ManiakJiggy This is How Movies Should Be Made

Fairaher The film makes a home in your brain and the only cure is to see it again.

Portia Hilton Blistering performances.

Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Leofwine_draca Of all the similarly-themed Chan flicks from the period (YOUNG MASTER and the like) I have to say that this one was my favourite. Made the year before he moved into bigger-budget period flicks, this is an inventive, thoroughly enjoyable Chan adventure, mixing together the best aspects of comedy and action whilst following a set, somewhat bizarre formula brought together in his earlier movies. Most of the film features non-stop comic hijinks, as Chan and his buddy Mars court the same girl and fall out over her, whilst there's a serious (if minor) sub-plot involving Chinese antiques being smuggled out of the country. Eventually, the plot less cross each other, resulting in a huge 20 minute fight finale in a barn, incorporating all kinds of major stunt work. Mars himself, usually in lesser roles in Chan's movies, shines in perhaps his best turn as the dim-witted friend who gets pretty fierce. Chan himself plays his typical bumbling happy-go-lucky character and his likability (is that even a word?) pays off in spades.Perhaps the most original element of the film is the sports action, in which various teams play a game of football with one difference: they use a shuttlecock instead of a ball. Yes, it's as fast, furious and frenetic as it sounds, and makes for excellent entertainment just watching the skills of the players. The comedy is as broad as usual, one laugh involving somebody peeing over Jackie's leg, so you know the kind of harmless, childish tone to expect. The martial arts work is excellent with plenty of loose-limbed bad guys (led by Wong In-sik) who are EXTREMELY hard and solid work from the likes of Dick Wei. Chan himself runs up walls, falls from railings, and spins in the air in gravity-defying shenanigans, highlighted in the lengthy final fight which is riveting and in my opinion, in his all-time top five action sequences. Fans will know what to expect and love this fast-moving, fat-free adventure.

ebiros2 An old school kung ku comedy starring Jackie Chan. He's also the director of this movie.This is bit like continuation of the Young Master. Jackie Chan reprises his role as the Dragon. The actor who portrayed the teacher in Young Master returns as Dragon's father. Although the production is more polished, the story isn't compelling as the Young Master. The format is old school kung fu movie where things happen in earlier days of China. Actions are also old school although there's more comedic elements in this movie than other kung fu movies.Some clues to the future Jackie Chan movies are seen in this movie, such as using the 2nd floor balcony to stage a dramatic fight sequence. This is the last old school kung fu movie Jackie Chan starred in. With the success of Project A, his movies starts to take different direction in the future.

Ali Catterall Work-shy student Dragon (Chan) and his madcap pal Cowboy (Mars) spend their days getting up to mischief, frustrating the elders, chasing girls, and competing in the village sport - in which contestants scramble to the top of a tall wooden pyramid, the "bun tower", to retrieve a golden ball, rugby-fashion. When Dragon overhears a fiendish plot by smugglers to sell China's national treasures overseas, the pair leap into action. Also, Cowboy's wealthy father is kidnapped by the villainous and lethal Big Boss (In-Sik), and the scene is set for a furious martial arts showdown.An attempt to claw back some native credibility after his first US outing The Big Brawl (1980) flopped Stateside, Dragon Lord saw Chan returning to Taiwan to work on a sequel to his directorial debut Young Master (also 1980). It would be ultimately abandoned - along with months of wasted footage - for a confused, if enjoyable affair, with no real script.Accordingly, Dragon Lord also crashed and burned at Hong Kong theatres, much to the director's chagrin, who'd attempted to "make a new kind of action picture". As Chan told 'Combat' magazine years later: "I got rid of the kung fu and tried to put in sports, but I found that the audience didn't want that." But if Dragon Lord almost shot down Chan's rising star there and then, it did set a template for successive hits; tightly-choreographed acrobatics taking precedence over traditional Shaolin combat-styles; outtakes featuring aborted stunts over the credits; a winning goofy charm.Stand-out sequences include a Badminton-like game played with shuttlecocks (but no bats), and the climactic fight between Mars, Chan and real-life Taekwondo master In-Sik, which is both simultaneously deadly and near-clownish (if this film had an overall sound it would be "Boiinngg!", or possibly "Kuhumperwhumpf!").

bob the moo His father wishes that Young Dragon would be a great student and attend to his classes, but Dragon himself is full of youth and is just as interested in fighting and chasing girls. Full of arrogance and confident in his own knowledge, Dragon continues down this path until he finds that he has stumbled onto a plot to steal Chinese artefacts.Everyone has said it before me but I will add my voice to those here that believe, for the vast majority, this is a very poor Jackie Chan film which sort of redeems itself towards the end. This surprised me because I have been watching a few early Chan movies recently and, for all their faults boring is never a word that I have had occasion to use – until now. It is probably because the plot is so weak for the entire film – even by the standards set by martial arts films of the period. For the first two-thirds of the film what we get is light comedy and some sports action involving a game where you chase an egg and also a cross between football and badminton. These are interesting ideas I'm sure but they do not come off in practice, with even the impressive moves in these sequences being lost in a sea of banality. The usual bed of comedy that can normally be relied upon in Chan films is also much weaker than normal, with basic pratfalls and little in the way of witty dialogue.A lot of this comes from the writing but reaction shots are also weak – not down to the cast being unable to deliver but rather Chan the director not catching them. It is hard to describe but, if you wrote a list of the things that normally work in a Jackie Chan film – pretty much none of those come off here. Fortunately we do have a very strong final twenty minutes and I credit any roundly positive review with only having remembered this part of the film. It is here that finally we get a decent fight scene and it turns out to be a really good one where everything fires on all cylinders. Firstly it is shot really well and I mention that first because of the barn location making it difficult to get a good shot, but here we get good use of angles and long static shots to show that the action was not created in the edit room but on the set. It is also tough and really well choreographed with plenty of impressive and engaging moves all well pulled together. It is literally the reward for making it through the previous 70-odd minutes to get to this sequence.So Dragon Lord as a total product deserves to be remembered as pretty poor film. The plot is weak, the comedy basic and the total delivery leaves much to be desired. Thanks goodness then for the final fight that does wash the taste out of your mouth by how much fun it all is in a generally excellent final 20 minutes that makes you wonder where this Chan was for the rest of it.