Divine Intervention

2002
6.6| 1h32m| en
Details

Santa Claus tries to outrun a gang of knife-wielding youth. It's one of several vignettes of Palestinian life in Israel - in a neighborhood in Nazareth and at Al-Ram checkpoint in East Jerusalem. Most of the stories are droll, some absurd, one is mythic and fanciful; few words are spoken. A man who goes through his mail methodically each morning has a heart attack. His son visits him in the hospital. The son regularly meets a woman at Al-Ram; they sit in a car, hands caressing. Once, she defies Israeli guards at the checkpoint; later, ninja-like, she takes on soldiers at a target range. A red balloon floats free overhead. Neighbors toss garbage over walls. Life goes on until it doesn't.

Director

Producted By

ARTE France Cinéma

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Also starring Salwa Nakkara

Reviews

CheerupSilver Very Cool!!!
Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
Casey Duggan It’s sentimental, ridiculously long and only occasionally funny
Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
Benedict_Cumberbatch I would be lying if I said I loved this film. However, writer-director-actor Elia Suleiman created a pretty unique, bizarre allegory of tolerance in Palestine that deserves at least one viewing."Divine Intervention" is composed of a circle of vignettes that vary from "Father Feels Sick" to "I Am Crazy Because I Love You". Using minimalist settings, economic dialogue and bizarre, surreal situations that involve a dying Santa Claus and a female ninja, Elia creates a mosaic of apparently disconnected types and caricatures. His "message" is illustrated in a not so subtle metaphor by the last scene. Even though "Divine Intervention" doesn't always succeed, Suleiman deserves special mention for daring to experiment in a way that most filmmakers are afraid to. Not a bad thing to do. 7/10.
Vishal Agrawal Did I waste my time. This is very pretentious film. In the beginning you will think there's something going on but by the time some 30 minutes go by you realize nothing is happening. I waited for another 20 minutes and by then i was so frustrated that I started reading reviews on IMDb and realized that the director has wasted precious time of so many people. Unbelievably boring pointless film. Stay away. So many good soundtracks. I will give one point for the police inspector joke because that worked for me. I laughed for a long time but otherwise a very bad film. Stay away.1 on 10.
bob the moo Set in the segregated world of checkpoints and bombings of the Middle East, two lovers are separated - one living in Jerusalem, the other in Ramallah. Despite the threats posed by bombings and shootings, and the deterrents of the checkpoints, the two arrange secret meetings.I have done it too, so I won't make too big a deal out of it; but too many of us doff our caps at the sight of a foreign film, too many reviews are very forgiving of flaws foreign films that we would go to town on in a western film. That appears to be the case here, reviewers seem to have sat down looking for `a deep film that will touch them' and that is what they have found - and in doing so they fall for much of the film's forced pretension. The plot is very difficult to describe and it is not easily forgotten - I found it very difficult to get into it simply because it was episodic and lacking a flow to it; it is more interested in delivering metaphors and symbolism that don't necessarily work that well.I, like many, do not and cannot ever hope to fully understand what life is like in this part of the world; therefore I was not able to get the meaning or, if there were any, the jokes. I have lived the vast majority of my life in a world of terrorism and check points - but this film is more specific than that general experience. However, for me the film was still too shrouded in mystery and `deep' scenes - long scenes pass without dialogue; the camera stares at a road for minute after minute and so on - it smacks of a film trying too hard to be arty and pretentious. This wouldn't be too bad if it had worked - but, for me, it simply didn't do anything. Some of it I'm sure is daring, and I wanted to find the Power Rangers style moment funny - but the tone of the film stopped it working.As far as characters, the film barely tries - the focus being `meaningful' swipes and jokes. Five minutes after the film ended I could barely recall character names - and there wasn't really an attempt to develop people within this smugly smart piece.Overall, if you know the area and are willing to work past all this film's flaws then you may get something from this. However, the curious audience looking to be helped through the film or just looking for something interesting will likely be left as cold, disinterested and poorly served as I was.
thesnowleopard This is very funny movie. It's also a very angry movie. Thecombination ends up being very subversive. You may laugh, yawnor rant at this movie, but you will react to it in some sort of way asyou spend 92 minutes trying to figure it out. I laughed a lot. But I feltsad, too. The desperation of the filmmaker is visible in everyframe.My favorite bit would probably be a toss-up between aforementioned settler serenade and the overkill with the snake.The scene with the female freedom fighter also works, both as autopian dream of fighting back and a spoof of Asian martial artsflicks like Crouching Tiger, Hidden Dragon. Ultimately, though, it'stough to describe in print a movie that is so relentlessly audio- visual in its metaphors. They say that to try to describe a visualjoke is to ruin it and Yadon ilaheyya is full of them.I think the one thing this movie really does well is wipe out a lot ofpreconceptions that people may have about the Palestinian-Israeliconflict. The Palestinians are neither vicious terrorists nor saintlyvictims here. And the Israelis look just as miserable as thePalestinians--the only real difference in that respect is that theIsraelis are the ones with all the guns.