Stoutor It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

Sienna-Rose Mclaughlin The movie really just wants to entertain people.

Edwin The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Jerrie It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

Kirpianuscus and the truth has so many nuances ! a film who impress . for the contact between stories. for the manner to make history, justice and the most delicate decisions. for the grace of an old culture and for the contact of it with a new one. for the scenes who describes the war after the peace. for the crumbs of tradition who preserves the essence of a nation in very difficult times. for a form of beauty who gives to love force and vulnerability. for the dialogs. and for the definition of the truth as work at a large, obscure puzzle. not a great movie. only a wise one. in many moments, a form of historical documentary. in other- a show of high performances. in fact, support for reflection. about the justice. and about the value of the truth.

Jonathon Natsis Matthew Fox and Tommy Lee Jones play polarising American WW2 army generals to a tee in Emperor, the compellingly true story of the aftermath of the war in Japan, and the concerted US effort to compile enough evidence to convict Japanese Emperor Hirohito of war crimes. Trained on a seldom-acknowledged aspect of mankind's greatest battle, Emperor infuses a grand story with intimate relationships, making for a superb addition to the voluminous library of war on film.While Tommy Lee Jones relishes in playing every Tommy Lee Jones character ever (stealing all the best lines in the process) as the hard-nosed but cunning General MacArthur, Fox delivers a more grounded and arresting performance as Bonner Fellers, a man torn between his moral obligations and his duty to the army, and to an American public crying out for blood. Director Peter Webber infuses a romantic subplot with Fellers' Japanese girlfriend Aya (Eriko Hatsune) neatly, filling a role but never interjecting into a story that, quite frankly, is underscored by the power of men post-war. When MacArthur finally comes face-to-face with the Emperor after an excruciating build-up, the scene's emotional force and intense interplay perfectly resonate the best attributes of this vastly underrated drama. *There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review. If you're looking for a writer for your movie website or other publication, I'd also love to hear from you.*

rogerdarlington This film tells a fascinating story in fine style, but it is difficult to see how anyone thought it was big screen material. Its box office takings were predictably low and it was in theatres so briefly that I had to catch it on DVD which was certainly a worthwhile endeavour.In 1945, General Douglas MacArthur was made Supreme Commander in American- occupied Japan and one of his first and most momentous decisions was whether or not to execute Emperor Hirohito as a war criminal. For most Americans, there was no debate: Hirohito was the man who endorsed the infamous attack on Pearl Harbor. But, whether or not he backed the war, a case could be made that he was crucially instrumental in bringing about the peace by ordering the Japanese to surrender. Furthermore the hanging of the emperor - still revered by most Japanese as a deity - could well lead to an explosion of violence that would make the occupation by the Americans and the revival of the shattered nation immensely more difficult.MacArthur commissioned Brigadier General Bonner Fellers to make a study of the emperor's complicity and make a recommendation on execution. Fellers was someone who knew the Japanese well and had considerable respect for their ancient culture. Indeed, before the war, he had fallen in love with a Japanese woman studying in the United States and, even after the war, was anxious to see her again.This amazing story is told respectfully by British director Peter Webber and writers Brazilian Vera Blasi and American David Klass, drawing on Shiro Okamoto's book "His Majesty's Salvation", in a film that even-handedly represents Japanese perspectives of the time. The acting is first-rate with Matthew Fox (best-known for the TV series "Lost") giving a sensitive performance as Fellers and Tommy Lee Jones perfectly cast as the swaggering MacArthur. Many excellent Japanese actors contribute, notably the lovely Eriko Hatsune as Fellers' girlfriend. Shot on locations in both New Zealand and Japan, high production values make this an admirable viewing experience.The movie lacks the fast-paced action that many expect from a visit to the cinema and arguably it is overly sympathetic to the Japanese position and somewhat saccharine in its treatment of the romance, but it is a real pleasure to see a work that tells a little- known story of such consequence so well.

sddavis63 Although I like Tommy Lee Jones, I have to say right off that I was not entirely convinced by Tommy Lee Jones as Douglas MacArthur. He didn't seem to work in the role for me. That was something of a distraction, probably overcome by the fact that MacArthur was not front and centre in this. That place went to General Bonner Fellers (played by Matthew Fox.) Fellers was the American general who played a key role in investigating war crimes and making recommendations on charges to MacArthur.Ostensibly, the movie deals with the question of whether Emperor Hirohito should be tried as a war criminal. There's a good consideration of both sides of that debate; the pros and cons of trying Hirohito. Based, however, on my admittedly limited knowledge of what happened in post-war Japan, though, I'm not sure that the question was as open as depicted here. My understanding has been that the Americans never intended to try Hirohito and that it was with MacArthur's open concept that Fellers made sure that his reports recommended against the idea. That aside, the movie provides an interesting glimpse into the Japanese culture of the era, the reverence the Japanese held for their Emperor and the practical difficulties that would have been created by a trial.The movie weaves some of the quasi-historical narrative around the war crimes decision with a fictional story of a past romance between Fellers and a Japanese woman named Aya, that began at a college in the United States. We see flashbacks of that relationship, and at least a part of the movie is Fellers' search for Aya in the post-war world. The impression given is that the relationship perhaps softened Fellers' attitude toward the Japanese. I wasn't entirely taken with the need for the Aya storyline. I thought there was enough in the war crimes investigation to keep the movie going without that intrusion, although I concede that Aya was a likable enough character, and I did want to find out what her fate had been.As a straight war crimes movie, this would probably get a higher rating. As it stands - 7/10.