claire thomas
*spoiler* i thought that dreams of a life sends a really important message. It shows the truth behind the lines 'they only care if you are pretty or dead.' Joyce was dead for 3 years and no one at all had noticed, no phone calls were made, no bills that weren't paid questioned, no family who wanted to know how she was, no friends trying to wish her a happy birthday and no one wanting to see her at all throughout the three years. As soon as her body was found, a documentary was released and suddenly all of her 'friends' had reoccurred and became part of her life. They talk about their favourite memories and how stunning Joyce was, yet when she was missing, no one even noticed. It really shows how you do have to be dead and it to be made public for anyone to even notice that you were a genuinely nice person that will be missed. No one noticed her until she was dead. That is the society I am in, it's disgusting. 3 whole years and no one noticed her until a documentary was released. Yet they wonder why she may of killed herself- maybe because no one cared for her and thats not a life anyone would want.
Chris_Pandolfi
In January of 2006, the severely decomposed body of a woman was found in a bedsit flat above a shopping mall in the Wood Green district of North London. By pathology, it was determined that she had remained undiscovered for approximately three years. Her body was surrounded by Christmas presents, and apparently, she died in the process of wrapping them. The television set, which sat in one corner of the room, had been left on the entire time. The virtually skeletal condition of the remains meant that she could only be identified by comparing dental records with a photograph of her smiling. Her name was Joyce Carol Vincent, and at the time of her death, she was thirty-eight years old. Although the grim discovery would be mentioned in local newspapers, details regarding Vincent's personal life, including a picture of her, were noticeably missing.Due to the state she was found in, a specific cause of death could not be determined, and the coroner recorded an open verdict. It remains unknown to this day, although it's strongly believed that she died of natural causes. Filmmaker Carol Morley read Vincent's story in the daily tabloid "The Sun" and was haunted by the questions it raised. Now I am, too. How is it possible that the local council, the housing association, and the utility companies didn't notice mounting unpaid bills? How could her neighbors attribute the stench of decaying flesh to dumpsters? Why were the police unwilling to delve any further into the case? The official explanation, according to what Member of Parliament Lynne Featherstone was told, was that there was nothing to answer to in terms of foul play. How they figured out Vincent wasn't murdered in the first place has not been made entirely clear.Morley has channeled her fascination with this story into "Dreams of a Life," a morbidly curious, deeply tragic, strangely compelling documentary constructed entirely from hearsay. It shows that Vincent's life was just as much of a mystery as her death; the scraps we're fed about her are provided by interviewees that at best knew her superficially. Listen to them talk, and you'll repeatedly hear them qualify their statements with phrases like, "I think," "I believe," "Maybe," "I seem to remember," and, "It could be," among many others. It would appear she never let anyone get too close to her, which is ironic given the fact that, by all accounts, she was a beautiful woman and had a fairly active social life. She would ultimately lose touch with everyone, and by the time her body was discovered, many of her former friends and acquaintances didn't initially realize the tabloids were referring to the woman they knew.The interviewees were found only after Morley placed an ad with various publications and internet sites. We see the ad printed on the side of a black cab: "Did you know Joyce Carol Vincent?" Even then, it took months to get a response. Of the people Morley features, three stand out as the most interesting. One is Martin Lister, who met Vincent in 1985 when he worked negotiating client renewals for a shipping company; Vincent was twenty at the time and was his boss' secretary. They would date for three years and then sporadically keep in touch until 2002. The last time she was in his life, he claims, she was staying in his flat and was seemingly in some kind of trouble. He says that she knew every inch of the city, having moved at least once a year. He learned very little about her, although he recalls her telling him about her Indian mother, who died when she was eleven, and her African father, a carpenter. This contradicts what was published, namely that her parents were from the Caribbean.Another featured subject is Catherine Clark, who befriended Vincent when they were renting a room in the home of musician Kirk Thorne. She wasn't surprised when she learned that Vincent had spent some time in a battered women's shelter, for she knew that Vincent had attracted many men into her life. Perhaps her isolation towards the end of her life had something to do a controlling boyfriend. This could account for why her older sisters, who allegedly raised her following their mother's death, were only briefly seen during Vincent's inquest and didn't want to participate in this film. And then there's Alistair Abrahams, a former music manager and Vincent's ex-boyfriend. He too describes a beautiful, fun woman who never shared her past. He recalls when they attended a Nelson Mandela tribute concert in 1990 and how she shook Mandela's hand.Just about everyone in the film expresses disbelief and guilt over not knowing something had happened to her. They don't understand how the woman they knew – a happy, bubbly spirit with a beautiful singing voice and aspirations of being a pop star – could have possibly ended up in a bedsit and died alone. Morley attempts to fill some of the gaps with strategically placed reenactments, which feature Zawe Ashton and Alix Luka-Cain as the adult and child versions of Vincent respectively. It was reported that Vincent was medically treated for a peptic ulcer, and so Morley depicts her looking gravely ill and doubling over in pain the night she died. Perhaps it happened that way, and perhaps it didn't. "Dreams of a Life" raises a lot of questions, but the most important is: How is it possible for someone to slip through the cracks in today's fast-paced, technologically innovative, socially centered world?-- Chris Pandolfi (www.atatheaternearyou.net)
billcr12
Newspaper headlines are flashed on screen detailing the strange case of a 38 year old woman found dead in her apartment after three years. Joyce Carol Vincent died a lonesome death, without drawing notice. A pathologist could not determine the cause of death due to its decomposition. Dental records were used for identification. The people who discovered her said that the television was on and Christmas presents were partially wrapped. A reenactment shows a team in hazmat suits decontaminating the flat. A picture of a pretty black woman is shown while interviews with friends and co-workers begin.She is described as well spoken and easy going. Her mother wast Indian and father a black Grenadian carpenter and womanizer. Her mother died when she was eleven and she told those around her that her father had also passed away. Later on it is discovered that he passed away a year after her.Recordings are played from a studio session when Joyce was aspiring to be a professional singer. A boyfriend, Martin, speaks well of her with fond memories. He is white and overweight and was shocked that such a good looking woman would date him. Another boyfriend remembers living with her and the night she tells him how she met Nelson Mandela. They eventually drift apart and she lives a nomadic lifestyle, rooming with different men and possibly being physically abused by one. A beautiful actress(Zawe Ashton) portrays Joyce in the film and she is very good.Ironically, the most compelling figure of the story turns out to be Martin, who with introspection, regrets the choices he made because he never stops thinking about Joyce, who he loved very much.Dreams of A Life is a powerful and moving statement on how little we really know about each other and the inner demons within all of us.
starrsofringo
After reading the description of this film I looked forward to a well delivered film about the life and times of a woman who was eventually found dead in her apartment. Yes, the premise of finding out who she was and the life she had lived seemed like it would have provided an interesting journey for the viewers. Adding to the fact that not a single person had shown interest in her life when it ended and then not being found until 3 years later as a skeleton on a couch, the TV still running - made this seem like it may be interesting.However, I am disappointed to say that this film just doesn't have what a decent documentary needs. It contains barely any real evidence of the woman's life, and she is only seen in a few photographs at one point in the film. The story relies on some of her old acquaintances, who most obviously were not close friends with her. We are made to sit through endless assumptions and vague memories shot with a typical interview type backdrop throughout the entire film. Some of them just seem to just be there to get some screen time of their own and the film makers have been desperate enough to use basically anyone with any kind of connection to the victim. To make this 'documentary' a complete failure is the reliance on dramatization. It's a terrible attempt at story telling, the acting is poor and to tread even more dirt into this attempt at documentary making the film makers have recreated the woman's apartment, recreated the police crew packing up the apartment in full chemical suits.They also try to create a 'What if' scenarios by including a 'What if she was murdered?' theme to try and add more to it.The movie feels empty and poorly conceived. There is just not enough real footage and real evidence to even hold together 30 minutes let alone 1.5 hours.If you like your documentaries filled with acted dramatization, poor acting, film sets and montages created because they have no real footage of the events and a group of interviewees that were never close enough to the woman to help her in her times of need. Then this is your kind of movie.
