Supelice
Dreadfully Boring
SteinMo
What a freaking movie. So many twists and turns. Absolutely intense from start to finish.
filippaberry84
I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Scott LeBrun
"If You Live, Shoot!" offers an intense diversion for fans of the Spaghetti Western. It goes on for quite a long time, and gets dull on occasion, but it's also noteworthy for its content. It's on record as one of the most utterly nasty of all SWs, with plenty of bright red movie blood and depictions of sadism.It's actually not particularly surreal most of the time, telling a rather linear story of The Stranger (Tomas Milian), who was double crossed by his partners in a heist, and shot & left for dead. The opening credits see him emerge from his grave, and two Indians (Miguel Serrano and Angel Silva) witness this. They vow to stay at his side and assist him, under the condition that he tell them what it's like on the "other side".However, this isn't really what you would call a revenge saga. Soon, The Stranger is getting caught up in greed and corruption in a small town known to Indians either as "The Field of Anguish" or "The Unhappy Place" (depending on which version you're watching). He gets involved as a few warring factions try desperately to lay their mitts on the gold snatched by The Stranger & gang.Co-writer / director Giulio Questi ("Death Laid an Egg") takes his time telling the story, but does populate it with some enjoyably despicable villains, such as Oaks (Piero Lulli), Hagerman (Francisco Sanz), Sorrow (Roberto Camardiel), and Bill Templer (Milo Quesada). There's an especially fun comeuppance for one of them. Add to that an atmospheric score by Ivan Vandor, two beauties (Patrizia Valturri and Marilu Tolo), and a sense of mysticism, and the results are generally agreeable. The handsome young Milian has charisma sufficient enough for one to remain invested in his character. Ray Lovelock of "The Living Dead at Manchester Morgue" fame also appears.Good entertainment overall, and worth a look for any SW completist.Seven out of 10.
MARIO GAUCI
This one certainly lives up to its reputation as the most peculiar Spaghetti Western there is, a quality which makes it unique but not exactly entertaining (the pace is slow and the film somewhat protracted, if never less than fascinating)! It features an atypical performance from lead Tomas Milian: usually the brash man of action with a humorous streak, here he's the cynical and mostly passive observer who even arrives late for the climax! Apart from the star, Marilu' Tolo and Ray Lovelock, the international cast - including several non-professionals - is unfamiliar but, as director Questi said in the exclusive Audio Commentary, their indelible faces were just what he needed for the film! By the way, in spite of the film's English title, it's not related to the 1966 DJANGO - and, in fact, Milian's character remains unnamed throughout - that spawned innumerable variations but only one direct sequel (made more than 20 years after the original)! Here, we also find several elements of Gothic horror (Milian 'rising' from the dead, the 'mad woman' character borrowed from "Jane Eyre", the weird prison torture scene involving vampire bats and iguanas, the fiery climax in which the villain's face is covered with melted gold, etc.); besides, Tolo is made-up to look like Barbara Steele and the greedy townsfolk's gory groping into the body of a dying bandit riddled with golden bullets curiously anticipates the zombie films of George Romero! Actually, the film's graphic depiction of violence gave it a certain notoriety which further fueled its cult status; in fact, the bullet sequence and the scalping of an Indian were censored at the time but, curiously, got reinstated for the shortened 1975 re-issue under the name of ORO HONDO (which had been the film's working title)! There's even a scene in which a horse is saddled with a charge of dynamite and let loose among the villains (whereupon we see shots of its intestines and the body parts of the various victims strewn about!) - though, in all fairness, in A PROFESSIONAL GUN (1968) a man was also nonchalantly killed by a grenade in the mouth!! Other unexpected elements in the film are its religious overtones (apart from Milian's crucifixion, the Indians who help him are mystics while the villainous Hagerman also serves pretty much as a bible-thumping preacher to the community) and the presence of black-clad gay cowboys as prototype Fascists (thankfully, we're spared their gang-rape of Lovelock - here in his film debut! - whose immediate reaction, naturally, is to shoot himself) led by a Spaniard (all dressed in white!) that goes by the name of Mr. Zorro(?!), and who shares a love-hate relationship throughout with a spirited parrot!! The film also features a good score by Ivan Vandor and Techniscope photography by Franco Delli Colli (though the outdoor night scenes are way too dark!), and the locations - Questi was especially proud of his uncharacteristic white desert - are notable too. Franco Arcalli, an unusual combination of screenwriter and film editor, devises some 'trippy' montages throughout - which, therefore, adds psychedelia to an already eclectic mix of cinematic styles that distinguish this Spaghetti Western! I opted to purchase the Italian DVD over Blue Underground's R1 edition due to the inclusion here of the afore-mentioned highly informative, full-length Audio Commentary featuring director Questi (who is very modest and actually attributes many of the film's bizarre touches to logical progressions of the narrative - which, needless to say, doesn't entirely convince the trio of moderators who accompany him throughout this engaging discussion!). However, with respect to the otherwise commendable Alan Young Pictures disc, one has to contend with a distracting layer change (in mid-sentence!), at least one other instance of audio drop-out and a baffling reversal, for one line of dialogue, to the English soundtrack (for the record, I watched the Italian-language version with the audio set in its original mono rendition; I tend to scoff at re-mixes of classic films)!!
movieman_kev
A Mexican outlaw (Tomas Milian) steals gold from a stagecoach along with some other Mexicans and Americans. The Americans double-cross the Mexicans and leave them all for dead. The one outlaw survives and looks for revenge in this film that has jack-all to do with the original Django (the distributors only named it "Django Kill..." to squeeze a few more bucks out of more gullible people. What we have here is a slightly below standard western that's too surreal to be that enjoyable. and as such I can't really recommend it to all but the most hardcore Spahetti Western fan.My Grade: D+ Blue Underground DVD Extras: Part of BU's Spaghetti Western Collection. Uncut; "Django Tell" (20 minute documentary); Poster & Stills gallery; Talent Bios for Guilo Questi & Tomas Milian; Theatrical Trailer 3 Easter Eggs: Highlight the hidden gun on the extras page for Trailers for "Django", "Run, Man, Run", and "A Man Called Blade"; Highlight the hand on the main menu to get interviews on the formation of a rock group; and a hidden gun in the Language/Subtitles menu leads to the story of how Tomas Milian almost got killed for being anti-communist
servalansrazor
A fine, if somewhat bananas spaghetti western that cashes in on the Franco Nero/Sergio Corbucci Django of the previous year simply by including Django in the title. What we have here, though, is a marvelous, if somewhat slightly mysterious example of the genre. More interesting than Django is a B***ard, or whatever its called this week, Django Kill really pulls out all the stops in an endless parade of the macabre. From the curious opening scene with Tomas Milian crawling out of a grave to the brutal lynchings and gothic horror drenching of one of many villains in liquid gold- this is a real treat for genre fans. As with many similar movies there are no morals anywhere to be seen, characters turn up, rub their hands together, kill mercilessly and then are shot down or, in this case, killed by an exploding horse. I understand that there are many versions of this movie in existence, which is not surprising in the least. The version i have was shown on uk tv five or six years ago, so i suppose its incompleteness would be down to broadcast quality prints. Its still a real doozer though.
