Désiré

1937
6.9| 1h32m| en
Details

Sacha Guitry exchanges his usual top hat for a uniform in Désiré, playing a cavalier valet embroiled in an awkward flirtation with his new employer (played by the actor-director's real-life wife, Jacqueline Delubac), who is involved with a stuffy politician. A carefree class farce filled with memorable supporting characters, Désiré blurs the distinction between upstairs and downstairs.

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Also starring Sacha Guitry

Also starring Jacques Baumer

Reviews

Boobirt Stylish but barely mediocre overall
AboveDeepBuggy Some things I liked some I did not.
ReaderKenka Let's be realistic.
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
Jerry Sacha Guitry writes himself another juicy role, this time as a butler that all of the women in the house find irresistible. He is hired by the beautiful Jacqueline Delubac, or rather talks himself into being hired, after a questionable reference from his former employer who implicated him in a love affair (of course!). He has to promise to keep his hands off her, but is overheard speaking her name in the night while having "erotic dreams". This leads to many problems, especially when she starts having the same dreams. He finally professes his love for her in a long-winded speech and promptly quits. There is one funny scene, mostly unrelated to the rest of the film, with an old deaf woman at dinner, but otherwise this is just another insufferable vanity piece for Guitry.
zetes A delightful French masters/servants farce not too far removed from The Rules of the Game, the most famous film of this genre. Sacha Guitry plays Jacqueline Delubac's new valet. Delubac isn't entirely sure that she's done the right thing by hiring him. He comes with a reputation for trying to seduce his mistresses. He swears it's all a misunderstanding, and her boyfriend, a minister of the government (Jacques Baumer), convinces her that it'll be all right. But just the suggestion of a possible servant/mistress sexual relationship starts to give both servant and mistress strong sexual dreams about each other, which makes neither of them happy. Worse yet, each are convinced that the other (as well as the other servants) can hear them talk in their dreams. This is quite an enjoyable film, very witty and well acted. It doesn't amount to a lot, and there are some dialogue scenes that go on for too long (it is an adaptation of one of Guitry's plays, but he directs it quite well so it isn't often static), but it's fun. Co-starring Arletty of Children of Heaven fame.
MartinHafer I noticed one of the reviewers gave this one a 10. Well, I wish I'd enjoyed it this much, though "Désiré" is still a pretty decent piece of social satire--though I really didn't see it as a comedy.The film begins with a man applying for the job of a butler. However, something odd happens--while Désiré (Sacha Guitry) has brought a great letter of recommendation, when his past employer is called she says she doesn't recommend him and is rather cagey about why. When told this by his prospective employer, he becomes angry and tells her that he thinks he was blackballed by his old employer because they both developed feelings for each other--and it made her uncomfortable. Will this pattern occur once again when he begins this job? As I said, this is more of a commentary about social class as, naturally, the two do start to develop feeling towards each other. While not particularly funny, it is insightful and interesting. Plus, you need to applaud Guitry's talent for acting, directing and having written this film.
tentender In "Désiré," Guitry gives himself a quite out-of-the-ordinary vehicle. Frankly, I had become rather tired of his usual pater familias-type character, and it is refreshing to see him in the role of a servant -- a wise, extremely sophisticated valet de chambre, but a servant nonetheless. Oddly, this film somewhat calls to mind Genet's "The Maids," in plot and even, strangely enough, a bit in tone (though it's very funny, funnier even than the usual Guitry comedy). Altogether a very unusual Guitry! Jacqueline Delubac is her usual charming self, Pauline Carton (the French Thelma Ritter, one could say) is as always excellent, and Arletty is seen in her only principal role in a Guitry film (though she is also seen in cameos -- one very wild! -- in two other Guitrys). Also excellent in a small but difficult role is Saturnin Fabre. One is hardly conscious that this is "filmed theater." Yes, there is a lot of talk, but the film-making is swift, sophisticated and inventive. Very enjoyable.