Driverless

2010
5.9| 1h36m| en
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Driverless is about three love stories that are intertwined by a car accident. It deals with several relationship issues, including the infamous seven year itch, reuniting with a first love, one night stands, an old husband with a young wife, and extramarital affairs.

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Reviews

Grimossfer Clever and entertaining enough to recommend even to members of the 1%
InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
Scotty Burke It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review
monto A domestic drama surrounding the relationships of modern-day Chinese urbanites, with the various participants intersecting at a vehicle collision. Akin to the works of Iñárritu and Arriagga, e.g. 'Amores Perros', the film portrays a series of relationships via non-sequential narratives that draw together to a climax.Filmmaker Zhang Yang, known for his realistic and popular dramedies 'Shower' and 'Getting Home', steps away from narrow-focus narratives to explore a series of modern-day relationships and plots, at the expense of humor and in-depth characterization. These relationships/plots include a young street-racer's happenstance meeting with a deaf-mute photographer, a wealthy ex's attempt to woo (buy?) back his ex's heart, a business relationship that prompts the kindling of romance, and a husband's attempt to raise medical treatment funds for his ailing wife. In effect, the film seeks to portray the foibles (materialism, infidelity, divorce, one-night stands, etc) of modern-day Chinese urban life, with some portrayals more cliché, and perhaps cynical, than others. As is the case with all non-sequential narratives, especially those with a large collection of characters (with the potential for diluted/glossed over characterizations), the filmmakers endanger losing audience interest and/or empathy, but that's up to the audience to decide. All in all an enjoyable domestic drama.