Down from the Mountain

2001
7.3| 1h38m| NR| en
Details

On May 24, 2000, the historic Ryman Auditorium was booked to offer Nashvillians an evening of sublime beauty. Label executives and soundtrack producers so loved the music of O Brother, Where Art Thou? that they brought it to life as a benefit concert for the Country Music Hall of Fame. Filmmakers Joel and Ethan Coen loved it so much that they hired famed documentary filmmaker D.A. Pennebaker to record the show for posterity. The concert that unfolded that night was one of the greatest musical moments in the annals of Music City. Performers: John Hartford, Alison Krauss, Emmylou Harris, Gillian Welch, Chris Thomas King, The Cox Family, Fairfield Four, Union Station, Colin Linden, The Nashville Bluegrass Band, The Peasall Sisters, Ralph Stanley, David Rawlings, The Whites.

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Reviews

SparkMore n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.
Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.
Yash Wade Close shines in drama with strong language, adult themes.
Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.
thetrev For what it is this is pretty good. It has musicians playing and audience enjoying with no film-trickery or SFX. I was a bit disappointed that the song "I'll Fly Away" wasn't shown complete but as a track over the credits.The documentary section could have been way better, perhaps with more history of the songs and musicians for them folks of us who don't know nobetter! The bits about how they learned to sing and play were very interesting and more would have been appreciated.However, as a record of some fine, ole time music it hits the spot nicely.
erstokke To make a concert in addition of the usual soundtrack cd was a good idea. But this film doesn´t make it. It is a cheap, low quality attempt to squeeze more money out of "O Brother Where Art Thou".I like old time music and several of the artist in this concert are among my favorites. But the this concert on DVD is a big disappointment: - Picture: Hand-held cameras with a lot of camera shake and video-noise. And the cameramen doesn´t react to the music. For example when there is a solo by the great dobro-player Jerry Douglas, the camera is still focused on the singer for a while. - Sound: Sound is terrible. It is mostly done with two microphones on stage, which make the sound of many musicians disappear. The sound is harsh and sharp, and bass-notes cannot be heard. A year 2000 concert DVD with only 2 channel sound. - The music and the musicians: There are some great performances here, but mostly the concert is let down by the fact that the artists barely had any rehearsal.If you want to see what a good concert film should look and sound like, see James Taylor´s concert at the Beacon Theatre.
RHurley It's almost impossible to describe the colourful quality of this film, not because it has or lacks special merit in the normal measures of cinema, nor should it be so evaluated, but because it comes out of nowhere to reach parts of you that you don't expect a movie to reach.Co-incidentally, last June I drove to Charlottesville, VA to visit Monticello and see UVA. On that evening I stumbled into a performance of Gillian Welch and David Rawlings at a local brewpub and had a very similar experience to that of the film. The music was just so good that it almost brought tears to my eyes. Like the firsthand joy of getting a glimpse into the souls of Welch and Rawlings, the footage of Down from the Mountain, especially the unpretentious commentary and dialogue between the performers, both onstage and behind the curtains, revealed their genuinely good nature. This greatly enhanced the earthy loveliness of some brilliant bluegrass.I would love to have been at this stunning concert, but sadly was not. Having missed it, I can perhaps take some comfort in the film's additional insights and experience that the live audience did not have. The camera work backstage might not win an Oscar, but accomplished much in capturing some of the character of its subjects. This added dimensions of warmth and appreciation to their performances which would be difficult to imagine that the audience could have shared.This is a film for music aficionados, not cinema buffs. Doubtless a film critic could find some artistic merit in the work, but it seems much safer to simply wholeheartedly recommend it as pure musical ecstasy.
Dante-53 I love O Brother, Where Art Thou?. I love the soundtrack. So when I saw in my local multiplex that a documentary had been made in my town about the music recorded in my town and the subsequent concert in my town, I knew I had to go. As far a filmmaking goes, the film leaves a lot to be desired. There is no structure, no clarity, etc. It lacks the elements that make a documentary a moving chronicle. It does have, however, great footage of great artists playing great music. I have never been a fan of country music, but I love the old timey sounds of bluegrass and mountain music. Ralph Stanley is awesome! If you can find this film (I think it's only playing in Nashville) see it. It's well worth the time just for the music.

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