PodBill Just what I expected

Misteraser Critics,are you kidding us

TeenzTen An action-packed slog

Hulkeasexo it is the rare 'crazy' movie that actually has something to say.

crispin_13 The story of Ed Gein is a disturbing and terrifying story. Ed was truly a messed up character and his legacy went on to inspire such 'greats' as The Tooth Fairy, Norman Bates, and Leatherface. How is it then that such a fascinating man has inspired such a boring melodramatic piece of drivel?? Ed Gein made belts out of nipples, bowls out of skulls, lamps out of skin, danced around under the moon in suits of human skin. None of this made it into the movie because they needed to give us a fictitious story of a ridiculously awful deputy and his rather homely, sex-starved girlfriend. This movie seemed to go out of its way to falsify history. What baffles me is that most movies stray from the path of truth to exaggerate history; this one seems to do it to minimize it. I just don't get it.

Coventry Did we really need another movie-version of the life and crimes of Wisconsin serial killer Ed Gein? No, of course we didn't, but clever producers realize there's always room for one more, especially because all horror movie fans agree that Ed Gein simply is one of the most – perhaps THE most – fascinating sick individuals in history. And the producers of this movie were even extra clever, as they managed to cast no less than Kane Hodder in the titular role. Hodder is already a bit of a horror legend on himself (depicting Jason Vorhees multiple times in the "Friday the 13th series") and his name alone is guaranteed to attract even more viewers. I've lost count of how many movies – both fictional and non fictional – there already are closely inspired or loosely inspired by Ed Gein. There are the strictly factual and almost biographical ones, like "In the Light of the Moon" and "Deranged: Confessions of a Serial Necrophile", but of course the most commonly known horror classics simply used little morbid characteristics of Gein's utterly demented persona, like "Psycho", "The Texas Chainsaw Massacre", "Motel Hell", "House of 1.000 Corpses" and "The Silence of the Lambs". As you can probably derive from its juicy title as well as from the DVD cover art, this particular isn't too concerned with accuracy and merely just sets out to shock and provoke its viewers with a whole lot of gruesome images and perverted insinuations. It feels as if director Michael Feifer wants to make us believe his film version is truthful, but repeatedly "forgets" about the facts in favor of sheer horror movie excitement. Kane Hodder portrays Ed Gein like he was a muscularly shaped and relentlessly unstoppable killing machine, whereas in reality he was a scrawny and miserably timid guy whose horrendous psychopathic tendencies only gradually come to the surface after his arrest. Although Gein only ever got charged with two murders he commits nearly a dozen of vile kills here, so you know you don't have to check out this film for its informative value. Still I don't want to bash this straight-to-video production entirely, because there really are a handful of positive things to say as well. The make-up effects are effectively nauseating and the Californian filming locations were aptly chosen in order to recreate the depressing 50's Wisconsin atmosphere. And in spite of his unfit posture, Kane Hodder isn't such a bad choice to depict Ed Gein. He hardly has lines to speak but looks menacing throughout the entire playtime.

Robert J. Maxwell The title tells it all -- Ed Gein, the butcher of Plainfield.It's not a zappy action-filled slasher movie made for teens high on energy drinks. That would fit it into a well-established genre, the kind that some people find entertaining, something along the lines of "Halloween" or "The Texas Chain Saw Massacre".This is dark, slow, filled with chopped-up corpses, and quietly evil. There are few shock cuts, no monster's point-of-view shots, no loud electronic score. I don't know who it's aimed at -- ghouls, maybe.Beneath the credits we already see still photos of skulls, carcasses hung up, skins draped across the backs of chairs, that sort of thing. And they're sufficiently revolting that I couldn't help thinking this movie had better be pretty good to make up for this Grand Guignol opening.Alas, it's not. The acting is uniformly terrible, as in a high school play. The script does its best to sink below vulgarity. Ed Gein, who killed only two middle-aged women and maybe his brother, chases a screaming, bloody young woman through the Woodland of Weir, and she's wearing only a modern bra and bikini, rather than period underwear. Gein also decapitates a night watchman, which he never did in any historical sense.The direction? You could do a better job. In the first few minutes, law officers discover an abandoned car with blood spattered all over the windshield. There is no body. The handsome young deputy sheriff turns to his boss and suggests they search for the victim, who may still be in the vicinity and living. The sheriff, lacking any motivation, shouts at him, "Now you just FORGET that! I don't want you going off HALF COCKED on anything!" It should be no more than a business-like exchange of views. Why does the director have the sheriff so angry? Characters of diverse sorts listen to radio programs or records that play old jazzy pop songs -- Louis Armstrong's "Ain't Misbehaving," for instance. This is -- what -- rural WISCONSIN in the 1950s? And the characters insist on music that would appeal to customers of the Cotton Club in Harlem in the 30s, or New York intellectuals like Woody Allen. Nope. The radio would be playing Kitty Kallen's "Wheel of Fortune" or Theresa Brewer or, equally likely, Lefty Frizell. Not that the dysfunction between the music and the events adds anything to our understanding of what's going on beneath the images. Someone involved in the production just liked old jazzy pop songs, that's all.Of course there's only so much you can do with a low budget, but it can be light years ahead of this butchery. See "Ed Gein," with Steven Railsback for an example of a much more sophisticated way of dealing with this lunatic and his penchant for dead bodies, and on a budget that couldn't have exceeded this one by much.These comments are all based on the first twenty minutes of the movie. That's about as far as I could get. If anyone finds this tale to be well-executed and fascinating in any way, he should try to find some insight into his tastes. It's beneath mine -- and I consider myself pretty warped.

lhyde-2 I own a vacation lake home not far from Plainfield, WI. Ten minutes from the Gein property to be exact. I've seen his land, the cemetery where he is buried and where he did his digging, and I've shopped at the hardware store that was formerly owned by the Worden family. While visiting relatives in California, we decided to rent this movie. It was disgusting. The true story of Ed Gein is so disturbing and creepy, why the creators of this piece of trash decided to make up their own story is beyond me. The actor playing Ed is a very large man, Ed was a very small, meek, and shy man. That is part of what makes his story so frightening. He did not have a helper to dig up the graves and anyone who owns land in the area knows that it is mostly sand with a little dirt in it. You won't break much of a sweat digging a hole. They didn't have to hire an actor with the physique of a wrestler, just do your research. And if the writing wasn't bad enough - there are NO mountains in Wisconsin, and I'm pretty certain that 911 was not available in 1957.