Maidgethma Wonderfully offbeat film!

CommentsXp Best movie ever!

Solidrariol Am I Missing Something?

Jakoba True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

Goran Poposki Wow, i was really amazed by this movie, the atmosphere, the emotions and the story are all perfect.Now, lets not argue about "racism", because there is no such thing as racism in this film. Well, more like countering the popular belief of 2015-2016 stereotypes of people saying that "Muslims and Jews cannot be racist". This movie proved the opposite, and shows us that racial tension still exists due to the fact of people bringing it back up again.Never the less, it was an amazing movie, with an amazing story, and an amazing message.

Lee Eisenberg Some of the most interesting movies that I've seen focus on food: "Big Night", "Chocolat" and "Chef", to name a few. Now we have "Dough". Part look at Jewish baking, part look at a mixing of cultures, it hits all the right notes. Basically, it reminds us that we're all human, all trying to survive in this modern world. But it's also got some funny stuff and great lines. I've liked Jonathan Pryce in every role where I've seen him, and I hope that newcomer Jerome Holder gets more roles like this one. Definitely worth seeing.Also appearing are Ian Hart (Quirrell in "Harry Potter and the Sorcerer's Stone") and Pauline Collins (the title role in "Shirley Valentine").

pwiener-592-552778 It is impossible to imagine a worse, more infantile, unbelievable, patronizing film, replete with stereotyped Jews, struggling worshipful Muslims, unlikable characters, an impossible story, no setting whatsoever except the interior of 2 or 3 rooms, dull, predictable click clock pacing, a story-line that telegraphs all its moves, a theme that appeals to dreamy- eyed do-gooder clueless fantasists, a few clever Jewish jokes out of the 1950s, a nauseatingly 2-dimensional sex-starved, probably deodorant-soaked Jewish widow, a feel-good ending you could sense from the first minute, and a generally pandering quality that pervades every scene, act, line of dialogue, the musical soundtrack and the finalizing madcap idiocy that the director hopes will be acceptable as a substitute for action and guffaws. This travesty of comedy looks like it might've been a a term paper shot with dad's camera by a 10th grader studying film, and might've earned a C+ from a generous teacher nearing retirement. Reportedly, it was the only entry in the "Good Jews should be nice to bad Muslims" Film Festival that did not cause the judges to vomit up their pork sliders. All in all, I give it a Yucchh+

Randy Schiff The writer has lovingly braided a fairytale for adults that imagines a place where religious, ethnic and societal differences aren't dealt with violence but with respect, restraint and a desire for mutual understanding and appreciation. An aging baker, an economically challenged refugee struggling to make a new life in a foreign land, a randy widow, opportunistic drug lord, and scheming business executive are tossed into the writer's mixing bowl.As the yeast works its magic, we enjoy the dramatic conflicts and gentle humor director John Goldschmidt stretches, pulls and shapes from his cast. Jonathan Pryce (the Jewish baker Nat Dayan), Jerome Holder (the Muslim immigrant Ayyash), and Pauline Collins (the widow Joanna) deliver a perfectly browned Dough straight from the hearth and ready for your consumption. Challah back if you think this review didn't rise to the occasion.