Blucher One of the worst movies I've ever seen

TeenzTen An action-packed slog

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Clarissa Mora The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

Homeric Take the Grand Canyon, a cave full of tons of bat guano, an aerial tramway, an old deserted mining town, a beautiful red head, Cornel Wilde, Jack Elam, Edgar Buchanan, 50's cars, all filmed in vibrant color, and a few corpses and you get a really different mystery film that moves briskly along during its 80 minutes. This film would be worth watching if only for the scenes of the aerial tramway heading down into the Grand Canyon, something that you'll never see again, and it was all real! The mine depicted in the movie really existed, and so did the U.S. Guano Corporation!!! This movie is a time capsule and is fascinating to watch for just the period effects and the settings. Very enjoyable.

bkoganbing One of nature's natural wonders the Grand Canyon of Arizona serves as the backdrop to this modern day western where a breakout of three murders occur within a week. They don't seem to be related but of course they are and Deputy Sheriff Cornel Wilde pursues them all with the backing of Sheriff Edgar Buchanan.Wilde and Buchanan have their work cut out for them. The prosecuting attorney is from a different political party which backed a candidate against Wilde in the last election in Mohave County. Wilde's had issues in the past and his conduct of the investigation is used against Buchanan.In all of this it centers around a scheme to steal gold out of a working mine in the Grand Canyon that's owned by Victoria Shaw and her family. Wilde and her get a little romance going and her knowledge of fashion and designer labels is what gives him the clue to crack things open.The last 20 minutes involve the villain taking Victoria Shaw hostage with a nasty fight on a cable car that goes over the canyon between Wilde and the villain. Really well done a harbinger of some of the action stuff that is more prevalent in today's films. All staged and directed with distinction by Don Siegel.Edge Of Eternity is a crackerjack noir mystery set in the modern west, but hardly in a tight urban setting. You can't get more expansive than the Grand Canyon and I saw it about 5 years after Edge Of Eternity was filmed there. Grand doesn't begin to describe it, but this film will give you some idea.

romanorum1 An older gray-haired man, in a dark blue suit, drives to the edge of an unpaved road along the Grand Canyon, gets out, and, directly in front of his late-model yellow car, gazes over the canyon with his binoculars. While he is thus occupied, another man, younger and heavier set, sneakily walks up to the car, releases the brakes, and pushes it; his intent is to strike the older man and so that both he and his auto will plunge over the canyon. The car misses the well-dressed man who jumps out of the way. The younger man lunges for the older one but the ensuing quick struggle results in the victory for the older man. The younger one falls a long way to his death.Right after we see Eli Jones (Tom Fadden) who fruitlessly tries to get the attention of deputy sheriff Les Martin (Cornel Wilde). Eli has seen the older man walking aimlessly (after the struggle), but Eli has previously "called wolf" once too often, so the sheriff dismisses him. Instead he chases after a fast driving young lady (Janice Kendon, played by Victoria Shaw) and gives her a speeding ticket. Later we find out that her brother Bob (Rian Garrick) is a drunk. Their father Jim (Alexander Lockwood) is an owner of the nearby Kendon mine. Meanwhile Eli returns to his office (the Kendon Mine Corporation), a remote frame structure. He sees the older man, the one in the dark blue suit, hanging from the ceiling with his hands tied behind his back. Sheriff Edwards (Edgar Buchanan) and Deputy Martin, who have been summoned by Eli, are on the scene of the crime. "Well, at least we know it's not a suicide," quips Edwards.While Deputy Martin is investigating the case, he meets with guano mining foreman Bill Ward (Jack Elam), who tells him that his watchman, Charlie Piper, is missing. Martin discovers that the current mining operation (US Guano) involves 500,000 tons of bat guano (sold for fertilizer). A tram car supported by cable traverses 9,000 feet across the canyon. The expression "over the rim" had cropped up in Martin's investigation. The tram has something to do with something nefarious. At Scotty O'Brien's bar in town (Kendon), Martin gathers no information. A little more than a half-hour into the film, Martin and Bill Ward are being flown over the canyon where they spot a crashed yellow car and Charlie Piper's body. (Piper was the dude who tried to kill the older man at film's beginning.)At the abandoned gold mine post Martin arrests a vagrant, Suds Reese. He has binoculars with the initials R.E.W. They are obviously not his; Reese claims he found them. But this comes to nothing. While Martin's investigation continues, his budding romance with Janice Kendon romance has amplified. One night at the Kendon Office Eli, alone, watches a TV show. A man, whom we do not see, enters. Through the man's eyes we observe Eli. Eli tells the man that he has spotted something of interest on the framed photograph hanging on a wall. It is Jim Kendon posing in a group photo next to the murdered man in the dark blue suit. Eli says that he will immediately call the sheriff. Thereupon the stranger takes a knife and stabs Eli to his death. Another murder!The next scene focuses on a coroner's inquest that the politically minded county attorney is using for his own advantage. He is backing his own candidate for sheriff with the intention of removing both Edwards and Martin. The CA tries to rile up the citizen's committee. The coroner reminds the CA that the purpose of the inquest is to discover the identity of the dead man (blue suit) and the cause of his death. Because of the budding political situation over the unsolved three deaths, it is imperative that there is break in the case.A break does occur about an hour into the feature. Deputy Martin discovers that the identity of the man in the blue suit was Randall E. Whitmore of New York, Executive Vice-President of Kendon Mining Corporation. Martin quickly drives out to the Kendon family home where all three family members (Jim, Bob, and Janice) happen to be present. Jim is genuinely shocked to discover that the dead man was Whitmore. And why was he out in Arizona instead of the NY offices? Martin surmises that Whitmore found out that someone was taking some of the gold from the Kendon mine without permission. Difficult, but can be done, says Jim Kendon. While this is transpiring Bob gets a telephone call and leaves. Janice, suspicious, says she will make a pot of coffee, and leaves the room. Instead of heading out into the kitchen, however, she takes her car and follows Bob to the local airstrip. At the airstrip things come together and we see the main bad guy, who comes as a surprise. I will not reveal his name. The movie climax occurs about 15 minutes later, and it involves a shootout on the suspended tram high above the Grand Canyon.Using a USA National Park/Monument in movies goes back a long way. For instance, the first motion picture featuring aerial views of the Grand Canyon was a Tom Mix western, "Sky High" (1922). Yellow Sky (1948) was filmed at Death Valley National Monument (now Park). John Ford's beloved Monument Valley was the setting for many of his westerns, including "Stagecoach" (1939) and "The Searchers" (1956). Alfred Hitchcock used the Statue of Liberty National Memorial in "Saboteur" (1942) and Mt. Rushmore NM in "North by Northwest" (1959). In "Dangerous Mission" (1954) the star was Glacier National Park. "Close encounters of the Third Kind" (1977) featured Devil's Tower National Monument.The cinematography is simply excellent. It must be also said that the acting is decent, even with Wilde's strange accent. Victoria Shaw looks great and for once Jack Elam is not the heavy. Entertaining and suspenseful!

Robert J. Maxwell One thing you have to say for Don Siegel -- he managed to work in some scenic locations, in this case in and around the Grand Canyon. But this is a formula film, not an identifiably Siegel product. His favorite theme seemed to revolve around a person caught between the law and the underworld, siding with neither, on his own trip so to speak. And he was not a camera artist. There are no fancy shots in his movies, no epic explosions, no artsy compositions. It's all craftsmanship -- but it's really GOOD craftsmanship at its best. It's difficult after the fact to pin down exactly what his contribution was to his best films but he seemed to add something of his own to the script and to pull out unusual performances from otherwise ordinary actors.Take "Line Up", made about the same time as "Edge of Eternity." It's a relatively plain movie about dope smugglers but Siegel managed to put something extra in it. There's Robert Keith, nobody's idea of a finely tuned performer, doing something very odd with his intellectual reserve. And Siegel even manages to turn Vaughan Taylor (!) into a figure of menace even though he has no more than one or two lines of dialogue.Nothing like that happens here. Cornell Wilde is the upright sheriff. Edgar Buchanan his folksy boss. Mickey Shaughnessy is the heavy posing as the comic relief. There is the drunken wastrel of a son. There is the pure (if rather aggressive) girl after Wilde. Jack Elam as a regular hard hat. The plot is simplicity itself. A small group of nogoodniks are trying to smuggle gold out of an abandoned mind and commit a couple of murders along the way. The plot is foiled by Wild, ending in a fist fight aboard one of those dangling trams over the Grand Canyon, done better than the one in "Second Chance" but not as lengthy or exciting as the one in "Where Eagles Dare." No unusual guns are in sight. No bitterness or betrayal. The actors hit their marks, say their lines, and depart. It's as if Siegel were shadow boxing, warming up a bit.If there is anything outstanding about the film it's the gorgeous photography, crisp, colorful, sunny, and the scenery itself. The cars are equally magnificent, especially a long yellow convertible that glistens under the day-for-night sun. Yet it's engaging as these things go. It's formula movie making but it's not bad, anymore than Pythagoras' theorem is bad. It's just -- well -- just THERE. On the plus side, I never knew that bat guano was worth so much that even a considerable quantity would justify building a tram across the Grand Canyon. What would we do without bats?