Duffy

1968 "Who Says Piracy is Obsolete Entertainment?"
5.7| 1h41m| en
Details

Half-brothers Stefane and Antony despise their biological father, callous millionaire Charles Calvert. Because Charles refuses to share his wealth with his sons, Stefane and Antony ask hip American thrill-seeker Duffy to help steal the money they believe is their birthright. When Charles decides to move a large portion of his savings from Morocco to France, Duffy has an opportunity to stage a daring burglary attempt at sea.

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Reviews

ManiakJiggy This is How Movies Should Be Made
MonsterPerfect Good idea lost in the noise
TaryBiggBall It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.
Winifred The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.
trimmerb1234 This attempts to combine something of the cool swinging style of "Blow Up" with a James Coburn comedy-heist movie which are anything but cool and stylish. Providing undeserved gravitas is the inimitable James Mason. Its a combination that just doesnt gel, The lovely Susanna York had an innate dignity and class as an actress such as had no place here. It is at least attractively shot in colourful sunny locations. Perhaps the cast regarded it as a holiday rather than something that would advance their reputations
DavidLSchneider Having lived on 4 dollars a day and not known what the next day would bring me this film is ultra-cool for people who know how to float through places of hip outside U.S. shores. I loved it then and love it now. Plus Lou Rawls!! James Coburn and Steve McQueen, Charles Bronson, Paul Newman, Bruce Lee, Robert Redford, Tony Curtis and many more are the people to watch. Some reviews say it is fluff but this shows the ultra cool Coburn at his best. The cast is excellent and now with the world economy crashing a taste of Duffy and Bullitt and Enter The Dragon and The Hustler in theaters might be a welcome relief from terminator 20 and all the other junk out there corporations push on the public. These guys and gal are actually acting.Universal bring back PJ with George Peppard and Gayle Hunnicut too. We need these 60's folks on the screen again. Release Duffy on DVD!
MARIO GAUCI This is another flashy caper comedy starring James Coburn which, surprisingly, emerged to be much better than the last one I’d watched only a few days previously i.e. DEAD HEAT ON A MERRY-GO-ROUND (1966). Interestingly, all three male lead actors here are called James (Coburn, Mason and Fox) – recalling the three Roberts (Young, Mitchum and Ryan) of CROSSFIRE (1947)!; for the record, Coburn and Mason would appear together again in THE LAST OF SHEILA (1973) and CROSS OF IRON (1977).Coburn plays the titular Irish “hipster” (read: rogue/adventurer) engaged by wealthy but ne’er-do-well layabout half-brothers Fox and John Alderton (bearing dopey look and obnoxious laugh) to rob their unloving father (Mason)’s fortune, while it’s being transported by ship. Our hero lives modestly if not exactly inconspicuously – given the artistic bric-a'-brac that clutters his house – in Tangiers, and he even seems very much into the Swinging scene (with resulting slangy dialogue, not to mention a reference to The Beatles’ “Lucy In The Sky With Diamonds”!). Similarly, the Susannah York character – the only significant female to figure in the narrative – is liberated and carries on simultaneous affairs with both Fox and Coburn (at one point, she and Duffy debate whether such a woman is technically a “slut” or not!).The film, therefore, promised to be a convoluted and pretentious bore (even more than the afore-mentioned DEAD HEAT in fact) but proved quite an engaging and enjoyable trifle – the belated robbery sequence itself is decently staged, with its trio of robbers donning ugly Halloween-type masks, and there’s an amusing supporting character in the porn-obsessed bank manager in Tangiers! The script (as always in similar outings from this cynical era, the denouement is twist-laden and heavily ironic) was co-written by the ill-fated Donald Cammell – who later that same year would re-team with Fox for the extraordinary PERFORMANCE which, however, didn’t go on general release until 1970; the whole, then, is slickly photographed by the distinguished Otto Heller and has a groovy soundtrack to match.Robert Parrish – who started out as an actor, then changed track to editor, and finally graduated to director in Hollywood – was probably assigned to this following his stint on the notorious James Bond spoof CASINO ROYALE (1967); DUFFY is as yet unavailable on DVD – but I recently obtained a decent Widescreen DivX copy of it (probably sourced from VHS), which will do just fine.
M. Corten Right from the beginning in swinging London this film epitomizes the coolness of the sixties. Excellent performances by James to the power 3: Coburn, Fox and Mason. Especially Coburn appears to be not acting at all in his tailor-made dropout role, he is just being his natural self. The atmosphere, the images, the music and the plot each contribute to the overwhelmingly positive feeling this picture leaves me with every time I see it. Why can't they make movies like this anymore (sigh, sob)? Another thing that strikes me about this film is that there is no other film (at least that I know of) which bears only the faintest resemblance to this flick. It stands out, on its own. Incredibly, it is available neither on video nor on DVD. Please help, Mr. Duffy-owner!