Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

Orla Zuniga It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Horst in Translation (filmreviews@web.de) "Double Dribble" (maybe not the best title) is a Disney cartoon from 1946, so already over 70 years old and from briefly after WWII. This one runs for about 7 minutes, slightly over, as they usually do. If you take a look at who made this, you will find the names of many who were pretty prolific and successful for Disney back in the days and with that I am not only referring to Pinto Colvig. His name immediately makes clear that here we have another How-to cartoon starring Goofy and the focus is on basketball this time. I thought it was a very creative and entertaining little movie, still is in fact, and you could see that the writers really understood something about this sport on several occasions. The more random scenes like the trigger-happy referee add some nice comedy too. And the one fan in the audience for the winning time truly embodies the spirit of how it's all about the game and how you can thrive from loving your sport so passionately and dedicatedly and you don't need to be an active player for this love at all. So well done to all the Goofys you see in here. I highly recommend checking this one out and it is a definite contender for best short film from its year perhaps only defeated by Johnny and Alice, a true must-see for everybody who loves these many old cartoons.

morrison-dylan-fan Getting set to write my 900th IMDb review,I started to take a look at the film box sets that I've left unfinished. Gathering up the movie box sets,I spotted the complete collection of Goofy shorts that I have left half finished! Which led to me getting ready to see Goofy dribble.Joined by only one fan,visiting team Polytechnic University (PU) find that they have some serious competition against home team University U.As the game reaches its final minutes,the players start to show their "special moves" in the hope of shooting the winning slam-dunk.Backed by a thrilling score from Oliver Wallace,director Jack Hannah gives the basketball match an amazingly fluid appearance,with the rundowns the court being shown with an excellent smoothness. Drawing up 2 teams,the screenplay by Bill Berg & Milt Banta gives everyone in the match a distinctive feature,which go from the players being hilariously lumbering giants,to a cigar-chomping manager,who chomps on his final cigar as Goofy takes the final shot to win the match.

ccthemovieman-1 Most of this cartoon is simply a college basketball game between the home team, University U. versus visiting Polytechnic University (U.U. vs. P.U. - get it?) Poor P.U. only has one fan in the stands.We then watch the craziest basketball game ever played, where everything wild happens including spectators making baskets! It's just pure lunacy. Until the last 45 seconds, I found it amusing but nothing to laugh out loud over. In the end, however, the little on the end of the bench who is forced to play, provides some big laughs. He inadvertently becomes the hero, of course!

Ron Oliver A Walt Disney GOOFY Cartoon.It's DOUBLE DRIBBLE time as U. U. plays visiting P. U. for the all-important university basketball game.Hoop fans will get the most enjoyment out of this little film which spoofs the popular sport. The animation is routine. The main difficulty with some of these Goofy sports cartoons is that the real Goofy never appears, leaving his myriad look-alikes to carry out the plot.Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Bambi, Peter Pan and Mr. Toad. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.