Spoonixel Amateur movie with Big budget

SparkMore n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Teddie Blake The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Jimmy L. Whenever a cartoon is adapted to a live-action feature film, certain (often misguided) decisions are made, usually about fleshing out the characters' backstories or bringing their antics to life in "the real world". With DUDLEY DO-RIGHT (1999), the questionable choice has been made to make Dudley, Snidely, and Nell childhood buddies who've grown into their adult roles as the hero, the villain, and the damsel, respectively. The awkward prologue sets up the main characters so that the movie can get the ball rolling right after the animated opening credits.Originally appearing as self-contained backup segments within episodes of Rocky & Bullwinkle cartoons, "Dudley Do-Right" and its characters have their roots in the serialized melodramas of early silent films. The cartoons are steeped in such iconography as the mustache-twirling villain tying the damsel to the railroad tracks (or a sawmill, etc.), the jaunty piano accompaniment, and the irising camera and old-timey title cards that introduce each character. Dudley is a spoof of the brave and pure hero: a well-meaning and idealistic buffoon, who somehow (often in spite of himself) brings the bad guys to justice.Brendan Fraser plays Dudley as a slapstick dimwit who is as much a victim of his environment (for example, stepping on loose floor boards in his cabin) as he is of his own naïveté. He's a rather bland hero, rigidly devoted to his sense of right and wrong and hopelessly idealistic (not so much a ridiculous caricature as his cartoon counterpart). This builds a sense of sympathy for the poor guy, which was never really part of the cartoon iteration. Likewise, Nell (Sarah Jessica Parker) is fleshed out as a comically well-educated Yale and Harvard graduate (and former U.S. Ambassador to Guam), and not just a fickle frontier maiden who toys with Dudley's heart. Alfred Molina seems to have fun with his role as the dastardly Snidely Whiplash, playing it as cartoony as he can, and it works. (The character of Horse, the horse, doesn't add much and is largely absent from the film.)The action is propelled by the wonderful, pseudo-serious narration (by Corey Burton, in the style of Paul Frees), which takes a page right from the original cartoons. But the film makes the odd choice of setting the action in the modern day (since the cartoon from the 1960s was very specifically spoofing old-timey silent movies and a late-19th-Century setting). It's just a little odd to see Dudley standing next to a modern SUV, or to have the mustachioed Snidely watching cable news. The mix of antiquated iconography and contemporary trappings is bizarre, but I suppose that's part of the film's charm. (At least we don't get a completely modernized take on the characters.)The plot has the sinister Snidely Whiplash incite a false gold rush on his own Canadian land, bringing waves of Americans (and their wallets) over the border. Dudley faces a crisis of conscience when it's pointed out that Snidely's "wrong-doing" is actually good for the Canadian economy, and that sometimes in order to stop the "bad guy", a "good guy" has to be a little bad. (The scenes where Dudley is a "dangerous", motorcycle-riding, vigilante "bad boy" offer an interesting role-reversal with his nemesis Snidely, but stretch the character a little too far from his fumbling Mountie image.)Despite the criticisms, DUDLEY DO-RIGHT is fun because it embraces its cartoon roots. The film is very stylized, from the portrayals of the characters to the voice-over narration to the occasional fourth wall breaks to the veins of absurdity that run through the whole thing (Snidely's merchandising empire, the faux-Native American theatrical performances, Eric Idle's prospector bum-turned-wise mentor). Although the story was transported to the modern world, the filmmakers didn't tamper too much with the spirit of the source material. The narration is on-point, Snidely's goons have some funny lines, and Molina's colorful portrayal of the villain (with his alternate outfits for playing mini-golf and leading a battalion to war) makes the film worthwhile.When I saw the movie it was preceded by an animated "Fractured Fairy Tales" short, THE PHOX, THE BOX, & THE LOX (1999), which was a pleasant surprise and a pitch-perfect recreation of the old cartoons from Rocky & Bullwinkle (down to the vocal sound-alikes for Edward Everett Horton and Daws Butler, and the actual participation of June Foray).

attikitty After reading nothing but terrible reviews of this movie, I finally felt compelled to weigh in. I loved the Jay Ward comics... their irreverence and ability to be entertaining on both an adult and child level. I found the movie sweetly amusing and very loyal to the classic cartoon. All the actors were great in their roles. The writing was clever.I gave it to my twin nephews for their birthday, knowing they will enjoy it and my sister will love it. After reading such dreadful reviews, I watched it twice to make certain I wasn't missing something. NO. It's funny.

moonspinner55 Jay Ward's cute but bland cartoon about Canada's No. #1 Mountie plays even worse when brought to the big screen as a live-action comic adventure. Brendan Fraser is spirited and very adept at buffoonish slapstick, but he's not the right actor for Dudley Do-Right; he's a big, handsome lunk, and he's cheerful enough, but he doesn't know how to mug, nor is he helped by his limited voice (a deep monotone). It's always nice to see Sarah Jessica Parker in a film, but she isn't cast right either; as love-interest Nell, Parker gets no funny lines, she's too modern and grounded a presence, although she does help enliven a dance sequence about 47 minutes into the proceedings. Alfred Molina attempts to have fun as egomaniacal villain Snidely Whiplash, but his voice and fake mustache are his only props. The pithy announcer gets some dryly comic lines and Dudley's horse (named Horse, ha ha) shoots off a few raspberries, but this is a very dim slapstick vehicle, short on inspiration, poorly conceived and even more unmemorable than its cartoon predecessor. * from ****

longestpants Meh film. -2 DIE. Seriously, this is one heck of a trainwreck. The plot is riddled with gaping, raw plot holes; the acting is a joke, and the scenes are highly thrown together. The producers decided to desecrate the Dudley Do-Right name by putting as little thought into it as possible, and the only plus is that they were rewarded with making 10 million on a 70 million dollar movie.People actually making a movie this bad is highly worrying social decay. All in all, this movie is simply awful. If anyone out there is seriously considering seeing this, however, their mental issues should probably be their primary worry.