MonsterPerfect Good idea lost in the noise

FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Payno I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Jerrie It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

Coventry People sometimes complain that horror movies nowadays lack originality, and that most of them are uninspired and blatant imitations of just a few half-decent films. Well, that may be correct, but it's definitely not a phenomenon that only popped up now. Shameless rip-offs always existed, and here's an example of the late 50s/early 60s to prove it! Sidney J. Furie's "Dr. Blood's Coffin" clearly got made to cash in on the tremendous success of Hammer Studio's first real horror production; - "The Curse of Frankenstein". It must be said that, in spite of the obvious budget restrictions, "Dr. Blood's Coffin" is a grisly little flick with reasonably gruesome make-up effects and quite a bit of violence. On the other hand, "The Curse of Frankenstein" was gruesome as well and, unlike "Dr. Blood's Coffin", it also had a solid screenplay, terrific scenery, great acting and a continuously tense atmosphere. Furie's film is rather incompetent and overall boring, to be honest. The film opens with a feeble attempt to keep the identity of the mad doctor secret, but after ten minutes or so, they realize that idea was just dumb and unfeasible. Dr. Blood Jr. (with a name like that, you're just destined to make a career in mad science) gets kicked out of the medical university in Vienna for conducting unorthodox experiments on deceased patients, although he personally prefers to think of them as revolutionary and courageous. He returns to his hometown in Cornwall, where he settles at his father's small doctor's practice and flirts with the widowed nurse. His main objective naturally remains to complete his research, and thus Peter Blood paralyzes unsuspecting villagers with curare and subsequently drags them to an improvised laboratory in an abandoned mineshaft. Personally, I don't think it's very smart to kidnap people in a town with a population of barely 50 people and I also don't really see the added value of killing people only to revive them via primitive heart transplants. But hey, the idea is sick enough for a horror film and there are filthy make-up effects, especially during the utterly grotesque climax with a revived zombie husband! The rest of the film is unfortunately dull and endlessly repetitive. One of Blood's victims escapes, for example, and the poor sucker spends the next fifteen minutes crawling over the ground. Dr. Blood himself whines so much about his cowardly fellow scientists that he forgets to seduce the nurse! "Dr. Blood's Coffin" is passable Brit-horror from the early sixties, only worth seeking out in case you already watched all the much more superior Hammer, Amicus and Tigon productions from the same era/decade.

ferbs54 The 1961 British horror film "Doctor Blood's Coffin" is here given the DVD treatment by an outfit called Cheezy Flicks, but I believe that appellation does this film an injustice. Far from cheesy, it is, rather, an intelligently written, well acted and atmospherically shot picture that makes excellent use of its English coastal locale. In it, Kieron Moore plays Dr. Peter Blood (hey, wasn't that Errol Flynn's character's name in the 1935 swashbuckler "Captain Blood"?!?), a modern-day research scientist who returns to his hometown in Cornwall after his experiments on bringing the dead back to life with still-living hearts cause him to be kicked out of Vienna. Back home, he enters into a relationship with his father's pretty nurse assistant, Linda, played by Hazel Court (in the late '50s and early '60s, surely one of the prettiest actresses the U.K. had to offer), and secretly continues his work, using several of the town's unwilling test subjects. Moore is just fine in the lead role as the dedicated but quite insane scientist, Court is gorgeous as usual (especially when shown in a low-cut sundress), and Australian character actor Kenneth J. Warren (who will always be Emma Peel nemesis Z.Z. von Schnerk to me!) is quite sturdy as the local police sergeant trying to get to the bottom of all the mishegas. The film gets increasingly bizarre as it progresses, especially when Dr. Blood decides to prove his case by bringing Linda's late husband back as a nice surprise. There are several mildly gross surgical sequences to please all the gorehounds out there, and, for me, the highlight: a fine and heated discussion between Blood and Linda regarding the moral consequences of his work. This three-minute scene provides possibly the best thesping I've ever seen either actor give us. Ultimately, this supposedly "cheesy flick" turns out to be anything but, and is highly recommended for all fans of levelheaded British horror.

Movie Nuttball Doctor Blood's Coffin is a very good film that has a good cast which includes Kieron Moore, Hazel Court, Ian Hunter, Kenneth J. Warren, Gerald Lawson, Fred Johnson, Paul Hardtmuth, Paul Stockman, Andy Alston, John Romane, and Ruth Lee. The acting by all of these actors is very good. The thrills is really good and some of it is surprising. The movie is filmed very good. The music is good. The film is quite interesting and the movie really keeps you going until the end. This is a very good and thrilling film. If you like Kieron Moore, Hazel Court, Ian Hunter, Kenneth J. Warren, Gerald Lawson, Fred Johnson, Paul Hardtmuth, the rest of the cast in the film, Horror, Thrillers, Dramas, and interesting classic films then I strongly recommend you to see this film today! Movie Nuttball's NOTE: I got this film on a special DVD that has Doctor Blood's Coffin, The Brainiac, and The Fury of the Wolfman from Vintage Home Entertainment! See if you can find this winner with three bizarre but classic films on one DVD at Amazon.com today!

capkronos Dr. Peter Blood (Kieron Moore) shows up in a small Cornish village to move in with his father (Ian Hunter) to carry on with the old man's experiments. Maddened by his ambition and arrogance, Peter paralyzes unwilling victims with curare (African arrow poison) until their still-beating hearts can be removed and transplanted into other bodies. Will his new widowed nurse girlfriend Linda Parker (Hazel Court, as always, a strong female lead) catch on before it's too late? Saddled with a very implausible plot and pretty minor compared to some concurrent Corman and Hammer films, this still has good acting, nice location filming, atmosphere and a decent surprise ending.