Softwing Most undeservingly overhyped movie of all time??

SparkMore n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

Kirandeep Yoder The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

jaibo An admirably sleazy entry in Laura Gemser's filmography, this has the Black Emanuelle actress and her partner and perennial co-star Gabriele Tinti earning some quick bucks in the Greek exploitation film industry. Gemser plays a character called Emanuelle, who bears no relation to the Emanuelle she played in the original and the D'Amato series (perhaps the character wasn't called Emanuelle in the original Greek version but has been given that name in the dub). This Emanuelle is the abused trophy wife of a wealthy Greek orange magnate, a man who likes to humiliate and sexually torture his spouse with his business partners and in front of his nymphet of a daughter, Livia. Emanuelle plans and executes the murder of the magnate, a plot carried out by a seedy but sexy hit man called Mario Infanti. Emanuelle, now guardian of Livia and head of the orange distribution company, thinks she's got away with it. But Mario wants more money and the magnate's old cohorts suspect the truth.The plot has an intriguing trajectory, as Emanuelle mends her fractious relationship with Livia and becomes romantically involved with another business contact of her late husband, Tommy Snow (Tinti). A new, happy family seems to be forming but the chance of happiness is cut short when Mario rapes Livia and Emanuelle revenges this by shooting him in an old amphitheatre, a setting which has the film's melodrama nodding to classical tragedy, Emanuelle (who'd have thought it?!) joining the ranks of Medea and Clytemnestra. It is as if any challenge to corrupt, abusive patriarchy means involvement with dangerous allies, the past association coming back to haunt the rebels even as they feel they are safe.The story is interrupted at regular intervals by bouts of pretty steamy sex. Emanuelle makes love to Mario and then Tommy, Livia makes out with her young beau Mike and Mario makes out with various women. The sex scenes are as graphic as a softcore movie could get and have a horny, erotic feel to them. It is, however, somewhat problematic that the actress playing Livia looks barely older than 15 – she has a nude shower scene, a (tame) love scene with Mike, a very sexual disco dance and, most troubling, a brutal and prolonged rape scene where her naked body is abused and tossed around like a rag-doll. The BBFC certainly had problems with this casting and cut over 6 minutes out of the film at its last (2008) submission, "to remove scenes in which a naked or semi-naked child is portrayed in a sexual and exploitative manner, including a scene of sexual violence." This certainly gives the film an added edge of danger but the rape – coming out of nowhere in terms of dramatic build-up and Mario's character development – leaves a nasty taste in the mouth.But perhaps a nasty taste is one of the affects that Eurosleaze cinema of this ilk is designed to provoke? If so, then Emanuelle Queen of Sados (aka Emanuelle Queen Bitch, aka Emanuelle's Sweet Revenge et al) is a pretty ripe slice of the Eurosleaze, a veritable factory of zesty, over-ripened oranges.

haildevilman I've said it before and I'll say it again. Goddess Gemser is beautiful.This is typical of the films she had been doing. Rich, greedy people trying to put one over on each other. Said people have weird ideas about love too.She starts by fiddling with a guy in order to get him to kill another guy by pouring sand into his airplane gas. She succeeds, then takes over a young woman's life.She plays out of type here though. She's meant to be seen as evil. Her actions were those of a real harpy.The scenery was lush and the nudity was rampant but the story was a bit old. Fans of Goddess Gemser (ME ME ME) will enjoy it for sure.

lazarillo The "Black Emanuelle" series went from pointless erotica ("Black Emanuelle") to the most crass and tasteless Italian exploitation ("Emanuelle in America")without ever actually achieving any drama or a real plot. This is about the closest the series ever came to a real movie. Gemser has a meatier-than-usual role as a trophy wife who has knocked off her rich, jaded husband, but is being blackmailed by the sleazy character she hired to do it. She falls in love with her late husband's industrialist partner (played by Gemser's real husband Gabrielle Tinti), and for some reason keeps around her husband's busty mistress, who had helped him sexually torture her and who begins plotting with the blackmailer against her. On the other, she seems genuinely devoted to her husband's teenage daughter, Livia (thus this movie was alternately called "Emmanuelle's Daughter" to capture the lucrative pervert market). The blackmailer, a sleazy looking Greek guy who always has a rose between teeth, makes his way sexually through the entire female cast, but isn't necessarily a very intimidating villain.The ending of this movie is abrupt and incredibly stupid, but up until then there is some genuine dramatic tension, making this slightly more interesting than the typical Emanuelle flick. It's not nearly as transgressive and disturbing as some of the Joe D'Amato Emanuelle films (although the Italian sleazemeister was peripherally involved in this on the production end). There is one unpleasantly graphic, but not entirely gratuitous, rape scene involving an actress of an indeterminate, but probably pretty young, age--but no "snuff film" footage, equine masturbation, or cannibalism here.Gemser, on the other hand, looks great and really gets a chance to act for change. Definitely recommended for Gemser/Emanuelle fans. As for everyone else. . .well, why are you reading this anyway?

Andrew Leavold `That girl' Laura Gemser was permanently plastered across adult cinema screens in the 70s. Hardly a great actress but an absolute stunner, the Javanese-born former model came to international attention in the 1975 smash Black Emanuelle (that's one M to avoid prosecution). She also guested with Sylvia Krystal the same year in Emmanelle 2 as a masseuse, then made five more `official' Black Emanuelle sequels for the notorious `Joe D'Amato'/Aristide Massaccesi, including the gut-munching sleaze of Emanuelle And The Last Cannibals. Countless other titles in Gemser's 50-plus filmography have been retitled to cash in on her fame. Emanuelle's Daughter started out as `Sexy Moon', certainly not one of Gemser's best - my pick is Divine Emanuelle (aka Love Camp, 1980), a ludicrous Jonestown-style musical (!). An often turgid softcore soap opera and travelogue, it was filmed in Cyprus at the height of the Euro-disco craze (you can see the Village People perform `YMCA' on a TV set!). A rich industrialist dies under mysterious circumstances, and his widow ‘Emanuelle' returns to his estate in control of his fortune and his young rebellious daughter. It appears Emanuelle was subject to her husband's perverted whims, and now seeks revenge on his partners-in-crime with the help of the vicious womanizing disco king Mario (Gemser's long-time husband Gabriele Tinti). The film explores the daughter's budding sexuality; Cyprus must have a lower age of consent, as she looks about 14 with her gear off. Familiar face Gordon Mitchell, former muscleman and star of countless westerns and Hercules films, plays one of the husband's cronies, and is dubbed by the voice of Bud Spencer - I keep expecting him to down 14 hotdogs and clock Gemser on the nut! Passable disco tail-waver.