Incannerax What a waste of my time!!!

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PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

Cissy Évelyne It really made me laugh, but for some moments I was tearing up because I could relate so much.

MisterWhiplash 35 years before Dumbo showed what happens when you drink too much - hint, pink elephants appear and do some crazy s*** - there was this little 7 minute short, done only several years into when motion pictures where even a thing in the world. The premise is simple: a guy is eating and drinking his fill, and when I say drinking I mean the booze sort. When he stumbles out of the restaurant everything is topsy-turvy, literally. He can't stand straight and puts himself up against a pole, but the camera does an effect - a few, actually - to simulate like a pendulum the world swinging back and forth, and then there is a rear-screen or double-processing of the film so that there's another dimension behind our protagonist.He goes home to try and sleep it off, but this is where his troubles get worse in dream-time. I have to wonder if a lot of the early pioneering filmmakers saw this (it was co-directed by one of them, the Great Train Robbery's Edwin S Porter), since the idea of going up into the air in dreams - and in a bed, no less, which I seem to recall being in a number of animated/live-action kids movies over the years - and it's innovative. It's dazzling to see a man like this in a bed going up into the air, and it's terrifying too; there's a moment where the bed spins around over and over as if it won't ever stop (and one knows logically the person isn't in the bed, but the magic trick part of this is different).Apparently it was a big "hit" for whatever that means for 1906 with a whopping 192 copies being circulated. But no wonder; there wasn't really anything like this before, albeit it's of all things a *comic strip movie* (take THAT Marvel!) and how the directors put their subject through the surreal wringer is extraordinary. Is it all perfect, no, but for the period it caught my attention and brought me on a roller-coaster ride, in a manner of speaking. As far as nickelodeon attractions go, this is as good as you can get, and there's a moral to if it one thinks about, you know, drinking till you can't drink anymore is such a good idea.

Horst in Translation ([email protected]) "Dream of a Rarebit Fiend" is a 7-minute black-and-white film from over 100 years ago. Wallace McCutcheon, Edwin S. Porter (especially) and Winsor McCay (mostly animation) belonged to the best film had to offer these days back then, so you could certainly expect something here. However, the final result is slightly underwhelming. We follow the Rarebit Fiend, played by Jack Brawn, and witness what he experiences after he had slightly more than one drink too many. However, I must say, the absurdities displayed in here made me think that it may not only have been alcohol that he consumed. All in all, not one of the best films of its era and I cannot recommend the watch. Thumbs down. The only reason to watch this I can think of is maybe for how weird it is.

Polaris_DiB Placed under the "American Surrealism" genre, apparently, this film is still a fun and very quirky look into the effects of binge drinking.It's rather absurd and silly by today's standards but the silliness lends itself to a sort of contemporary audacity not really seen in very much cinema anymore. Multiple exposures are the special effects trick of this film as the fiend goes through many harrowing experiences, my favorites including his flying over the city and the little demons pounding on his head.It never ceases to amaze me how fast cinema developed from boring and cumbersome shots of factories and people moving to narratives and special effects. Whether this film is any "good" by the standards of then or now doesn't interest me anymore. It's fun and has an air of historicalness to it that makes it worth the time.--PolarisDiB

boblipton Although Edwin S. Porter is well known as the director of THE GREAT TRAIN ROBBERY, the landmark short that combined a good story line, cross-editing and other remarkable techniques for its era, his role in American cinema history has largely been relegated to a footnote: Edison invents the motion picture camera, goes the hagiography, and Griffith comes along and perfected the story-telling of cinema. And, oh yeah, Porter directed this movie in 1902 that is actually all right. But Porter was actually a wildly experimental cineaste. In more than 100 movies, he experimented with cross-cutting, story-telling, breaking the fourth wall -- remember at the end of THE GREAT TRAIN ROBBERY where the robber shoots a gun at the audience? -- and did lots of camera tricks, particularly here, where there are a couple of shots that have triple exposures.... and in an era when everything had to be done in the camera, using masks and stopwatches, he got some remarkable effects, which he used with great good humor.This trick movie is based on Windsor McKay's DREAMS OF A RAREBIT FIEND series of cartoons. McKay did a series of cartoons based on it in the early 1920s, but this is pretty heady stuff for the era. It was Edison's blockbuster for 1906 -- they sold 192 copies of the film!