RyothChatty ridiculous rating

Claysaba Excellent, Without a doubt!!

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Cassandra Story: It's very simple but honestly that is fine.

robert-temple-1 This was truly Marie Dressler's finest hour. She was justly nominated for an Oscar for the lead role of Emma in this film. Clarence Brown, who directed so many of Greta Garbo's films, had directed Dressler as Marthy in ANNA Christie (1930/1) with Garbo, and clearly appreciated her unique screen power by casting her in EMMA. It is not often that a 64 year-old actress can entirely dominate a film, but that is what happens here. Among the cast was the young Myrna Loy. The film is based on an original story by Dressler's close friend, the screenwriter Frances Marion. It concerns a middle-aged woman named Emma who is the maid to a family of a man with three children. When the story starts, his wife is in the middle of childbirth. She dies and the baby is also not breathing, but Emma saves the little boy. She then acts as mother to the four children until they are grown up. She also nurses Mr. Smith, the ailing father, a gentle and caring person excellently played by Jean Hersholt. After serving the family selflessly for 32 years, Emma's worth becomes suddenly clear to Mr. Smith and he proposes marriage. He then tragically dies on their honeymoon, having made a will leaving everything to Emma because his unruly children are not responsible enough to handle the money, so that he entrusts Emma with managing it for them. The eldest three turn on her viciously and take her to court, accusing her of having murdered their father to grab the money. This is a very emotional film with lots of comical moments, but it is also a bit of a weepie. It is a magnificent film of its time, and deserves wider recognition. It shows the best and worst sides of human nature. As for Marie Dressler, may her reputation never die.

mgmax I find Marie Dressler vehicles fascinating, not because I entirely enjoy watching her (she's kind of scary) but I find it so interesting that glossy MGM had a star who was aimed at that whole class of old-before-their-time, world-weary housewives and mothers who would put on their frumpy best, walk in ill-fitting shoes after a long day of doing things for everyone but themselves, and sit down for 75 minutes of intense identification with one of their own. Once labor-saving devices and family planning conquered America, women stopped being so tired and worn at such early ages, and so there's never been another star quite like her; the equivalent audience is seeing things like Mamma Mia! today, fantasies of late-middle-aged youth, not premature old age. In this one she's a housekeeper who is really the only mother a bunch of rich kids ever had; the dad finally marries her in old age, she inherits the estate, and three of the kids come after her to get the money. The setup doesn't entirely bear scrutiny (the spoiled grown kids hardly act like they've even met her before, let alone were raised by her) but it doesn't matter, it's all about her frumpy-old-lady common sense telling the world what's what, a Mr. Deeds for the support hose set, and you can see why her audience ate it up and she got an Oscar nomination.

muffinheuer2003 Hello,I'm looking for a VHS or DVD copy of this movie. If anyone has one or knows where I could get one, please email me at [email protected] I'm looking for it because Mickey Rooney has a bit part in it.;) I appreciate it so much! Also visit my fan club for Mickey Rooney at www.mickeyrooneyfanclub.com I'd appreciate it! There are also a fewmore RARE movies I'm looking for. Fast Companions, Love Birds, I Like It That Way and Half A Sinner. All from the 30's.GGGGGGGGGGG OOOOOOOOOO DDDDDDDDDDDDD BBBBBBBBBBBBBB LLLLLLLLL EEEEEEEEEEEE SSSSSSSSSSSSs AAAAAAAAAAAAAAAAAAa MMMMMMMMMMM EEEEEEEEEEEE RRRRRRRRRRRRRR IIIIIIIIIII cCCCCCCCCCCCcc AAAAAAAAAA

Ron Oliver Watching after her rich employer's motherless brood, elderly housekeeper EMMA finds love in a very unexpected place. But an accusation of murder is only one of the burdens she'll have to bear on her weary old shoulders before she finds a way to be useful again.At the time she made this film, Marie Dressler was Hollywood's greatest star. An unlikely celebrity sensation, with her homely face & shapeless body, Dressler was nonetheless adored by the American public who could sense her basic decency & goodness. For a few brief years she became the nation's grandma, someone with whom the public could feel completely comfortable. Dressler seemed to typify the virtues of hard work & plainspoken honesty - attributes which counted for much in the Great Depression's darkest days.This in no way is meant to denigrate Dressler's talents as an actress; she earned her accolades. She had complete command of her craft, mobilizing her pliable face & large body into capturing & holding first the audience's attention & then their admiration, followed quickly by their deep affection. Marie Dressler was a unique cinematic phenomenon; she stands alone, never replicated, duplicated or effaced - except by the vagaries of fickle time. Today in this new millennium, when her special earthy benevolence is needed more than ever, she is virtually unknown to any but the oldest or most nostalgic of movie mavens.As sole star, and with a script penned by her dear friend Frances Marion, Dressler is given free rein to beguile in EMMA. Whether dealing with tragic death, or engaged in comedic high jinks (Dressler in an airplane simulator run amuck or chasing her lingerie-disgorging suitcase across a crowded train station is nothing less than hilarious) she is as completely unforgettable as she was to prove utterly irreplaceable.Firm support is given by gentle Jean Hersholt as Dressler's kindly employer. As his son, Richard Cromwell gives an energetic performance. Lovely Myrna Loy, not-quite-yet a star, is strangely awkward as Hersholt's spiteful daughter. John Miljan is effective in the role of a relentless District Attorney.