Lovesusti The Worst Film Ever

PlatinumRead Just so...so bad

Merolliv I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

Payno I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

H_Spengler This is just a cute popcorn romance movie that is unlike any other comedy/romance movie i've seen before. Based on the book "The Boyfriend School." Guttenburg looks handsome, Gertz is charming as the initially shallow object of affection. Shelly Long steals every scene she's in with an overly cheery, matter o' fact personality. It's a simple story, but it works. Guttenburg plays hapless Gus, who falls in love with Emily (Gertz.) Realizing that she would never go for him in his present state (he's recently won his bout with Hodgkins) he transforms himself into romance novelesque "Lobo" the mysterious hunky foreign stranger (with the assistance of his romance novel author sister Lizzie (Long.) In an effort to win her heart. I won't ruin the movie for those of you who haven't seen it, it's fun, refreshing and a cute little movie with memorable scenes, characters and an original premise.

tfrizzell An overweight cartoonist (Steve Guttenberg) who has just finished with chemotherapy after almost dying of cancer quickly falls in love with Jami Gertz. Gertz is dating super-jerk Kyle MacLachlan though and honestly she has no attraction to Guttenberg. Guttenberg is the best person you can find though and unfortunately his inward beauty is not matched by his physical appearance. Older sister/novelist Shelley Long looks to change that though by turning Guttenberg literally into someone else physically and proving that Gertz is as superficial as she appears. This will of course give inspiration for a new book, but what happens when Gertz falls for Guttenberg? And does she fall for him because of his outward appearance, his inner-beauty or both? For the genre not bad at all, but still unremarkable all the same. The performers are all basically more at home with slapstick comedy or television sitcoms. Though kind of dumb and never too intelligent, the movie still has an admirable heart. Fair little date night movie, but once again nothing overwhelming. 2.5 out of 5 stars.

funky_cherry86 Having just won a battle against leukemia cartoonist Gus Kubicek (Guttenberg)is bald, chubby and not to mention lonely his novelist sister Lizzie Potts (Long) tries to set him up with suitable women. Emily Pear (Gertz) is a young and beautiful reporter whose looking for the right man, after a disastrous first meeting with Gus Lizzie takes it upon herself to transform her brother into a hunk of a man. After a new makeover Lizzie gives him a new name not to mention accent he is now known as Lobo a bad boy biker from New Zealand. Emily finds herself in love with him but Gus wonders if she could ever love the man he really is or a fake dream guy. Steve Guttenberg gave a funny yet touchy performance as Gus Kubicek and Lobo while Jamie Gertz adds a nice touch as his love interest 7/10 Stars

Lilee_Bingos Another engrossing and insightful piece of filmmaking from Malcolm Mowbray, proving once and for all that his name deserves to be mentioned in the same breath as Truffaut, Godard and Chabrol. However, it is not for Mowbray's talents that this film will be remembered always; in 'Don't Tell Her...', we at last find a stage upon which Steve Guttenberg's talent may shine, and shine alone.Guttenberg essays the role of Gus Kubicek, recovering from a recent illness which has forced him to confront the truth of his own mortality. In a touching scene, clearly reminiscent of the closing moments of Nagasa's Ai No Corrida, Kubicek's sister (Shelley Long) pledges to support him in the quest to recover a semblance of his sense of self.What follows is a poignant and moving account of one man's struggle to pretend to be a biker from New Zealand. Surprising, shocking and at times brutally honest, it is only by virtue of Guttenberg's sheer, uncompromising talent that the film remains as fluid and engaging as it is. He gives a breathtaking performance, the unique subtlety of his acting almost imperceptible as he deftly switches between the persona of the overweight cartoonist and the biker from New Zealand. Unencumbered by having to share the screen with the clumsier talents of Selleck, Danson et al, Guttenburg turns 'Don't Tell Her' into a stunning and exhilarating tour de force, elevating the film to a supern example of highly original post-modern cinema verite.