Matrixston
Wow! Such a good movie.
2hotFeature
one of my absolute favorites!
Libramedi
Intense, gripping, stylish and poignant
InformationRap
This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
denise-hasircioglu
"If this sh*t happened back in the medieval times or whatever, you couldn't call the cops, there were no security guards." Really? What kind of amateur script writing is this? My seven year old niece can write better material than that. If a guy tries to steal your car and "kidnap" your girlfriend. By all means, stab him in the stomach.. But don't assume you killed him please... Secondly WHY make the motel manager this creepy serial psycho killer type when you're not even gonna go anywhere with it.I don't have anything bad to say about the characters, considering how little they must have been paid. Spoilt rich girl and moneyless boyfriend trying to prove his worthiness. But they could have done so much more with the topic. Trying to survive with no gas and having no survival experience. Instead, there is a multiple homicide {or suicide?) situation JUST as they are about to get saved. What kind of an ending is that?I kept thinking there was gonna be an explanation to that ending after the credits rolled I sat their looking at the names of people who worked on the film. Taking note to never watch a film with the same cameraman again. So, script: Bad Camera and editing: Bad Acting: Average Topic: Good Ending: HorrendousI give this a 1 out of 10 in the hopes that the director makes better movies in his future career, after seeing how he failed so badly on this one.
rmarkgarrett
The acting is not the problem. The kids are believable as the stereotypes they portray and we all know this couple if not many like them. This film isn't in any sense "chilling" or "apocalyptic", but it is more predictable that a teen slasher flick. Take any couple you know where the guy is an arrogant, controlling, self-centered idiot who's almost as annoying as he thinks he's charming, a low self-esteem and very naive, if not stupid girlfriend, take away the conveniences of civilization, and you have a pair of Darwin Award winners that you know wouldn't live long enough in the fantasy world for a short feature, let alone 1:22. There are several really glaring continuity errors that point out the questionable judgment of whoever did the editing while high, drunk, or running out of GAFF which you will find yourself doing as well, long before it's over.
leif-weston-andersen
All stories, ultimately, are love stories. The vehicle used to tell this one is a catastrophic gas crisis that catches two lovers unaware as they exit the woods following a week-long camping trip in the throws of their own inter-emotional crisis. Empty overtly focuses its energy on the latter, personal crisis, and the title aptly reflects a romance at its terminal point. As an emotional race through the chaotic and damaging emotions attending the dissolution of a deeply felt relationship, the film works, and at times it works very well. I watched it through to its rather abrupt ending, and that says something. For a feature film made on 10 grand, this actually says a whole lot.However, great as the premise may be, and as sound as the fractured romance plays, this film's overall execution is touch and go.The gas crisis as plot vehicle is something of a jalopy riddled with holes (see others' reviews on this). Still, if one backs away from its rusty details, the conundrum does actually run and functions perfectly well as a foil for the drama to unfold.The script is hot and cold - on again, off again - yet it was on just enough to keep me engaged in the unfolding drama between Piper and Dell.Likewise for the acting. Williams' portrayal as Piper was strong and convincing. Carlo as Dell was less so, but I felt this had more to do with weaker scripting for his character. I actually found the leads' chemistry to be quite endearing. And McBrien did a great job as the spooked, neurotic hotelier.The essentials of the direction were solid, and I appreciated the choice of camera angles used throughout. Highlights take place in the hotel, and shots of Piper were always at their best. Yes, the fight scene was a little underwhelming, and there were a few further minor downers. However, Fangoria reports this film was made in just 10 days in the dead of winter, and when I consider this, I give it plenty of props.Editing: given the extreme constraints the editor had to work with, I'd say he did an admirable job. Overall production values were low, but this doesn't necessarily hurt the film. I loved the folksy guitar track; it provided an air of humility and compassion throughout, two qualities the story required to move forward.Could a better feature film have been made using this premise of gas crisis, but with only 10 days, and $10,000? Maybe. But I haven't seen it, and in the meantime, this film had the courage to try. The result is ultimately watchable and often satisfying. I'm impressed and immensely encouraged to know that this kind of project found wings.
davidfurlotte
Okay, I love the premise. America (probably all of America, North and South) runs out of gas and people will be all over the place WHEN it happens.BUT, that is NOT the REAL premise of the movie, the REAL premise is that a guy and his girlfriend are having relationship issues that mostly revolve around the fact the girl's father does NOT like the boyfriend.As almost EVERYBODY here said, can the two of them not have a conversation that does NOT end in an argument? I'm sorry but the premise breaks down when the two of them don't bother to buy into it right from the beginning.They is NO GAS anywhere. The ONLY vehicle with gas is theirs and what is left in their tank. POWER goes out and they treat it as some little minor inconvenience. (Well, in fact, it was, because it seemed the power came back on at times during the filming of the movie.) They find out from their various relatives that they are in for at least 3 months of this but instead of trying to do some long-term planning on how they will survive, they act as though they're on some little "outing" somewhere.******SPOILER******* Obviously, Piper's dad was right because the ONLY reason Dell picked up the gun was to use it in some psychotic rage at the end of the movie, instead of using it on either the knife-wielding car jacker or the thieves who stole their food.I'm sorry but some kind of thought should have been given to WHAT would you do WHEN it happens. This whole production reminded me of what a couple of rich college kids would shoot if mommy and daddy financed their "brilliant" production. Give this a PASS because in reality, EMPTY is not about the gas tank, it's a reference to the quality of the script.