Spoonixel Amateur movie with Big budget

Lancoor A very feeble attempt at affirmatie action

Patience Watson One of those movie experiences that is so good it makes you realize you've been grading everything else on a curve.

Raymond Sierra The film may be flawed, but its message is not.

drednm Take Richard Harris' off-key singing over the opening credits as a warning: This is a bad film.Based on the flop Broadway play "Isle of Children" (11 performances in 1962) this maudlin story about a dying kid approaching her 12th birthday is nothing but talk and more talk set along the Nova Scotia coast.Jodie Foster plays little Deirdre as a pint-sized Camille with occasional coughs and sputters and chest clutching. She's dying from a bad heart. Daddy (Richard Harris) is her best friend and has apparently packed up the family to a coastal village in Nova Scotia (this is a Canadian film production) to give Deirdre one last wonderful summer. She's a little princess and he's built a miniature castle for her on a stairway landing by the sea. Mommy (Lois Nettleton) seems to spend her time chasing doctors and wringing her hands over Deirdre's fate. She and daddy fight constantly about what to do. Of course there is nothing they can do. There's also a stern tutor (Geraldine Fitzgerald) who makes Deirdre memorize historical knowledge (why?) and blathers about Jesus. The family is not religious.There's also a neighbor, a 9-year old (Brad Savage) who is Deirdre's best friend. He seems to serve as a sounding board for the family and asks questions only an adult would ask. Then there's a brief appearance by William Windom as a non-nonsense doctor who tells the parents for the hundredth time the kid is doomed.The ending, where the parents put on a play with a herd of overdressed children from the village in the audience, is intolerably bad yet seems to serve as a "happy ending" for all involved. I suppose it's supposed to be a bit of whimsy, but it falls flat even though the children watch this nonsense in rapt attention.Main problems are that sturdy little Jodie Foster is the wrong choice for playing Deirdre. You never believe for a minute that she is sickly. Harris mugs his way through his role (he also produced the film) with a wandering accent. Nettleton, Fitzgerald, and Windom all have one-dimensional roles. Savage is ok but his role as written, sounds like he's 19 rather than 9.Also incredibly bad is the music track that churns on in the background using strains from WEST SIDE STORY's "Maria" and the theme from GONE WITH THE WIND patched into it's Muzak score. Little Deirdre's (last) birthday wish is to be old. The audience must have been wishing for this film to be OVER.

Matt James Jodie Foster (Diedre) solidly plants her feet in this role and has flashes of the brilliance that made her the darling she became. Philip's (Brad Savage) dialogue is at times unrealistically savvy or philosophical as he alternates between being 7 and 37 but he has some good comic lines and Savage performed creditably.The relationship between Eugene (Harris) and Diedre is more poignant in what is, initially, left unsaid. When a child is dying words are cheap, better to make the most of the time left. Despite the sadness of the core theme, there are light moments and it serves the right message: death isn't the important thing, it's what we do before then.Some gripes. For a singer/songwriter, Richard Harris sang the opening/closing theme sounding like a bag of irate cats being pushed through a revolving door, a tender piano instrumental would have served. The overpaid (Dr.) Hallet's callous offhandedness was flawed and grating. If he was using psychology it was from a Martian textbook. Sarah's implication that Diedre was paying for a godless household seemed trite, insensitive and out-of-character.That aside, the film was better than expected. Jodie was more feminine in this role than she was in Freaky Friday or Candleshoe and it suited her. I was glad to catch this example of her on the cusp of greatness.

richardjetters I have never seen this before until today. The acting was tremendous...I don't know if it is because I have a daughter the same age as Jodi Foster's character or because I am so emotional about my child's future.....but this was a great reminder of how to live life to the fullest and to really treasure every moment you have with your kids...no matter how good or how bad.My daughter was born with health issues and thank God that things worked out for the best. She had an injury at 5 that almost caused her to be paralyzed. I guess I was in a sad state when I saw this but it is truly a good movie. A dad that would do anything to make his girl happy. That dad is me and I love my daughter more than anything.

shrinkv All of the acting is as good as it gets. Jodie Foster as the main character gives a flawless performance, in this extremely well written story about the life of a precocious child that is dying. Director Don Taylor, creates a visually beautiful, yet simple canvas on which the actors ply their craft. This is a movie with much raw emotion, but as light as is possible on the cliche tear jerker stuff. It offers a range of emotions and insights into the human condition. Makes you proud to be human, even with all of our flaws. Don't miss it, but be prepared to be emotionally wrung out.