live in accordance with their own free-spirit kinda ways. Or not really. As inside this cult, there is all kinds of violence, torture, sexual abuse and even murder. The cult leader is played by Laura Gemser, an Indonesian actress who is probably known to some. But neither she nor anybody else in this film has strong acting talent, although you cannot really judge that from the way the characters are written. I still would say it was not as bad as some other German sexploitation films from the 1970s and there are a couple bearable scenes and moments, but of course it is not even close to being good enough for me to recommend the watch. Thumbs down.
Woodyanders
A hippie love cult led by the stern, yet charismatic the Divine One (perfectly embodied by the delicious Laura Gemser) lures young innocents for their money and corrupts them in the name of their cause. The blithely passive and brainwashed cult members fornicate like bunnies, frolic about in their birthday suits, prostitute themselves for cash, engage in ritualistic chants, and get brutally whipped when they disobey the stern rules. Complications ensue when loyal recruiter and disciple Dorian (blonde doofus Christian Anders) falls for the fetching Patricia (lovely and voluptuous Simone Brahmann), who's the wealthy daughter of a powerful American senator. Writer/director Anders offers an enjoyably oddball cross between "Hair" (the incredibly dippy disco theme song and a couple of crazy song and dance numbers are both totally sidesplitting, albeit unintentionally so) and the infamous Jim Jones religious cult that certainly doesn't skimp on either the plentiful tasty nudity or the equally abundant sizzling soft-core sex (we've got straight, lesbian, and interracial couplings served up hot and spicy for the viewer's delight). The heightened erotic atmosphere and Gemser's smoldering sensuous presence ensure that this film never becomes dull. Better still, Anders treats all the wild and raw carnality with complete seriousness, which in turn greatly enhances the picture's considerable campy charm (a twisted ceremony involving the deflowering of the virginal youngest cult member rates as a definite loopy highlight). A delectably daft and decadent doozy.
The_Void
Well, it's blatantly obvious that this film has absolutely nothing to do with the Black Emanuelle series and is just a cash in on the name since it stars the great Laura Gemser. However, that should not be held against the film too much as Gemser is cast in a slightly different role as the all-powerful 'Divine One' - the Goddess of a camp of free loving hippies, and I'm not going to argue with anyone who puts Laura Gemser in that elevated status! Despite not being an official part of the series; Divine Emanuelle is still a more than decent little film with plenty of sex and nudity as well as an interesting, though not particularly original, plot line. We focus on a group of hippies ruled over the by The Divine One. They preach free love but really it's only a front to make money in the form of 'donations', which people give for sex. Things are shaken up when the daughter of a powerful US senator is inducted into the group because she fancies the slimy blonde cult leader, who is more a pimp than a preacher (and looks a bit like Owen Wilson).The film benefits from a style that suits the breezy nature of the free love ideal. We've got a soundtrack decked out by catchy jingles, the film is full of beautiful people making love in beautiful locations and we even get a few strange dance sequences. Laura Gemser is the standout, of course, and this role requires something a little different from usual from her as unlike most of her characters; this time she's the one completely in charge. It doesn't suit her as well as playing Emanuelle, but it's a change and seeing Laura Gemser on screen is always good. The plot is stronger than what Emanuelle fans will be used to and this is a benefit to the film. There's still plenty of sex and nudity but it's not overused and the plot does actually seem to be coming first! The film moves along at a steady pace for most of the duration and the ending contains no real surprises, although we do get treated to a hilarious fight sequence. Overall, I would quite categorise this film as 'good', but it's not that bad and there are certainly a lot of worse examples of films like this!
Mattydee74
If a quasi-mythical, strange odyssey into a distorted matriarchal society marked by strange hippy ceremonies and sexual torture of all and sundry sounds like your desire for the night this might just be your choice viewing material. Its an intriguing oddity marketed in some countries as porn (Divine Emanuelle), in others as some sort of crime/action film. Its reminiscent of the "cult" films like Guyana and the real events on which they were based like the Jonestown cult: ie, kooky dnacing, chanting and solemn ceremonial garb soon ripped or torn like some Greek melodrama/historical play with bouts of murder and violence mixed with sexual power games. It is an undeniably luscious cheap film in terms of design and location with kinky indulgence in various fetishes from whipping to stalking plus generous doses of nudity both male and female. Its a quirky flick starring the Nubian-like Queen of exploitation (Black Emmanuelle) Laura Gemser wielding her power generously upon a vast array of dutiful and punishable subjects as she seeks further power and wealth. A film for exploitation/film-porn junkies with a sense of humour.